alfred molina, he is on basically this platform that they can float around to give him height and movet on there, his legs are not really dangling, and his coat gets caught up on the rig quite a bit. so most of the time when you see doc oct, a full body frame of him or even main body frame of him, he is usually all cg from the neck down. and sometimes even had to reproduce his hair and put digital hair on him just to get a sense of motion that he's moving quickly forward or doing some kind of action that he wasn't really doing, so you get that wind blowing in his hour, you get the jacket moving properly, his legs dangling. and we always needed to keep realism and weight and speed and action going with that character. we did try and ground that in a lot of tom's performance or stunt performances when they're actually doing those things, and we enhanced them, but the base is usually either match move or motion capture of a real actor. and next will go behind the scenes of another big blockbuster as we continue down the roads oscar glory. whatever that means. anyway, that's it from us for