. >> well, this is a story that we did for the couture for american vogue, tony goodman was my editor. and i always see models, because they have quite a tough life these girls are constantly having to go from one city to another, they're young and on their own. and often they bring their brothers, sisters, best friends, somebody from the family so we had this idea of having her come with her brother who was a skateboarder. and how within the environment that she is living because of situations that you get put through coup tour, it's very elegant, you know, but there is the brother, sort of completely out of place. i quite like that out of place. >> rose: the next one is stella tenet. >> this was done for american vogue, with grace comington for-- if i get it right i think it was -- >> you like black and white or color? >> i like color. >> rose: dow. >> yeah. i think life is in color. it's very funny. >> rose: but look at your clothes. >> exactly. because i do it in my pictures. but you should see me before, i had a lyle ago terry cloth suit with platform shoes. you know, i was prett

while elsewhere american vogue on peltz claimed his first title of the season after holding off his can patrick jason dufner on a nervous final day of the inaugural curse international in australia and to the fourth round with a narrow one stroke lead and the thirty seven year old didn't drop a single shot on the front line but he bogeyed the fourteenth hole right dufner came out of an eager. but van pelt birdied the next one before again hopefully the seventeenth so the pressure was on him to keep his cool on the fine if you had to go by two shots the number was going to twenty four dedicated his victory to kathy scott's the one who died on friday. and that's all the sports news i can. you know sometimes you see a story and it seems so. you think you understand it and then you glimpse something else you hear or see some other part of it and realized everything you thought you knew you don't know i'm tom harpur welcome to the big picture. if. russia were to be soo much brighter if you knew no bounds to move from phones to impressions. meals for instance on t.v. don't come. wealthy briti

the american dancer loie fuller hit paris like a meteor shower-- her dancing and innovative use of dynamic electric lighting appealed to the french voguentrigued by her swirling forms, lautrec produced a series of lithographs. as close to abstraction as he ever ventured, the colors were altered with each printing and the final stone lightly dusted with silver or gold. admirers of art nouveau praised the finished product's swirling line, but fuller preferred jules chéret's approach. lautrec was prone to what he called furias-- short, intense devotions to entertainers that intrigued him. the dancer marcelle lender thrilled him-- he attended more than 20 performances of an operetta simply to sketch her. the painting, marcelle lender dancing the bolero in chilpéric, caught lender center stage-- framed by the lush colors of the sets and costumes. jane avril, the moulin rouge star described by a critic as "dancing with an air of depraved virginity," became both a subject and a friend. he even posed for a photo in her coat and hat. avril was cultured and delicate. institutionalized briefly as a teenager, she sat for lautrec and commissioned p

the american dancer loie fuller hit paris like a meteor shower-- her dancing and innovative use of dynamic electric lighting appealed to the french voguerigued by her swirling forms, lautrec produced a series of lithographs. as close to abstraction as he ever ventured, the colors were altered with each printing and the final stone lightly dusted with silver or gold. admirers of art nouveau praised the finished product's swirling line, but fuller preferred jules chéret's approach. lautrec was prone to what he called furias-- short, intense devotions to entertainers that intrigued him. the dancer marcelle lender thrilled him-- he attended more than 20 performances of an operetta simply to sketch her. the painting, marcelle lender dancing the bolero in chilpéric, caught lender center stage-- framed by the lush colors of the sets and costumes. jane avril, the moulin rouge star described by a critic as "dancing with an air of depraved virginity," became both a subject and a friend. he even posed for a photo in her coat and hat. avril was cultured and delicate. institutionalized briefly as a teenager, she sat for lautrec and commissioned pos

american or the first lady of the united states. in 2009 michelle obama appeared on the cover of "vogue" dressed in j. crew. her own choice.the white house to the house of prep after a deck did in the fashion doldrums. now it's planted its flag in asia, in hong kong, 30 years after its new york founding, but following huge debuts of abercrombie & fitch and the gap are asian consumers ready to dress up in more americana? critics have dressed down the company over the past decade after it strayed from the preppie styles that once made it popular, and after just five years as a publicly listed company, it went back into private hands in 2011. >> a you blue oxford shirt is it a perennial forever and ever. ours is washed a bit more. >> reporter: mickey drexlor has been president and ceo since 2003 and says it's time for asia. >> what's so special now? what's so special in hong kong? >> it's right because we've had really healthy important growth in america. we're looking at the market long-term and clearly az wra is a critical part of long-term growth. >> drexlor says he also feels at home in hong kong, just as he does in new y