however, english photographer allison jackson stages, reviewing situations with while look a likes we take a look at how deceiving her images can be the just a royal shad 2 impulses on their way to london's buckingham palace. but we will commit a double on the counter to charles, make you to the palace. oh, will they have trouble with the police? stay tuned and find out the mazda mine is all just as an jackson loves to make. so the rail on the face, cuz that's what my work is about to contact what's really vague anymore. everything is a construction by the media, by the populace is by the celebrities themselves, by the royal family, the english photographer, and filmmakers set aside on the public fascination with celebrities in pop, perhaps the photos she hi is doubles of well known figures and photographs them in stage situations have photos are currently on display at london's grove gallery. my name, the message is not to take imagery as truth because you cannot tell what's real, what's vague, what's true, what's phones anymore? i think anybody who influences loss is interesting to

the almost like the real thing, how photographer allison jackson manages to show the british world in seemingly intimate situations. liver pull in euro vision, frenzy white england city of music is the ideal venue for the eurovision song contest and round and delicious look at where the bagel was born. all this in more coming up on your own macs, the king charles, the 3rd and queen consort pamela. they're known from countless official photos doing their utmost to present their best side. however, english photographer, allison jackson stages, reviewing situations with wild look a likes. we take a look at how deceiving her images can be the just a royal shad. 2 in post is on their way to london's buckingham palace. but we will commit a double. and the countess hit charles, make you to the palace. oh, will they have trouble with the police? stay tuned and find out the mazda mine is all just some jackson loves to make. so the real on the face, cuz that's what my work is about to contact, what's really fake anymore. everything is a construction by the media, by the populace is by the celeb

their stories. reporter every weekend on dw, the almost like the real things, how photographer allison jackson manages to show the british worlds in seemingly intimate situations. liver pull in euro vision, frenzy white england city of music is the ideal venue for the eurovision song.

how photographer allison jackson manages to show the british world in seemingly intimate situations. liver pull in euro vision, frenzy white england city of music is the ideal venue for the eurovision song contest.

giving up sports flies every weekend on dw, the almost like the real thing, how photographer allison jackson manages to show the british worlds and seemingly intimate situations. liver pull in euro vision, frenzy white england city of music is the ideal venue for the eurovision song contest.

congressional candidate irene jackson along with allison anderson and re name.eing with you. irene, what do you expect to happen and how are you preparing in. >> well, we're expecting the floodgates to just completely be wide open. we already have thousands of people gathering on the mexican side and, unfortunately, as we see every evening and every morning there is already thousands of illegals coming in. what we are doing here is sounding the alarm in el paso and making sure that especially the people that live right by the border, i'm talking a few hundred feet away, are ready to protect themselves. unfortunately, this government's hot going to do it for us -- not going to do it for us, so we need to make sure that american citizens, that taxpayers are protecting themselves. rachel: yeah, i mean, it's a great point, irene, but that's a carry point a ooh. you saw what happened to that rancher in texas when tried to protect his wife, and now he's in jail or facing murder charges. it's a catch 22. the government's not doing it. if you protect yourself, you might

are joined by cnn legal analyst joey jackson and jennifer rogers, former deputy assistant to president trump. juron smith and also democratic strategist ashley allison. thank you for being here. let's start with the legal minds. here because we are starting to get the contours of jack smith's case, potentially. and when you start talking about not just moving around boxes, but also maybe showing it off as well, what kinds of differences that make, joey? >> it's troubling. what happens is, that when you look at the law, abby, you look at what's called men's race mens rea -- doing something knowingly. at the end of the day, moving around boxes in that timeframe and what made that evidence. it evidence is a consciousness of guilt. if you don't think anything -- in the box, what is the basis for moving them if you don't think you did anything wrong why do anything with the boxes at all? so what's troubling with respect to the obstruction of justice charge, when you look at the shifting and movement, and then of course it gives the special counsel reason to believe it was something amiss, which was the basis and purpose of them being moved in the first p

the, almost like the real thing, how photographer allison jackson manages to show the british worlds in seemingly intimate situations. liver pull in euro vision, frenzy white england city of music is the ideal venue for the eurovision song contest and round and delicious look at where the bagel was born. all this in more coming up on your own macs, the king charles the 3rd and queen consort camilla. they're known from countless official photos doing their.