alexey vladimirovich, let's first talk about what technologies rusatom focuses on.chnologies, of course, nuclear, we carry out the task of ensuring a twenty-five percent production of nuclear energy in total consumption. firstly, we immediately say that we are engaged in additive technologies to obtain specific products, because in one technological process it is possible to immediately make an actual final product with the required characteristics, for example, by engaging in additive technologies, we are working on a product called a scanner. a scanner is a control of laser radiation, we look at how laser radiation interacts with the material, due to this, for example, we learned from... to control the primary crystalline structure resulting from such interactions. of course, we will extend this to other materials and other technologies. but if we talk about the cutting edge of science for rusatom, this is precisely the possibility of using the microcosm to substantiate products that are, well, let’s say serious, well, tens of hundreds of tons of weight. that is,

you acted in childhood, on the contrary about this i must say, and i, my artistic director alexey vladimirovichcted in films only in the third year, and accordingly in the first year there were a lot of filming offers, just a lot, but i couldn’t refuse, in the second year there were many times fewer , third year, it was just in the third year that i studied... and there were no more offers, but the only person who always did not forget about me, and just with my student schedule, i could always combine these moments, this is grachevsky, who me always invited me to all sorts of events, and we went to some other cities, even just to be present somewhere, where they needed some kind of actor. you, in fact, i understand that you can simply go down an inclined, crooked path, despite the fact that he did all this, you were not to blame anyway, it’s true, i ’m asking about this, there every time we we’re meeting, not because it happened to you, not because you ended up there among the bandits of that time, but because you managed to dig yourself out, that’s significant more important, more interesting

alexey vladimirovich, he himself was finishing ?of military air defense. very good academy. yes, i will say it very much. there is also a troop compartment there, right? yes, i graduated from the airborne platoon and was assigned to the 106th airborne division. so did you wear a vest? i wore it, i wear it. oh, that is. we observe, we see, well, when we enter positions, do they at least take away their own or leave them? no, now no longer , now no longer - at the beginning of the war, yes, they were taken out, now no longer, now an exception, now an exception, these are mercenaries, mercenaries are carried out at any cost, they surrender, surrender, the cases are completely different. when, immediately before contact , after fire training, someone already surrenders, when the enemy raises a white flag, waves , he is ready to surrender, but there is no such opportunity, that’s it, the enemy has already seen that the servicemen are trying to surrender, and is already starting to throw them. i spoke to the prisoners myself, yes, but fir

therefore, since i am sure he is watching us, he would share this choice. because alexey vladimirovichg directors, but they exist, he is a man who created his own theater. nominally, on the square where the big one is located, there is immediately a theater that pretended to be a small one, and there was a theater created by natalya sats, which was called the central children's theater, since 1992 it has been called ramt. this is a large theater, created by alexey vladimorovich borodin. i am happy, it is an incredible honor to receive the award, this is , of course, the personification in general, a true professional of an amazing personality who has always shaped us, who always remains. the creator of the legendary look, the author of more than 50 documentaries and the first general director of vgtrk. lysenko discovered many tv stars and trained a galaxy of outstanding journalists. anatoly grigorievich has not been with us for 3 years. you know, everyone on television is either a creator or a presenter, but this was human creator. he created and raised all these guys, he did a lot for

soul-searching and training, that is, they analyze combat experience every day, so i showed alexei vladimirovich's see what the enemy has. well, they took prisoners there, and they were preparing a brigade in england, they just tore it apart, threw it, plugged all the holes, this is a bad sign. it always shows that something, something is going wrong. we see where they are concentrated, we understand. that by the ninth, of course, they will try to put pressure somewhere, because, well, all the movements of the ukranazis are calculated depending on the political agenda of nato and... america, so you always you know, when they should try to show something, well, now everyone is waiting for congress to come out of vacation, it should start on the ninth, on the ninth they should show something somewhere, then obviously they should try to ruin our mood for the inauguration, therefore, these statements to the guardian that we have plans to destroy the crimean bridge, but all your plans are clear to us, we see you completely. army, well, they can certainly assume that this was not purposeful, three att

, well, now we ’ll go back to the estimates again, let’s listen to texler alexey lenidovich, please, dear vladimir vladimirovich individual regional development programs, which began working in the twentieth year, has certainly proven itself well, the minister just said about this, this is a great merit of the government of the russian federation, the ministry of economic development, federal and regional authorities who participated in their implementation, in your message... it means that you instructed the government to extend such programs until 2030, thank you for this important decision, and what i want to note is that we analyzed the indicators for selecting regions, taken as a basis by the ministry of economic development, and we can say that the level of estimated budgetary provision is, in fact , an integral indicator that reflects the situation in the region as a whole, other indicators have a significant correlation with it, that is, if the region’s rbo is low... then how as a rule, the level of investment will be low, the level of regional budget income will be low, and the level of poverty will be

life of the wonderful, i am with you, its leading writer alexey varlamov, my guest is the rector of the shchukin theater institute, evgeny vladimirovich. and the rector of the shchepkin higher theater school boris nikolaevich lyubimov, i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work, about the vakhtamgo theater today, you know me, so i understand that you have played a lot of work in cinema, in the theater , probably a separate podcast could be dedicated to this, but after all, this is what is personally very interesting to me, i am very interested in zoyka’s apartment, because zoyka’s apartment was a play by bulgakov, which was performed immediately after the success of the turben days in mkha. well, we were all - scattered there - in this performance, in this piece in the performance with these artists, but here we are alone and there is not a single one, neither popular nor honored, we were all the same year old, came out on stage and played this performance, so i am grateful, well , firstly, this is bulgakov, and the theme and pain, and who played the main character? nikolov

i am with you, its presenter, writer alexey varlamov, my guests are the rector of the shchukin theater institute, evgeny vladimirovichater school, boris nikolaevich lyubimov. i would like to take advantage of this opportunity, evgen vladimirovich. talk a little about you, oh your work, about the vakhtangov theater today, you know me, i remember that you played a lot of work in cinema, in the theater, probably a separate podcast could be dedicated to this, but still, this is what is personally very interesting to me, i am very interested zoykina's apartment, because zoykina's apartment was a play by bulgakov, which was performed immediately after the success of the turben days at the mkhatovsky theater, and zoykina's apartment was performed at the vakhtangov theater, as far as i understand, you played in this play, which was already revived there in the nineties, in the 2000s years? they gave us, well, this is the plot of a theatrical novel in its purest form, well, it turns out that yes, but because try, we didn’t, well, we were all dispersed there in this performance, in this piece in the performance with these arti

life of the remarkable, i am with you, its host, writer alexey varlamov, my guest is the rector of the shchukin theater institute evgeniy vladimirovich of soviet cinema. it was he who was entrusted with playing the role of lenin, it’s not a joke to play lenin, it’s not a joke at all, because in general, well , imagine, this is lenin in october, lenin in 1918, this is the basis.

of the wonderful, i am with you, it presenter, writer alexey varlamov, my guests are the rector of the shchukin theater institute evgeny vladimirovichof the shchepkin higher theater school, boris nikolaevich lyubimov. boris nikolaevich, how did it happen that this modest young man. who was even embarrassed to confess his love, became such a superstar of soviet cinema, it was he who was entrusted with playing the role of lenin, it’s not a joke to play lenin, it’s not a joke at all, yes, because in general, well, imagine, this is lenin in october, lenin in the eighteenth year, this, this was filmed in the thirty-seventh and thirty- eighth, so, in total, so to speak, 20 years, but what was happening at that time in the country in the thirty-seventh and thirty-eighth year is, perhaps, meaningless here now. telling everyone this is a very big responsibility, because the revolution was made by lenin, stalin, the people, no one from lenin’s inner circle, in fact, by that time they were either pushed aside, like krupskaya or executed, and therefore here is a step to the right, a step to the left, and maybe this will end with nothing whateve

i am with you, its host, writer alexey varlamov, and my guest is the rector of the shchukin theater institute, evgeny vladimirovich happen that this modest young man, who was even embarrassed to confess his love, became such a superstar of soviet cinema, it was he who was entrusted with playing the role of lenin, it’s no joke to play lenin. this is not a joke at all. because in general, well, imagine, this is lenin in october, lenin in 1918, this was filmed in 1937 and 1938 , that is. just 20 years, so to speak , but what was happening at that time in the country in thirty-seven and thirty years, perhaps, it’s pointless to talk about here now, everyone has a very big responsibility, because the revolution was made by lenin, stalin , the people, no one from lenin’s inner circle, in fact, by that time they were either pushed aside, like krupskaya, or shot, so here's a step. shadrin, in the role of a tolchan, goes to meet the seagull, there’s nowhere to get boiling water there, a comrade can’t tell him, and he leads him to the other side, they say it was some kind of, well, the effect of a bomb exploding, the appeara

vladimirovich semenyuk. ekaterina kuznetsova, gymnasium of the city of svetlogorsk, physics teacher, olga vasilievna ryabtseva. kirill savash, bolsheberestovitsky secondary school named after pretytsky and head military-patriotic education, alexeyvich kudashov. snezhana koren, golynkovskaya secondary school in zelvinsky district and class teacher, teacher of belarusian language and literature tatyana georgievna pelyavskaya. bogdan stepanov, gymnasium number 41 of the city of minsk named after serebryany, physics teacher yulia petrovna.

remarkable podcast, i’m with you, its host, writer alexey varlamov, and in my studio , the rector of the shchukin theater institute evgeny vladimirovichs the anniversary of boris vasilch. chukin, who turns 130 this year. boris nikolaevich, what can we say about this wonderful actor, this is how he is remembered in the history of russian theater and russian cinema. yes. this is a very difficult question for many reasons. in general, when you talk about actors, when you give lectures, say, on the history of theater, as opposed to the history of literature, you know this very well, you can’t take a book off... the shelf, no, especially if we talk about theater, there is no such living role , which you can show today in decades, there are no those people who someday... along with the generation, the marvelous generation of vakhtankov actors, so to speak, next to them, at some point, probably starting with the role of yegor boluchev, he just went sharply upward, he was on the first list of those awarded the title of people's artist of the ussr, he received the stalin prize posthumously, he fit everything into these 15-20 years of his creat

the wonderful, i am with you, its leading writer alexey varlamov, my guest is the rector theatrical institute named after shchukin, evgeny vladimirovichschool named after shchepkin boris nikolaevich lyubimov. i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work, about the vakhtango theater today, you know me, so i understand that you have played a lot of work in cinema, in the theater, probably a separate podcast could be dedicated to this, but still, here’s what... i personally am very interested, i’m very interested in zoyka’s apartment, because zoyka’s apartment - it was bulgakov’s play, which was performed immediately after the success of the turbyan days at the mkhatovsky theater, and was performed at the vakhtangovoikino theater. of this performance, he’s such a big boris nikolaevich doesn’t think so, but you don’t know, but i’m really imposing my opinion, what will you say, yes, that a great success is beyond any doubt, there ’s no need to even argue here, to the performance, to in the work of evgeniy vladimirovich, i think that this is one of one of the guarantees of this, so

alexey gennadievich, for concluding the speech. united russia faction. the floor is given to andrei mikhailovich makarov. please, andrey mikhailovich. dear vikovich, dear mikhail vladimiroviche first and most important thing to say is that the government report allows you to see how much has been done. and at the same time he said: we can solve this only if we radically increase the efficiency and quality of work of all branches of power, at all levels, from bottom to top, this was the task set by the president to the new government, just a few days later covid hit, i remember how in this room there was a proposal to refuse voting on the constitution. i remember how words were heard in this hall about what to do under these conditions. almost impossible, it was here, in this room, it was a difficult time, i don’t blame anyone, and strictly speaking, then the government and the state duma had to work almost around the clock in order to solve one main problem, which the president said to solve first of all , this task was to save people’s lives, i remember well the day when mishustin entered this hall with his first report, in this room everyone was sitting in masks, everyone

everything that vladimirovich together with alexander grigorievich and lord, thank you, we will continue in a couple of minutes with the guests in this studio, stay with us! we continue the program, alexeyith us, i greet you, well , what time surrounds us, what time we live in, that means the attack of the bespoltniki in yelapuk, a batch of hexogen hidden inside the icons, just think about it, v fed on icons. success is rather the opposite, russia is slowly but surely moving forward, in these conditions the regime, like a rat driven into a corner, is becoming more and more aggressive, and this applies not only to ukraine itself, but also to the owners, they see that all that help is enormous, which turned out to be that all the sanctions, everything they do, well, doesn’t work, accordingly, there is a desire to act with tougher aggressive methods, that is , one thing doesn’t work, let’s do the second, and, unfortunately, in this logic, terrorism too stands as one of the points, and the classic military threat is also not removed, no, of course, nothing is removed, just efficiency, there is no effect that they are counting on, that is, a quick defeat of russia, economic damage, there is

vladimirovich semenyuk. ekaterina kuznetsova, gymnasium of the city of svetlogorsk. anna shcherba, secondary school number one in the city of osipovichi named after dmitriev and history teacher and social science alexeykosov. i have one more person left to introduce, this is our scientific expert, ekaterina duko. head of the department of methodological support for mathematical and natural science education of the academy of education. in case of controversial situations, it is she who will decide whose side is right. hello guys, i wish you a good mood, an interesting game, correct answers and good luck to all participants. good afternoon guys, we are glad to welcome you here. on our playground, this time, my colleague yulia pertsova is already communicating with your teachers, yulia, over to you, we have so many men in the teachers’ room today and not one came with flowers, but we don’t have the byy factor and i, not olya buzova, we have an intellectual show and not less interesting guys, good luck to everyone, vasya, start the first round. the first round is ahead, let's get acquainted with its rules. in the first round, players are asked 12 multiple choice questions. yes or no answers, of which on