usually focused on in his productions, only andreasyan tried to lift them up at least a little, andwest and all the most disgusting in people. in dovichenkov, for example, he uttered the phrase: “they had russians at maslenitsa.” that this is not a big task for actors, here they actually, well, somehow atone for their sins, their participation in the outright abomination invented by tuminus. happened this way paradox, the theater director, whom many revered as some kind of serious interpreter of martial meanings, turned out to be an obvious ethnically offended character, on the contrary, a film director, whom we generally know from openly vulgar films about dyuzhev becoming pregnant, about marvel heroes on russian soil, about chekotila and so on, suddenly he made a very sensible production, carefully treating national feelings and national classical luminaries. there are some shortcomings, but they are generally forgivable. especially against the background of what is still going on on the stage of the vakhtangov theater, i think that alexander sergeevich, like lev nikolaevich, is s

this the topic is important because andreasyan borrowed for his production the most important roles oftually found a gold mine, and complaints about his production are even inappropriate, since he staged a novel in which the word boredom, bored, repeated exactly 28 times, i even counted it, reading pushkin one more time is always a great pleasure. against the background of this production, what was staged in vakhtanga is distinguished by completely outright ugliness; in war and peace, pierre is shown as an excited fool, the senior balcony one, driven out of his mind by red tape, the senior rostov, an outright district wrangler, which is doubly disgusting, because under nikolai rostov. .. tolstoy certainly meant his own father nikolai tolstoy, and accordingly by the elder rostov own grandfather. i think that for such liberties, an artillery breed with a thick tuminus would load an inch and fire it towards lithuania, and rightly so. in the production of mount oma, in the center there was a gigantic three-story stove, a russian stove, which with its power loomed over the audience. lie dow

the series by sarik andreasyan chikatil was watched by more than 25 million people in the first monthmost terrible monsters of the 20th century. the second season was hard for me, it was like a mess, i was disheveled, like a person, i was just disheveled. i don’t like it when actors complain, it’s disgusting, but here it is moiner, last month the series shadow of chekotil was released, according to the plot in irkutsk, a maniac has a kind of successor, plunging the city into fear, the prototype of the hero was a serial killer who significantly surpassed chikatil in the number of victims, angarsk maniac mikhail popkov, the only russian sentenced to two life sentences for the murders of more than 80 women, he recently decided to confess to new crimes. and i myself have a legal and philosophical education, and i often encounter thinking that demonstrates very qualified, very educated fellow lawyers, we see even in the studio, and a lawyer, when he imposes a punishment, he very often thinks exclusively in terms of the provisions of the law, and what is indicated, well, 25 years, and if he