and this is the first anthropology podcast, our guests are alisa tan and rus pazyumsky.alice? well initially i wanted to understand the style, probably of baroque singing. and she began to play the violi, baroque music, well. it was easier for me through the instrument, it turned out that singing, it’s just something very extroverted for me, here you just sit with the instrument and you can just play it all day long and nothing, no one... is needed, very interesting, in general, how it is built, just like a guitar, yes, this is e, yes, it looks like, well, this is d a, e, c g, d a, judging by the impression we can get of frilly music, based on your songs, we can conclude the first thing, in the frilly song there is no cycle, the chorus is not repeated, as it would be in other songs, too. we won’t immediately find where the typical structure is, the chorus, the verse, as you already said, the chorus and the bridge, the bridge, there’s nothing like that, apparently a boroch song is a monologue about that mile-long feeling, yes, probably, but in general in fact, song and po