hello, sergei mikhailovich, and today we will talk about director alexei balabanov, who directed thee to see the trailer for a documentary film that was recently filmed about alexey balabanov, who is called alexey balabanov afterword, this brother’s theme , it appeared there for the first time, but i didn’t think about it, i didn’t take him as an artist, but as a person who, well, together with me, heroes appeared, all at once brother brother arose, i first talked to the people who were sitting in these pits, they told me such terrible stories, now people think that we are completely frostbitten, i wanted to make a black film like this, where all the famous, famous artists, moron, got me, the thing is that i i serve in the army. yourself, it’s simple, in fact, just learn the words, i wished that it would rain, then you will understand everything, only in the sky, so we watched the trailer of this film, and i understand that you have already talked about alexei balabanov many times, well we all left the soviet union anyway, but we all left anyway. from soviet culture, from the soviet

, which is called alexey balabanov afterword, this is the topic of my brother, it appeared there fori’m talking about it i didn’t think, he’s never a creator, he’s not the master, others can analyze, he himself apparently can’t do anything, i just can’t. and i don’t want to, i once gathered a crowd in a cafe only because there, thank the bot, a song would be played, i didn’t choose an artist, but a person who, well, together with me, heroes appeared, everything arose at once, brother brother, i first talked to the people who were sitting in these pits, they told me such terrible stories, now people think that we are completely frostbitten? the main character of the film, she died, i have an idea to act in films myself, it ’s simple, in fact, just learn the words, i wished that it would rain, then you will understand everything, just give in in the sky, so we watched the trailer of this film, ah... i understand that you have already talked about alexey balabanov many times, that’s all we still came from the soviet union, yes, we all still came from soviet culture, from the soviet envi

hello, sergei mikhailovich, and today we will talk about director alexei balabanov, who directed theot about alexei balabanov, which is called that alexey balabanov afterword, this is the topic of my brother, it appeared there for the first time, but i never thought about it, the creator, he is not the owner. a person who, well, together with me , heroes appeared, everything arose at once, brother brother, i first talked with the people who were sitting in these pits, they told me t... it’s a terrible story, now people think that we are completely screwed frostbitten, i wanted to make a black film where all the famous, famous artists are morons, i understood me, the fact is that i have been serving in the army for 2 years, this there was an afghan war, that’s why i have 200 in georgia, this scene, when the il-76 comes in handy in moscow, i say, i’m filming to myself all the time, but you didn’t watch the river, no, you haven’t finished how to watch it - that? i was at the venice festival, and tuyara , the pig-fighter, the main character of the film , she died, i have an idea to act i

i understand that you have already talked about alexei balabanov many times, well , we all came fromtill soviet people, whether we want it or not, i like it we don’t like all this, that’s what you think, it had an impact on balabanov, or in fact , what i’m saying doesn’t matter, i don’t say it often. ethiopia, yamen and so on and yes, he started his first directorial experiences in soviet times, his short films, and a wonderful , let’s say, non-fiction, documentary film by nastya egor, it was also filmed in 1987, that is, when this was also the soviet union, that is, yes, but... perhaps explains, and something, i don’t know if this has any significant significance for those who love balabanov’s films and want to somehow understand them deeper, for example, i really love balabanov’s films, i really want understand them more deeply, and he really often perplexes, because the feeling is that... one film doesn’t exactly negate the other, but at least imagine that the same person made so many , yet quite different ones, this is the answer to your question about soviet union. balaban was a

hello, sergei mikhailovich, and today we will talk about director alexei balabanov, who directed thefilm that was recently filmed. this film, and i understand that you are very much since we already talked about alexei balabanov , well, we all came from the soviet union anyway, yes, we all came from soviet culture, from the soviet environment, anyway, we are soviet people, we don’t want to, we like it, but we don’t like everything this is how it seems to you, this had an influence on balabanov, or in fact, what i say has no meaning, i don’t tell it often. "ethiopia, yemen and so on and yes, he began his first directorial experiments in soviet times, his short films are wonderful, let's say, not a fiction, a documentary film by nastya egor, it was also shot in 87, that is , when, well, this is also the soviet union, that is, yes , but this..." well, this perhaps explains something, and, and something, i don’t know if this has any significant significance for those who love balabanov’s films and want to somehow understand them more deeply, for example, i really love balabanov’s films,

that this is an example of just such chemistry this film, which is called the afterword , and alexey balabanovlly... it’s clear that the journalists managed to get him talking, yes, they found him, if so, then he will feed him, let him spend the night, he will be ready to talk for a long time and talk about to oneself, including things that somehow seem unflattering from the point of view of others, and even to strengthen and emphasize them in order to further frame these beautiful people a little, somehow the energy disappears with age. so good, then he was with him as much as possible open, friendly and so on, but this rarely happened, so yes, the merit of the authors is indisputable that they somehow found him, managed to charm him, get him talking, but i’m actually here, so i understand that what i, of course, we also study as best we can, so, well, what is this called memory, or what? everyone who, with respect, with some kind of respect, yes, does similar work, we... continue the conversation, this is the podcast life of the remarkable, our guest is producer sergei silyanov. i must say t

and this is exactly balabanov, then i already found out that sergei badrov wrote the script, seryozha wrote it, i don’t remember, i once told him something, just like that to alexeiut my feelings, i don’t know how important it was for him. so, but in any case , i remember that of course he gave the impression of, as you said, a completely fair man, absolutely free, so he really was a man who was walking down the street, looked in, came here, that’s what it’s like for me, of course a very dear memory, morphie, well, really, yes, this is a script by seryozha bodrova, but it was shot by seryozha bodrova based on blugakov, but it was shot and meaningful in its own way, it’s balanov, but it’s interesting that, in principle, most of the films are still. he wanted to die, he would just be happy if he would just die there in two or three days, but what are we, well, as soon as work, something maybe somehow, well, in others there might be something else... maybe, but we definitely don’t know how to do this, and he, of course, didn’t want to do anything, well, if the so-called flow, well , the script comes to the studio, i watched them , first of all, from the point of vie

seems to me, an example of just such chemistry is this film, which is called afterword, and alexey balabanovlly shows that the journalists managed to get him to talk, and forced him. if so, then he will feed you, let you spend the night, be ready to talk for a long time, and talk about himself, including things that seem somehow unflattering from the point of view of others, and even strengthen and emphasize them in order to frame them a little in addition to these wonderful people, somehow this energy disappears with age, and cinema is the energy of the heart. lubin and so on, but this rarely happened, so that yes, the merit of the authors is indisputable, that they somehow found him, managed to get him to talk, to talk to him, i’m actually here, so i understand that i, of course, we are also working on it as best we can, here, here , well, what is it called, memory, or something, balabanov , yes, and i, of course, appreciate everyone who, with respect, with some kind of... with some kind of even respect, but does similar work. russia cannot be understood by the unom, but by arshin in gener