french prime minister amelia trade in mouth sergei martinson people's commissar for foreign affairs of soviet russia chicherin georgy belov ambassador of the country of the soviets pavel molchanov litvinov was still busy there lyudmila khityaeva ukule there the bright role of the white guard. rusanov, the whites flee under the onslaught of the red army, they flee to the crimea amazingly. these scenes were filmed by the cameraman bulinsky. yes, he dies, and then there is such a scene when rusanov takes out a pistol from the cry of an ally of your mother and shoots, shoots after these departed cars. that means until he runs out of ammo in both of them. ally stop your mother. this is how the plot of this role, which nikolai played in this film, goes. when he met his second godfather, sergei gerasimov, he asked, that's it, kolya is filming somewhere, well , he said, who is filming there? and when eremenko began to list all these artists who are filming there, gerasimov says, kolya says, gerasim says exclamation. he says that he is an old man gone crazy and gathered artists in such differen

prime minister amelia of france trade who could not resist sergei martinson people's commissar for foreignf soviet russia chicherin georgy belov ambassador of the country of the soviets litvinov our pavel molchanov were still there busy lyudmila khityaeva ukule there is a bright role. the white guard. rusanov, the whites flee under the onslaught of the red army, they flee to the crimea amazingly. these scenes were filmed by the cameraman bulinsky of the deceased. yes, you are dying, and then there is such a scene when rusanov takes out a pistol from the cry of an ally of your mother and shoots , shoots after these departed cars. that means until he runs out of ammo in his clip. i'm afraid of god your mother's soul. this is how the plot of this role, which nikolai played in this film, goes. when he met his second godfather sergei he asked gerasimov, kolya is filming somewhere, well, he said, who is filming there? and when eremenko began to list all these artists who are filming there, gerasimov says, kolya says, says gerasim exclamation. he says that he is an old man who has gone crazy and

sitting there talking to a a woman named amelia downey and she says to me, oh, you know, why don't we go over to the old school? do you want to see the old trade school? so i said, of course i do. so i go to the old trade schools and there are boxes from ceiling to floor. now, mind you, i had just finished working at maryland spingarn. so i said to her, are those things? she said, those are the papers. and any helen burroughs? so i'm like, oh my goodness, you got to get these things to the library of congress. now i wanted them at the library of congress because i knew they'd get processed quickly. now i am and because i'd worked for moreland, spingarn had even been trained. the national archives. i went to the library of congress and i said, you know, you've just got these papers. and i have training. i work for you for free and help the current library. and so processing these papers and i spent my entire. of like 1978 working in those papers. so i got to see all those nanny helen burroughs in the archives, even before they actually got to be public. that was a wonderful experience, i must tell you. it just transformed my life. it transforme