if you make a film about amy winehouse, 20 people could make a film about amy winehouse. my film and my way of working using archive is a very particular style. i could say to you, i interviewed 120 people, of which one person came out and criticised the film, and everyone else said it was legit and honest and truthful, and they were all parts of her life. i mean, the argument was by... and i mean, there is a bigger question — who is the best person to judge a person's life? is it only an adult who was theirfather, or is it everyone else that was there during their younger years and theirfriends, and people who were there when they were growing up and becoming famous, or their management? that's one of the challenges of making any documentary. i'm fully aware of that. so myjob is to create a mosaic with lots of different voices, lots of different points of view, and it's only when you zoom out of a mosaic do you see the image. now that image is constructed very carefully over a long period of time, from lots of different people, footage and archive. it's just that you've

probably best known for his 2015 oscar—winning documentary on the late british singer—songwriter amy winehouse9 of the argentinian soccer player. in that film he drew from some 500 hours of archived material and used a similar approach with 2073. we material and used a similar approach with 2073. ~ ., ., ., ., ., , with 2073. we have footage from us the number — with 2073. we have footage from us the number of _ with 2073. we have footage from us the number of countries _ with 2073. we have footage from us the number of countries but - with 2073. we have footage from us the number of countries but i - with 2073. we have footage from us the number of countries but i went i the number of countries but i went to put it together as if it were one country. to put it together as if it were one count . . country. the feature in the film like musk _ country. the feature in the film like musk and _ country. the feature in the film like musk and clinical _ country. the feature in the film like musk and clinical figures i country. the feature in the film i like musk and clinical figures like putin. , ~ l

probably best known for his 2015 oscar winning documentary on the late british singer songwriter amy winehouse00 hours of archive material. he used a similar approach with 2073. we've got footage from about 55, 60 countries, but i wanted to put it together as if it was all in one country. we are worth more when we are addicted. the ultra rich feature in this film — figures like elon musk, as well as political leaders including vladimir putin and narendra modi. now, it fits how you i make journalists and critics and activist - enemies of the state. the film is like a celebration ofjournalists and journalism, trying to hold power to account. and i want you to be aware of who these journalists are, because they're the important ones. they're speaking up for us and trying to protect us from what's happening and what's to come. in advance of its release, asif kapadia worked with the film's distributors to promote 2073. selling it to the public won't be easy. opinion is divided on many of the issues explored in his film, and it's probably fair to say that he'll largely be preaching to the converted.