want to give me a little boy oh boy the. if you took about your meet him and 988 almodovar submitted this tumultuous comedy to the vaness fast of all to get didn't when him a prize but praise and encouragement just what in aspiring filmmaker needs to in 2019 the festival paid tribute to the director and his life's work pedro almodovar is an icon for the last 30 years he's shape she european cinema like no other missy into boekel i feel a little great as or fact 31 years later there are giving me the golden why and for the film i did in 88 yes and i'd really like your believe that it's a random actor poetic justice yeah pedro almodovar tends to ensure that the characters and his films get just it's even when the world around them is usually un just enough the in the months up i was born in their love munchen region here and it's a very conservative creatures is it about i mean if you could almost say calvinist the cuss there was very little color yeah even in the clothing people war and rip yet it's a very dry region it was simply that it and i thought to this aridity was very beautif

in 2019 the festival paid tribute to the director and his life's work pedro almodovar is an icon for the last 30 years he's shaped european cinema like no other. i feel a little bit as if 31 years later they're giving me the golden lion for the film i did in 88 and i'd really like to believe that it's a random act of poetic justice. how most of our tends to ensure that the characters in his films get justice even when the world around them is usually unjust. and the element i was born in the luncheon region and it's a very conservative preachers is about i mean you could almost say calvinist. because there was very little color you know even in the clothing people wore. it's a very dry region. and i thought that this aridity was very beautiful to contemplate . but it was the exact opposite of the way i felt that audio and we're going to cynthia sommer we just want you to feel that the. most of our stillness are full of power color and life like the people whose stories he tells. they're often outsiders in society but they're always strong and charming individuals with all their weakn

pedro almodovar reuniting with antonio banderas.ory about a director struggling with creativity, pain, literal pain, back pain and looking back on his childhood. looking back on his life. some very familiar themes for the director, the mother—son relationship, sexuality, film—making. gorgeous, bright colours! that is how you know you're watching one of his films. but i think the difference is that personal side, it feels even more honest. he is always honest in his films but this feels even more like he is opening his heart. i think he hits 70 in a few weeks and it certainly feels like he's a man who is now looking back on things. yes. i think it's glorious and banderas is glorious as well. a quick thought about dvds and streaming? amazing grace. aretha franklin recorded the album, a live gospel film recorded in la. it was filmed, the film never came out, it was never edited, never put together but that much until a few months ago, last year in fact. it's a live recording of one of her performances in a gospel church. when, after 46

do catch pain and glory directed by pedro almodovar.lory, he is one of the greatest film makers, it is one of his best films starring antonio banderas who is better in this than i have ever seen him, playing an ageing filmmaker, looking back on his career and a retrospective that the madrid cinematheque are giving him. it delves into his past and growing up with his mum, played by penelope cruz, and flashbacks with his relationships with actors in the past. it is very funny, colourful, tender and moving. i think it is one of the great movies of the year and one of the movies of a great film maker's career, and i think antonio banderas for oscar nomination. we will make a note of that. on dvd you are going for apocalypse now, the final cut. a lot of people are saying ad astra is apocalypse now in space. this is the quintessential one, it is coppola's examination of the vietnam war. which, of course, is what rambo is a hangoverfrom, too. it is out on blu—ray now and is called the final cut, we have had a directors cut. all of them are goo

do catch pain and glory directed by pedro almodovar.ry, he is one of the greatest film makers, it is one of his best films starring antonio banderas who is better in this than i have ever seen him, playing an ageing filmmaker, looking back on his career and a retrospective that the madrid cinematheque are giving him. it delves into his past and growing up with his mum, played by penelope cruz, and flashbacks with his relationships with actors in the past. it is very funny, colourful, tender and moving. i think it is one of the great movies of the year and one of the movies of a great film maker's career, and i think antonio banderas for oscar nomination. we will make a note of that. on dvd you are going for apocalypse now, the final cut. a lot of people are saying ad astra is apocalypse now in space. this is the quintessential one, joseph conrad's book, it is coppola's examination of the vietnam war. which, of course, is what rambo is a hangoverfrom, too. it is out on blu—ray now and is called the final cut, we have had a directors cut.

do catch pain and glory directed by pedro almodovar.t film makers, it is one of his best films starring antonio banderas who is better in this than i have ever seen him, playing an ageing filmmaker, looking back on his career and a retrospective that the madrid cinematheque are giving him. it delves into his past and growing up with his mum, played by penelope cruz, and flashbacks with his relationships with actors in the past. it is very funny, colourful, tender and moving. i think it is one of the great movies of the year and one of the movies of a great film maker's career, and i think antonio banderas for oscar nomination. we will make a note of that. on dvd you are going for apocalypse now, the final cut. a lot of people are saying ad astra is apocalypse now in space. this is the quintessential one, it is coppola's examination of the vietnam war. which, of course, is what rambo is a hangoverfrom, too. it is out on blu—ray now and is called the final cut, we have had a directors cut. all of them are good. if you have never seen apoc

we have another film with one of almodóvar's protégés, lola dueñas, and a film like that it's like aomedy of sorts, a drama, and these are films that are very well-known in other parts of the world and we're really happy that we're le to bring them to the san francisco so that our audiences and our community can see what other people are seeing in other parts of the world. damian: where do we stand in san francisco? you talking about venice and you're talking--there's a lot of film--where do we stand in san francisco? lucho: we're an important film city, yeah, film market because even though new york and la are going to be important places just as media centers, san francisco is a tastemaker. and so, people do look to what's happening in san francisco and that includes the kinds of films that we program. so it's not unusual for us to be contacted by other organizations around the country to get information about the films that we program. so i think there's some credit there. damian: and it's a circuit? they go from here and they hop around to different areas. lucho: it's up to the f

pedro almodovar reuniting with antonio banderas.g with creativity, pain, literal pain, back pain and looking back on his childhood. looking back on his life. some very familiar themes for the director, the mother—son relationship, sexuality, film—making. gorgeous, bright colours! that is how you know you're watching one of his films. but i think the difference is that personal side, it feels even more honest. he is always honest in his films but this feels even more like he is opening his heart. i think he hits 70 in a few weeks and it certainly feels like he's a man who is now looking back on things. yes. i think its glorious and banderas is glorious as well. a quick thought about dvds and streaming? amazing grace. aretha franklin recorded the album, a live gospel film recorded in la. it was filmed, the film never came out, it was never edited, never put together but that much until a few months ago, last year in fact. it's a live recording of one of her performances in a gospel church. when, after 46 years, they finally put togeth

do catch pain and glory directed by pedro almodovar. one of his best films starring antonio banderas who is better in this than i have ever seen him, playing an ageing filmmaker, looking back on his career and a retrospective that the madrid cinematheque are giving him. it delves into his past and growing up with his mum, played by penelope cruz, and flashbacks with his relationships with actors in the past. it is very funny, colourful, tender and moving. i think it is one of the great movies of the year and one of the movies of a great film maker's career, and i think antonio banderas for oscar nomination. best he's ever been. we will make a note of that. on dvd you are going for apocalypse now, the final cut. a lot of people are saying ad astra is apocalypse now in space. this is the quintessential one, it is coppola's examination of the vietnam war. which, of course, is what rambo is a hangoverfrom, too. it is out on blu—ray now and is called the final cut, we have had a directors cut. all of them are good. if you have never seen apo