anatoly dyalendik. libretto on bret jura's framed trojanism the scenario plan forged the size of the day and for the episodes he discerned how much the art was busy and only then returned to the composer on the creation of ports tours vyacheslav kuznetsov protsevali butt for six months. yura troyan was the first censor of vyacheslav kuznetsov 's creative work. in the musical phrases, the choreographer in the thoughts would give the ice of the production from his emotions , there was a repulse of glyadad's splashing. there is one place in the second act where the tatar invasion torments the protagonist and their children. when i saw, uh, in the clavier this very moment and listened to the recording, even if not the most perfect such worker. i wrote right on the edge listening and crying. this is the first time in my life i've written this. because my first reaction was like this. the panorama of the fact that the performance will be strong violence has become a sighting at the first stage of the walkie-t