before gluing the tiles cast in alfiz sabirov's workshop, the wall was cut with a mesh for better adherence selected cones with gold leaf. well, i would add this here here. why don't we turn everything into gold? well, we are aesthetes. glue. and we wait a little, yeah, while we wait, i want to find my little piece of paper, where it is with my signature kv, they just cut it down and threw it away, we needed to attach it with a smooth edge to the plinth, the builders thought it was some kind of brah , so what happened is what happened, as they say, keep me behind the plinth, gold is pouring out of my hands, it’s not mine, after all, i lived as a peasant. glue there i'll definitely die, glue there for sure, let me have more glue, it seems to me as if they were using glue wait, gluing, why didn’t we tile the entire wall , we discussed with maria and came to the conclusion that we need to smoothly move from the relief to the wall, such an airy story, and you’ll notice that this is not a centered drawing, but it comes out as if from the walls then disappear into nowhere, our brains come up with