continue, this is a podcast about the life of the wonderful, i am with you, its leading writer alexey varlamovst is the rector of the shchukin theater institute, evgeny vladimirovich knyazev. and the rector of the shchepkin higher theater school boris nikolaevich lyubimov, i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work, about the vakhtamgo theater today, you know me, so i understand that you have played a lot of work in cinema, in the theater , probably a separate podcast could be dedicated to this, but after all, this is what is personally very interesting to me, i am very interested in zoyka’s apartment, because zoyka’s apartment was a play by bulgakov, which was performed immediately after the success of the turben days in mkha. well, we were all - scattered there - in this performance, in this piece in the performance with these artists, but here we are alone and there is not a single one, neither popular nor honored, we were all the same year old, came out on stage and played this performance, so i am grateful, well , firstly, this

we continue, this is the podcast life of the remarkable, i am with you, its host, writer alexey varlamovrector of the shchukin theater institute evgeny vladimirovich knyazev and the rector of the shchepkin higher theater school, boris nikolaevich lyubimov. boris nikolaevich, how did it happen that this modest young man, who was even embarrassed to confess his love, became such a superstar of soviet cinema, it was he who was entrusted with playing the role. people, no one from lenin’s inner circle, in fact, by that time they were either pushed aside, like krupskaya, or shot, so here... a step to the right, a step to the left, and it could end with anything, in that he looked like lenin, gorky saw this, back in '32, when they were rehearsing there, and the balychevs were rehearsing, he told him that you look like lenin, and ruben simonov, it stuck with him somewhere when simonov was looking for an artist for the role of lenin, he... remembered gorky’s phrase and offered this role to shchyukin, and the first appearance was in the vakhtangov theater, a man with a gun, a man with a gun, it wa

person, we continue, this is the podcast life of the remarkable, i am with you, its host, writer alexey varlamovyoung man, who was even embarrassed to confess his love, became such a superstar of soviet cinema. it was he who was entrusted with playing the role of lenin, it’s not a joke to play lenin, it’s not a joke at all, because in general, well , imagine, this is lenin in october, lenin in 1918, this is the basis.

i’m with you, its host, writer alexey varlamov, and my guest is the wonderful actress irina apeksimova turns out that in your life there were two of these great olegs, oleg efremov. and oleg tabakov, what would you say about them? could you tell? and tobakov and efremov are two incredible blocks, terribly similar in some ways and completely different, different in approach, different in existence, even in acting, despite the fact that they studied at the same school, they are very different tobaccos from efremov, well, tabakov was still a young artist when efremov created a contemporary, yeah, and although tabakov did not personally study from efremov. but as if efremov were its leader, these are probably people who, as it were, you know, consciously didn’t happen, no one taught me anything, well, tabakov naturally taught me acting, and you studied with tabakov, i studied with tabakov and he taught us very seriously, for which i am incredibly grateful to him, because he was very tough in the learning process , his motto is that he must answer. for every student that he lets out from un

person, we continue, this is the podcast life of the wonderful, with you i, its host, writer alexey varlamov guest is the rector of the theater institute: on the side, they say, it was some kind of, well , you can’t tell, and he leads him to another effect of an exploding bomb, the appearance of lenin, when they started filming this film , then they invited him, but they gave such deadlines short. that they were filming around the clock, and shchukin was also forced to play the repertoire that he had, it was all like that, and responsibility, that’s what we’re talking about, and he writes in these books, and what if it doesn’t work out, let’s see what it turned out, a fragment from the film lenin in october: have you seen lenin, write what he is like, they didn’t bet on copper, they said, here he is... red-haired and with a sideways eye, but we think that he is an independent man, strict, i enormous growth, what can you do, what can you do? it’s written, let’s go to bed, yes, yes, to disappear, in fact, i had a feeling now, when i watched this film, that this was some kind of fig in my pocke

we continue, this is the podcast life of the wonderful, i am with you, it presenter, writer alexey varlamovor of the shchukin theater institute evgeny vladimirovich knyazev and the rector of the shchepkin higher theater school, boris nikolaevich lyubimov. boris nikolaevich, how did it happen that this modest young man. who was even embarrassed to confess his love, became such a superstar of soviet cinema, it was he who was entrusted with playing the role of lenin, it’s not a joke to play lenin, it’s not a joke at all, yes, because in general, well, imagine, this is lenin in october, lenin in the eighteenth year, this, this was filmed in the thirty-seventh and thirty- eighth, so, in total, so to speak, 20 years, but what was happening at that time in the country in the thirty-seventh and thirty-eighth year is, perhaps, meaningless here now. telling everyone this is a very big responsibility, because the revolution was made by lenin, stalin, the people, no one from lenin’s inner circle, in fact, by that time they were either pushed aside, like krupskaya or executed, and therefore here is a st

hello dear friends, this is a podcast life is wonderful, i am with you, its host, writer alexey varlamovy vladimirovich knyazev, people's artist of russia and theater historian, rector of the higher education institution. theater school named after shchepkin boris nikolaevich lyubimov, the reason for our meeting was the anniversary of boris vasilyevich shchyukin, who turns 130 this year. boris nikolaevich, what can we say about this wonderful actor, this is how he is remembered in the history of russian theater and russian cinema. yes. this is a very difficult question for many reasons. in general, when you talk about actors. you give lectures, say, on the history of theatre, as opposed to history and literature, you know this very well, you can’t take the book off the shelf, there isn’t, especially if we talk about theatre, there isn’t that live role that you can show today, there haven’t been those decades people who have ever seen machalov, shchepkin, the sadovskys and so on live, here you go, shchokin, whom we can see live, and a photograph. the optics are very complex, finally, ther

hello, dear friends, this is the podcast life of the remarkable, i am with you, its host, writer alexey varlamoverything together, something else. why am i asking, because i watched one of your interviews, at the very end of this interview you talked about not becoming an actor. do you really think so? i really think so, whenever possible, i encourage everyone not to go into this profession. despite the fact that i madly love this profession, in general, all my time is devoted to it, despite the fact that i work there at the same time... because no matter how beautiful it looks from the screens or from the stage acting life, it is very hard, it is very complex, it is very unstable, very dependent, so i always urge people not to believe in this superficial brilliance, but to think that this is really a very difficult profession, i do not urge men to go into this profession, because it is still very feminine. and for women this is a much more difficult profession than any other female profession, because it requires a lot of strength , both moral and physical, and incredible endurance, and if men.

thekla, for this wonderful conversation, this... was a podcast life of wonderful people you i'm alexey varlamovas fyokla tolstaya, a famous russian journalist, tv presenter and daughter of nikita ilyech tolstov. which we had such a wonderful conversation about today. thank you. hello, the sunday time program is about the events of this day of the outgoing week. current element. help without delay. it is necessary to organize the assessment work in a timely manner. on time, just without pauses. the water is leaving, the commissions should work immediately. big water, where it has decreased and where it is just arriving. bogdanovka is ours, ahead of the clock, the position of this company allows you not only to work on enemy cover using a mortar, but also to burn their dugouts with the help of an anti-tank gun. it’s better for the front, you need to get a machine gun from 12.7, then our assault troops, so to speak, will be provided with this, there is close combat ahead, so to speak. the sowing season is difficult, as you can see, the winter wheat is now turning green, but this field is simply ov

and i’m with you, its host, writer alexey varlamov. and film actress, irina apeksimova. hello irina, thank you for coming, hello alexey, thank you very much for the invitation, irina, you have played many wonderful roles in the theater, in cinema, you play many roles in life, please tell me honestly, honestly, what it is acting is a calling, a destiny, a curse, profession, all together, something else, why am i asking, because i watched one of your interviews, at the very end of this interview you talked about not becoming an actor, so... that’s what you think, i really think so , whenever possible, i urge everyone not to go into this profession, because i madly love this profession, in general, all my time is devoted to it, despite the fact that i simultaneously work there as a theater director, nevertheless we will definitely talk about this, anyway, as if in my feeling, i am of course an artist, an actress, and what difference does it make, by the way, i was always worried about an artist, an actress, an artist - this is such a very

hello dear friends, this is a podcast the life of the wonderful, i am with you, alexey varlamov, my guestslavist, academician niki. and this is thekla’s father, yes, and i must say that thekla and i have known each other for a long time, and many times we have been in the opposite situation, when thekla asked questions and i answered, so today we are changing roles, and i am very interested in what kind of conversation we will have , especially since the topic is very expensive and very important. nikita ilyach turns 100 this year, here we are let's talk about him as your father, as a wonderful... scientist, as a person who once made an amazing impression on me, as on many students of the faculty of philology of moscow state university, because he was completely different, he was not looks like no one else, he has... his speech, his movement, his gestures, it was something completely incredible, what are your memories of your father? we must tell our viewers that my father has been gone for more than a quarter of a century. unfortunately, he died in ninety-six, but really in on the twenty

hello, dear friends, this is the life of the remarkable podcast, i’m with you, its host, writer alexey varlamovhepkin higher theater school boris nikolaevich lyubimov, the reason for our meeting was the anniversary of boris vasilch. chukin, who turns 130 this year. boris nikolaevich, what can we say about this wonderful actor, this is how he is remembered in the history of russian theater and russian cinema. yes. this is a very difficult question for many reasons. in general, when you talk about actors, when you give lectures, say, on the history of theater, as opposed to the history of literature, you know this very well, you can’t take a book off... the shelf, no, especially if we talk about theater, there is no such living role , which you can show today in decades, there are no those people who someday... along with the generation, the marvelous generation of vakhtankov actors, so to speak, next to them, at some point, probably starting with the role of yegor boluchev, he just went sharply upward, he was on the first list of those awarded the title of people's artist of the ussr, he receive

hello, this is the podcast life of the remarkable, i am with you, its host, writer alexey varlamov, anda poet. and in this article, the blog wrote that our memory has kept the cheerful name pushkin since childhood. this name fills many days in our lives. bag names of generals, emperors, inventors of torture , murder, torturers and martyrs, next to them is the light name pushkin. in six months the block will be gone, but in the same article he will write that... yes, even many of pushkin’s poems, for example, the famous one written on one of his birthdays, a vain gift, a random gift, life, why were you given to me. a lot of sad things pushkin had, and nevertheless, a cheerful, light name, the block is absolutely right here, but why is this so? here is an example of extraordinary luck, says the unlucky poet sashka about pushkin. khin from roman bulgakov, master margarita. remember, when he returns from the insane asylum from ivan bezdomny, who accused him, sashka ryukhin of mediocrity and in such a sad, melancholy mood, sashka is driving in a truck along tver boulevard, suddenly he sees t

this was a podcast about the life of the wonderful, i was with you, the writer alexey varlamov, and todayguzeeva, let's get married. good afternoon, nikolai, vitaly and roman are married today. mail, where the lover of her third husband subsequently wrote to her on a dating site through her email. svetlana , a speech therapist from the pioneer village of the tyumen region, is proud to have performed on stage in the roles of daisy the duck, parsley and snow maiden, dreams of playing a modern cinderella, warns that she has strong vibes. svetlana was very yearning for a man’s love, so she is ready to consider him as a new life partner. a welder, an oil worker, a director of a large company, an investor, a dentist, an emergency worker, a lawyer, a singer or representatives of another profession with a high libido. hello, girls, svetlana, we remember you, remember, you came to fight for the postman pechkin, yes, yes, yes, we were upset that i didn’t choose, well, some i was disappointed, yes, i had no luck before. she got burned many times, but apparently she constantly attracted her to hersel