and also by the alice kleberg reynolds foundation and viewers like you. thank you. >> smith: i'm evan smith. he's an icon of public media and progressive politics whose first job in journalism, as a cub reporter in marshall, texas, was more than six decades ago. his newest public television show, moyers and company, debuts this month. he's bill moyers. this is overheard. >> smith: bill moyers, welcome. >> moyers: my pleasure. >> smith: so good to see you, an honor to have you here. >> moyers: good to be home. >> smith: thank you. well, welcome home. >> moyers: thank you. >> smith: let me ask you to play the barometric role that you do for so many people around the country, particularly who share your world view. tell us the state of things. how are things going? we look to you to tell us and my sense is that your view of the world today is not so rosy. >> moyers: well, people ask me how are you and i say, i'm fine. i'm much better than the country, and that is because washington, politics, government, paralyzed and polarized. deficits are mounting. none o

and also by the alice kleberg reynolds foundation and viewers like you. thank you. >> i'm of evan smith. he's the self described head master of british rock. a much admired musician and producer whose credits over four plus decades include the icon in this case songs cruel to be kind, i love the sound of breaking glass and what's so funny about peace, love and understanding. thinks 13th studio album, the old magic, was recently released. he's nick lowe, this is overheard. ♪ >> smith: nick lowe, welcome. >> lowe: it's great to be here. >> smith: so nice to see you and to meet you. congratulations on the record. >> lowe: thank you very much. >> smith: it's a -- it's a wonderful record, to me as i've listened to your stuff so much over the years in that it felt that after the first time i'd listened to it that it was an old record. it felt like i'd heard these songs a million times before not in a bad way, but in a really good way. t. they felt like standards or classics. now i wonder if as you listen to the record now as you're making the record if you had

and also by the alice kleberg reynolds foundation and viewers like you. thank you. he's an admired and accomplished american fiction writer whose credits include affliction and the sweet hereafter - which, not insignificantly, were made into pretty terrific movies. his twelfth novel, lost memory of skin, has just been published. he's russell bankk. thhs is overheard. >> smith: russell anks, welcome. >> banks: thank you, evan. >> smith: very nice to have you here and congratulationss3 on the book. >> banks: thank you. >> smith: although this is old hat for you at this point to ttke around a new book. you are a.you've got a lot of experience of, of -- of, promoting. >> banks: yeah. >> smith: .and talking about it and all that and i wonder if you get tired of it. >> banks::no it doesn't happen but once every three or four years anyhow so it -- it doesn't get repetitious or annthiig for me. and of course with each book there's a whole differrnt way of talking about it, of thinking about it and -- and wwen a book is, you know, is published it's the first time that i as a

and also by the alice kleberg reynolds foundation and viewers like you. thank you. >> i am evan smith. she's an emmy nominated actress and comedianne whose credits include never been kissed, the grinch who stole christmas, cat and kim and saturday night live where she spent six years as a cast member. her first book has just been published. she's molly shannon. this is overheard. ♪ >> smith: molly shannon, welcome. >> shannon: thank you. >> smith: it's really nice to have you here. >> shannon: well, it's so nice to be here. >> smith: congratulations on the book. >> shannon: thank you. >> smith: very exciting for you. >> shannon: thanks, yes, it is, it is exciting. >> smith: first book. >> shannon: mm hmm. >> smith: so not just first children's book, but first book, period. >> shannon: yeah, first book. >> smith: so why, why a book and why this book, specifically? >> shannon: well, i -- i did have in the back of my mind that i wanted to write a children's book, but i wanted to wait until i actually had kids, so i could -- >> smith: good idea. >> shannon: y

and also by the alice kleberg reynolds foundation and viewers like you. thank you. >> adrienne rich burst on the literary scene in the '50s, a passionate political activist, feminist. adrienne rich, who said, "art means nothing if it simply decorates the dinner table of the power which holds it hostage. >> there's a place between two stands of trees where the grass grows uphill and the old revolutionary road breaks off into shadows near a meeting-house abandoned by the persecuted who disappeared into those shadows. i've walked there picking mushrooms at the edge of dread, but don't be fooled this isn't a russian poem, this is not somewhere else but here, our country moving closer to its own truth and dread, its own ways of making people disappear. i won't tell you where the place is, the dark mesh of the woods meeting the unmarked strip of light-- ghost-ridden crossroads, leafmold paradise: i know already who wants to buy it, sell it, make it disappear. and i won't tell you where it is, so why do i tell you anything? because you still listen, because in t