the great person of figure skating or anatolyevna tchaikovskaya sometimes you train a person, somewhereink, my god. well, what is it? what is it? why is it not going and all the insight will no longer be able to. everything has already been worked out. all and this is for friction. here is for me. this is the most difficult discovery that gorky made, because you are still looking, you try everything, and then it's too late. from the very top, well, this is coaching, coaching in general. why don't they go yet and at night you lie thinking? you do not live your own life, here you pull it and that's it. but nevertheless, come all in the training soon work. well, it's very, very good that you and i are talking about this topic, but i'm still such a sore subject that very few of you people have come to coaching . my task is to attract you. i understand that ballet on ice is all different so to speak, uh financial matters, but it would be great if you caught fire. with this development, with this development, you will see that you took over. that's like a child of a freak. you grew it, maybe

elena anatolyevna tchaikovskaya, deeply respected by me and i am sure by all of you, good evening.evening, it’s true to see you, as the head coach of the russian figure skating team, are you satisfied with the state of affairs in russian figure skating? do you know that i am the head coach of the national team for the third time in the entire history of my coaching work? i have now accepted a very strong team. there were times when it was worse. now i have in hands are very strong very interesting in terms of the composition of the national team. and i, uh, i hope that how would they continue to go and show. what is our russian figure skating. and what is the strength of our team strength in ingenuity strength in their idea strength in discovery, because so many elements very many fit into the programs were created here russia has always been distinguished by surprisingly inventive ideas musically excellent staging. this is our strength, it remains and what is the work of the head coach of the russian national figure skating team skating, because after all we are an individual spor

we have absolutely unique guests that i highly respect and i am sure of all of you elena anatolyevna tchaikovskaya good evening. good evening, glad to see you, as the head coach of the russian national figure skating team, are you satisfied with the state of affairs in russian figure skating? for the third time the head coach of the national team in the entire history of my coaching, i have now accepted a very strong one. there were times when it was worse. now i have a very strong one in my hands very interesting in terms of the composition of the team. and i hope that they will continue to go and show. what is our russian figure. and what is the strength of our national team, the strength of ingenuity, the strength of the idea? the strength is in the discoveries, because there were many elements of many approaches to the programs. created here russia has always been remarkable for its amazing ingenuity, ideas, musicality and wonderful performances. this is our strength, it remains and what is the work of the head coach of the russian national figure skating team skating, because after all we are

this is a podcast free program and we are visiting or at anatolyevna tchaikovskaya we now have very strongg schools there alexei nikolaevich misha at tamara nikolaevna moskvina. there is a younger generation, too, with absolutely successful ones, there are even younger ones. you are calm about our coaching potential. well, of course, i'm proud, not only i'm calm, because i'm the only one i'm laughing that tamara 80 moskvina mishin 81 continues to work with us, in my opinion, i'm eighty-three, we should already put in new young ones. their places and so that they are also interested, because we are still immensely interested in figure skating in its development. is it true. every coach has an assistant who is young hot. this annoys me now. here is the story of tim mishin tim of some sort. what the hell tim it has always been one coach one choreographer. you now all have 50 people behind you. and that, like raikin, who came in his hands? remember when the hand is the other way? here is the same thing, who is responsible is responsible for the head coach. uh, well u you used to be an ogre. an

the great man of figure skating or anatolyevna tchaikovskaya at night you think, my god.ell, what is it, what is it? why is it not going and all the insight. everything has already been worked out. everything and this is for the coach. here for me. this is the most difficult bitter discovery that i made, because you still try everything beautifully, this also happened, it also didn’t bring several people to the very top, well, this is coaching work, coaching work in general. why don't they go yet and at night you lie thinking? you don't live your own life. here you pull it, and that's it. but nevertheless, come all to the training with you , we are talking about this topic, but i still have such a sore subject that very few of you people came. my task is to attract you. i understand that others, so to speak, are financial affairs. well, it would be great if you caught fire. with this development here, with what you saw, what you picked up. that's like a child of a freak. you raised him, maybe you will tell me who you would like to see as a coach from the athletes who plea

elena anatolyevna tchaikovskaya, deeply respected by me and i am sure by all of you, good evening.ting team, are satisfied with the state of affairs in russian figure skating? the head coach of the national team in the entire history of my coaching work, i now accepted very strongly. there were times when it was worse. now i have in my hands a very strong very interesting team in terms of composition.

at that time, so many russian coaches left, probably almost everything except for her or anatolyevna tchaikovskayaborn like that. probably this is not for everyone, maybe everyone wants and everything train and many train. the same coach, but not everyone can do it depends on the talent of the character of the child. naturally, returning the genome, which should be in the child. i don’t know what platform was laid down in childhood in order to become, for example, a successful dancer. or with what it is better not to come right away, for example, figure skating, but for me it is very important that the child hears the music, feels the music and can interpret it. but this is probably the first thing, as it were, that i see emotionality in children. well on horseback there around it is possible to teach landing some details. and of course, so that the child likes it, so that he has a sporty character , so that he can and wants to overcome himself, because it is very difficult, as it were, for children to train and spend so much time on the ice, especially in dancing, because dancing , it's boring wi