episode of the literary podcast, don’t let them say, let them read, we spoke today with alexander yakovlevich levvergantgy, i tell you all, read with pleasure. this is an easy money podcast, me and its host mikhail khanov. today we are dealing with such a complex topic as digital assets, digital currencies, digital ruble, cryptocurrencies and even bitcoin. our guest today is mikhail bilyaev, candidate of economic sciences, financial analyst. hello, mikhail. hello. let's help our audience figure out what digital money is, if we take the broadest class, it's digital money, digital currency, what should we call it? here, call it what you want. sphere, that is, the sphere that is served by all kinds of electronics and other programs, so they exist only in non-cash form, in fact, how do they differ from non-cash money in all, and you know, only in technology and equipment, but there is one thing there is a very big difference that this whole class is what is usually called crypto money or cryptocurrency, it is generally divided into two such classes, which have nothing in common with each other except techno

today, this is a writer, translator, editor-in-chief of the magazine foreign literature, alexander yakovlevich levvergantnslation, if apart from the fact that this literary translation has to be changed every now and then, with classes in roggu, where i have been for more than 30 years, it’s scary to say, i teach there at the russian state humanitarian university, aleksandrevich teaches what courses, well, i have a literary course translation, and there are courses on foreign literature of different times, american literature after forty-five, english victorian literature and a course of lectures, which is solemnly called on ethics and genres of foreign literature, then there is this special course, what is it called, well , it seems like yes, it seems like yes, then you have to change the literary translation. the magazine is foreign literature, although here in general there is no smell of treason, because that’s what we actually do as magazines, but it’s a magazine , it doesn’t publish just me, it publishes a lot of people, that is, it’s not a writer’s diary, it’s not a translator’s diary, yes and her

, this is the writer, translator, editor-in-chief of the journal foreign literature, alexander yakovlevich levvergant be changed every now and then, then with classes in roggu, where i have been for more than 30 years, it’s scary to say, i teach there at the russian state humanitarian university, where alexander yakolev. what courses does he teach? well, i have a course in literary translation, and there are courses on foreign literature of different times, american literature after 1945, english victorian literature and a course of lectures, which is solemnly called, poetics and genres of foreign literature, yeah , that is, this is a special course, what is it called , well, sort of, yes, for university courses, kind of yes, then you have to change the literary translation with a foreign magazine. literature, although in general there is no smell of treason here, because well , that’s what magazines do, but it’s a magazine, it doesn’t publish just me, it publishes a lot of people, that is, this is not a writer’s diary, and not a translator’s diary, and here i already have to be not so much an author

died a lot earlier, but look, also, what is very important, again, i appeal not only to alexander yakovlevich levvergantussian, since russian was greatly impoverished, due to the fact that was published abroad, something was written on the table, but something was not allowed, what was not allowed in print, but from abroad... in many ways the same thing happened, because the pantheon of foreign literature that was built before the war, or the first post-war years, he was far from adequate, right? that there was no joyce, there was no virginia woolf, there was no david herbert, he died 2 months before she committed suicide, they were not in russian, with the exception of these fragments in the journal international literature, there was no lawrence, and there were few virginia woolf, there was no virginia woolf at all, there was no virginia woolf at all, but there were completely different authors, let’s not offend them, they are wonderful, in england in america in germany, wolf doesn’t like these authors. could not stand the late victorians, benet, gelsorsi, wells, great writers, great writers nothing y