based on a play byjean cocteau, almodovar�*s english—language debut stars an axe—welding tilda swintonne to a lost love who may or may not really be there. presented with an audaciously cinematic theatrical framing device, the human voice is vintage almodovar and will be screened in cinemas with a pre—recorded q&a with the director and star. are we cut off? or did you hang up? if you don't fancy venturing outdoors quite yet, there are plenty of new movies available for viewing in the home. back in 2010, spanish director rodrigo cortes�*s claustrophobic thriller buried found ryan reynolds awaking in a coffin, in which he would spend the entire rest of the movie. now that scenario is echoed in oxygen, the new film from french director alexandre aja. this time it's melanie laurent who's trapped in a box. a high—tech cocoon in which her air supply is gradually running out. while reynolds was able to communicate with the outside world via a cell phone, laurent has milo, a computer with a carefully modulated voice that's meant to be calming but in fact has overtones of the politely murderous