conceived before a general plan for the exhibition has been formed, clarifies creative director alexandra dubinina. but there was a long debate about what this copy should look like and how to place it. it was about thirteen. we have the design concept, we just moved forward in different ways, looked at what was best , one of them was just where we installed a real reactor, we realized that no, it was a bad idea, then we had a story when we already had everything it was in concrete, we made it out of large boxes, printed it on banners , hung it all here to understand how it will look, well, because we draw all the time, we look, we need to hang it up in volume, look, and they also came like this, and well, it will be like this, well, okay, it’s also there, well, somehow it all moves. to the victory, because it was necessary that when he came here, he would capture you completely. every half hour the lights in the rooms are dimmed a little, and the reactor comes to life. a music and light show called the atomic symphony begins. the accompaniment is original, the notes, the composition itself, and o