of the main sapran roles in your repertoire, we just want to show a number of photographs, this is allantaand yaroslavnaya, then liza in the queen of spades, anna in willis - this is a production by oksana volkova and many -many other performances, while you joke that there is often a phrase among opera artists: we understand how... this doesn’t happen, you learned to stand up every day like a robot, sing, the voice answers, you sing the top notes, this permanent training, constant training, constant search for sound, search for how best to sing the top note, how best to perform this part, because this is such a delicate instrument, a voice, and you need to work all the time, not only that, when you come to the theater, they give you small parts, this is one load on the voice, gradually you switch to... well, there is such a fear that the voice will disappear, so you have some kind of terrible dream that, well, i dream that i don’t have time to leave the stage, and already the orchestra started playing and i run, i run, then the voice disappears no no i never dreamed, or often happens, tha