, yes, it was a strong, my strongest impression in this profession from anatoly vasilyevich efros, it everything. efros headed the lenin komsomol theater in 1963. zbruif had already been on his staff for more than a year. efros noticed the charming smile of the young artist. immediately and without hesitation, he used it almost all his performances, becoming the godfather in art. on the wedding day, 104 pages about love, my poor marat, a movie is being made, the seagull, molière. after 4 years of triumph, efros was fired with the wording of inadequacy for the position of artistic director. true, they didn’t leave me without work, appointing me as the next director at the theater on malaya bronnaya. why didn’t you essentially follow your teacher? the thing is, when it happened, when the officials won, as always, a terrible meeting gathered, we had, terrible, there were actors from other theaters for efros, efros, efros, nevertheless they won, and there was such a director, hares, he was the director of the theater on bronnaya, he called efros and... said: i have the opportunity to take

yes, it was a strong, my strongest impression in this profession from anatoly vasilyevich efros. pages about love, my poor marat, a movie is being made, the seagull, molière. after 4 years of triumph, efros was fired with the wording of inadequacy for the position of artistic director. true, they didn’t leave me without work. appointing him as the next director at the theater on malaya bronnaya. why didn’t you essentially follow your teacher? the thing is when this happened, when the officials won, as always, a terrible meeting gathered. it was terrible for us, there were actors from other theaters for efros, efros, efros, nevertheless they won. and there was such a director, zaitsev. he was the director of the theater. i realized that, uh, something was wrong, i say, anatoly vasilyevich, i say, i’m currently acting in a film, i can’t be useful to you in this case, i really regret it, but i would like to, he says , okay, okay, i understand, in general, they got everyone who was needed there, there were one or two people, and before as he left, he said to me and lena konevsky, as

are with us, and so i... to my happiness ended up in the lenin komsomol, fortunately, because anatoly vasilyevichthere are several iconic figures in the history of theater of the 20th century, we are not talking about stanislav skamirovovich danchenko, these are our gods, then there were several figures who took the theater to another level, these are tavstanogov, in st. petersburg, in moscow, these are yuri petrovich lyubimov and anatoly vasilievich efras. you see, this is accepted as a law, you need to work this way, you need to disassemble it this way. excerpts, this is how you need to work with an actor, even the methodology has become the same for everyone, let’s say, experience, this is not stanislavsky’s way, you can’t worry, let’s say, you have to act. efros had small roles; he was an actor, without whom efros, as i understand it, could not exist as a director at all. in 1967, he was transferred to the next director to the small armor, but in order to sweeten the pill that he was being transferred from the main one to the next, a brilliant director, they decided to take 10 people with the