when they report alyosha's disappearance to the police, they aren't very interested.issing in russia all the time. translation: the police really just reflect the interests of the government, the people of power. when there is a tragic situation, people have to organise themselves, in order to help themselves. a volunteer organisation that helps investigate alyosha's disappearance is the one glimmer of hope in an otherwise relentlessly downbeat portrayal of russian life. translation: so it is a true group of volunteers, which operates in big cities in russia. it's a matter of principle for them that they don't take money, and they're not a government enterprise. zvyagintsev has been criticised in the past for casting russia in a negative light of the world stage. many felt his previous film, leviathan, about a man at the mercy of corrupt officials, was robbed of the palme d'or, when it played at cannes in 2014. but in russia, it was condemned by state officials, the russian orthodox church, and conservative groups. this time, andrey zvyagintsev is keen to soft—pedal t

and, when alyosha goes missing after a particularly bad bust up, two days passed before it is notice.the time. translation: the police reflect the interests of the government, the people of power. when there is a tragic situation, people had to organise themselves, and deal with it. -- organise themselves, and deal with it. —— and children go missing all the time. it is a downbeat portrayal of russian life. translation: so it is a true group of volunteers, which operates in big cities in russia. it is a matter of principle for them that they don't ta ke principle for them that they don't take money and they are not a government enterprise. andrey zvyag i ntsev government enterprise. andrey zvyagintsev has been criticised in the past for casting russia in a negative light of the world stage. many felt his previous film, leviathan, a man at the mercy of violent official‘s story, was condemned by russian officials at, the orthodox church, and conservative groups. this time, andrey zvyagintsev is keen to soft—pedal the political aspect of his new film. translation: is not a political thin