. ♪ alleluia ♪ ♪ alleluia ♪ ♪ alleluia, alleluia ♪ ♪ alleluia, alleluia ♪ ♪ alleluia ♪ ♪ alleluia ♪ ♪leluia, alleluia ♪ ♪ alleluia ♪ titian continued to exploit the spaces of the frari to dramatize them in the next painting that he executed for the church. this was the altarpiece of the pesaro family located to the left of the nave. it was visible to the viewer along a diagonal axis before he reached the altar, and titian's perspective deliberately offers an invitation to the viewer to enter the painting before arriving at the altar. the pesaro madonna altarpiece illustrates vividly the fusion between church and state public and private saint peter and saint francis. the virgin and child are brought together with members of a venetian noble family. the monuments to the pesaro family in the church of the frari are both private burial chapels and public statements of their prominent role in the nobility of the republic. jacopo pesaro commissioned the artist to portray him giving thanks to the virgin for victory at santa maria when the venetians and the pope defeated the turks. pesaro, t