alina vitkon andrey vanenko and ivan brains or novelties.tion projects ikea pilyuya yes to the hero of the belarusian art-school tradition of weaving with stock items in sheltered halls for the seventeenth time here, not only the angles of the masters. there are shanks. remsh-ka shamaleva about the exposure of loot and okearedko. i leave the storerooms of the picture, as i went through the restoration and attribution returned after the war of capitalism. the belarusian art school developed within the framework. e pan-european art schools. then in general the soviet art school. it's more hmm traditional painting more realistic in the forties fifties, not from the late fifties through these days. this is, uh, liberation from such a purely attachment to nature. it is more and more the presence of the individual. i exhibit the themes of the remainder of the volume of sculpture and the bronze of marmura my streets to the artist’s valence not only on the sea, to abstractionism and realism. wrist crows and silence fake news with the fight of tizezu