and the writer alexey varlamov was with you.ova, editor-in-chief komsomol truth, famous endocrinologist zukhra pavlova. zukhra, here my friends and relatives watched our podcast and made a remark to us, we smile very little, well, as i said, we talk about serious things, of course, we... talk about it with serious faces, but it seems to me that we must improve with pleasure, but the second second important remark, we still probably need to constantly say that all those recommendations that are heard in our program, they are still advisory in nature, and if we are talking about some substance, then before prescribing it for yourself, you still need to go to the doctor, well , of course, it’s better to have a medical examination, so that they tell you everything that you can and cannot do, absolutely. yes, well, now we will talk about iodine, are there people who categorically, under no circumstances, should not have iodized salt or anything else. there are people who absolutely cannot consume iodine, they even prescribe an iodine

i am with you, alexey varlamov, and today we are talking about vasily shukshin.snaya, he would finally realize his dream of making the main movie of his life, the film i came to give you free rein about stepan razin. but bondarchuk, yes, sergei bondarchuk, our famous film director, who generally led the mass film studio and from whom. a lot depended, and he asked shukshin that before you, vasya, launch your new film, star in my film, they fought for their homeland, and for shukshin this is in general, it was difficult, difficult, because he played one of the main roles, and the film was shot in very difficult conditions, in the don steppes, and in the hot summer, but he could not refuse bandarchuk, in addition, there is such a version that... after all, shukshin wanted to gain experience as a director, the film, they fought for their homeland, was the same as the film that shukshin conceived, but such a battle canvas, so experience in such a film would also be important for him, in any case, he plays in this film, and in the fall of 1974, on october 2, 74, he fou

hello, this is the podcast life of the remarkable, i am with you, its host, writer alexey varlamov, ande qualities of the entire people, so if such a person had to be chosen from the russian people, presented, then such a person would become vasily shukshin, when i began to really study shukshin, when i began to sort of delve into the details of his fate, i realized how right rasputin was, because of course shukshin was a complex person in the literal sense of the word, complex, that is, complex. indeed, in the history of shukshin, in the personality of shukshin, the history of russia of the 20th century is reflected, as they say, like in a drop of water. and of course, talent is the main quality of shukshin, but his story is amazing not only with talent, but with amazing will, i would even say cunning, reaching resourcefulness, in fact, this is the mechanism of movement, the advancement of shukshin’s takeoff, this is the most interesting thing, because this is vasily. so, imagine that in 1929 in the village of srostka, this large village in altai, a boy is born, the first-born in the f

and i’m with you, its host, writer, alexey varlamov.ersary of his birth. sculptor sergei timofeevich kanenkov, we will talk about him today, and my guests in the studio will be the heads of the museum of sergei konenkov’s workshop, and this museum belongs to the russian academy of arts, svetlana leonidovna bobrova, and the director of the moscow yesenin museum, oleg yuryevich robinov. hello, hello, alexey! and svetlana leonidovna, we’ll probably start with oleg yuryevich, because it’s clear why you are present in this studio, and as for oleg yuryevich, there is some intrigue, why you why yesenin, please tell us about your relationship to our main character, well, yesenin was good a friend of sergei timofeevich kanenkov, and sergei timofeevich is my great-grandfather, great-grandfather, that is, you are konenkov’s great-grandson, yes. a huge life, there are many different myths, very different legends associated with this life, but if we separate the facts from the myths, what do we know are you sure about him? well , in general, in my o

hello, dear friends, this is the podcast life of the remarkable, i am its host, writer alexey varlamovn this studio, and my heroine will be the wonderful one of the most fantastic russian women of the silver age, nina ivanovna petrovskaya. i don’t know how familiar this name is to you, but i assure you that her fate is extremely curious and instructive. sometimes she was compared to nastasya filippovna from roman dostoevsky's idiot, sometimes scarman, well, or scarman, but it seems to me that the most exact parallel that could be drawn here would be to remember her mother-in-law, nina zarechnaya from chekhov’s seagull. this is exactly the fate of this wonderful, sensitive girl who decided to become an actress, who fell in love with an older woman. talented writer and whose life, in general, turned out to be broken, did not work out, to some extent, it was this chekhov play that predicted the fate of nina petrovskaya herself, and in general the fact that in this play chekhov carefully looks at this is a new phenomenon that arose in russian culture, in russian history, russian decadence,

hello, dear friends, this is the life of the remarkable podcast, i’m with you, its host, writer, alexey varlamovsts in the studio... will be the heads of the museum of sergei konenkov’s workshop. museum this one belongs to the russian academy of arts, svetlana leonidovna bobrova. and the director of the moscow yesenino museum, oleg yuryevich robinov. hello, hello, alexey. svetlana leonidovna, we will probably start with oleg yuryevich, because it is clear why you are present in this studio. as for oleg yuryevich, there is some intrigue here, why are you why yesenin? please tell us about your relationship to our main character? well, yesenin was there too. good friend to sergei timofeevich konenkov, and sergei timofeevich i am a great-grandfather, great-grandfather, that is, you are konenkov’s great-grandson, yes, along which line can you restore your genealogy? yes, my mother, alla kirillovna kanenkova, she was born in the very house where the sergei timofeevich creative workshop museum is now located on tverskaya street, gorky street then, my grandfather kirill sergeevich konenkov, he is the so

what he wanted to do, every step in his career... was thought out and calculated, the writer alexey varlamovion about shukshin in order to write a book about him. and he became shukshin in the very first years of his life, and it is impossible to manipulate him, to control him, but on the contrary, he was an excellent manipulator and made excellent use of other people to achieve his goals, from the village, uh-huh, how was it in the village? masks of decency, cultured, polite, moscow, sophisticated, but i decided to fight with them, to fight means becoming better in everything, primarily in the sense of education. shukshin understood that in his village there was not even a tenth of what available to muscovites, but he was not going to lose to them. he, of course, is a warrior inside, definitely, well, this is the character of a russian person. many perceived shokshin as uneducated. a village peasant, but this does not correspond to reality, i plowed mine, got mine, collected it, so i went to the resort, happy, wait, wait, this turns out to be some kind of hegel, well, what does hegel have t

dear friends, this is a podcast about the life of the wonderful, i am with you, its host, writer alexei varlamov i assure you that her fate is extremely curious and instructive. sometimes she was compared to nastasya nina ivanovna petrovskaya. i don’t know how much of roman dostoevsky’s filippovna is an idiot. sometimes scarman, or scarman. but it seems to me that this is the closest parallel that could be drawn. here we should remember her mother-in-law, nina zarechnaya from chekhov's seagull. this is exactly the fate of this wonderful, sensitive girl who decided to become an actress, who fell in love with an elderly, talented writer, and whose life, in general, turned out to be broken, did not work out, to some extent, it was this chekhov play that predicted the fate of nina petrovskaya herself , and in general the fact that... that in this play chekhov looks closely at this new phenomenon that arose in russian culture, in russian history, russian savagery, russian modernity, that’s all deeply not by chance. so, nina petrovskaya, we know very little about her origin. in the spring of 1879 , a

hello, dear friends, this is the life of the remarkable podcast, i’m with you, its host, writer alexey varlamov of the moscow design museum alexander sankov and... to her stuck, yes, because she was a great sculptor, a great artist, really very talented, she led for a long time, was the artistic director of the leningrad art glass factory, of course, from under her signature, after the artistic councils , a lot of things went into production, well, because the art director, as always, even now in the modern world also signs everything into production or into production, so there were probably glasses, and glasses for water, for wine, and there are many stories about how she tested everything herself, even... so charming, what do you think, yuri, about this? well, it’s a legend, if someone likes it, you know, let them like it, well, there’s a good song, faceted cups, but in general, let’s go back to vera mokhina, we need to say that this is why i love our podcasts, because i discover some completely unexpected people for myself, for example, when i looked at this brief information about the fate

and the writer alexey varlamov was with you.everyone, on the first channel of the podcast everyone wants to fly, i am its host, leonid yakubovich, i have a special feeling today, my guest is a legendary person, and i say this without quotation marks, because i know the attitude of so many people here in the lieutenant general’s studio towards this man. aviation, hero of russia, nikolai fetrovich gavrilov, hello, hello, well, i’m glad to see you, let’s not hide it, we’ve known you for almost 30 years, and i have the honor to call you my teacher, because you gave me the sky. what did you finish? i graduated from the syzar higher military aviation school of pilots in 1979. and how is it that a boy from a small chuvash village suddenly ended up in a military aviation school? well, the chuvash people raised it. worthy of their sons, also our representative became cosmonaut number three, this is andrian grigorievich nikolaev, and i was just a little boy, as you said, and this message struck all of us, when they asked the boy, what wil

hello, dear friends, this is the podcast life of the remarkable, with you i am its host, writer, alexey varlamovna leonidovna, we will probably start with oleg yuryevich, because it is clear why you are present in this studio, and as for oleg yuryevich, there is some intrigue, why are you why yesenin, please tell us about your relationship to our the main character, well, yesenin was a good friend of sergei timofeevich konyunkov, and... sergei timofeevich is my great-grandfather, great-grandfather, that is, you are konenkov’s great-grandson, yes, along what line can you reconstruct your genealogy? yes, my mother, alla kirillovna konenkova, she was born as once in the house where the museum of the creative workshop of sergei timofeevich is now located on tverskaya street, gorky street then, my grandfather kirill sergeevich konenkov, he is the son of sergei timofeevich, and there was also an eldest son mark, but he died in infancy, soon after mark’s death . my grandfather kirill sergeevich was born, well, great, please tell me, konenkov lived a great life, a lot of different myths, a lot of differ

hello dear friends, this is a podcast the life of the wonderful, with you i am its host, writer alexey varlamovronymic, but for him this is the whole story of his childhood, this trauma was real, yes, until his old age, he believed that he was bruised, not like everyone else, he even wrote in his diary, i don’t have such joy. come up with, it seems to me, it was, cool, you, giving how you remember him, i understand that you already saw him as a grandfather, most likely, yes, well, of course, i saw him already an old man, but he didn’t seem old to me, how strange it would not be, he ran with me to races for alterations, but he had very long legs, he was very tall, and i was such a little girl with thick legs, and he always overtook me, that’s how you remember him, yes, yes, he was always smiling, come on, he says, let’s run until... a communist, a sincere believer, and in the bright political poles, dad is convinced of the future of communism, and at lidya korneevna’s place, if you look, there is a forest, a forest area, and there was a gate in the fence, everyone knew that through this gate som

hello dear friends, this is the life of the wonderful podcast with you, me, its host, writer alexey varlamovrse, remember and know from her majestic sculpture as a working collective farmer, nevertheless, it was she who came up with this glass and thus the range of her creativity from the glass to this wonderful sculpture, tell me, is this true or not true, that this is the invention of vera mukhina, well, i think that this is not true, that is, it is categorically untrue, you know, there are different versions of what exactly vera mukhina did, but i want to say that i understand why this legend stuck to her, yes, because a great sculptor, a great artist, really very talented, she was in charge for a long time, she was the artistic director of the leningrad art glass factory, of course, from under her signature, after the artistic councils, a lot of things went into production, well, because the art director , as always, even now in the modern world , everything is also signed into production or sales. so there were probably glasses there, and glasses for water, for wine, and there are many

hello, dear friends, this is the life of the remarkable podcast, i’m with you, its host, writer alexey varlamovis faith. mukhina, whom most of us, of course, remember and know from the majestic sculpture of a working collective farmer, nevertheless, it was she who came up with this glass, and thus her range creativity from a glass to this wonderful sculpture, tell me, is it true or not true that this is the invention of vera mukhina? well, i think that this is not true, that is, it is categorically untrue. you know, there are different versions of exactly what it is. glasses for water, for wine, and there are many stories about how she tested everything herself, even if at the artistic council, for example, they were making a glass for wine, she said, let's pour it from the decanter , let's pour some water, let's try how convenient it is to sculpt from it , by the way, you can look, but specifically about the cut glass, it seems to me that it was some kind of journalistic canard, when there was a celebration of some anniversary of the creation of the cut glass production, it cost millions, so t