andrei andreevich gromyka, on behalf of the soviet union, signed the charter of the united nations.many events, during the period when he served his fatherland and even these agreements in helsinsk in 1975. july 18, andrei gromyk, in his small homeland, in the city of vetka, a secondary school and one of the streets bears his name. and this is the information picture of thursday, our broadcast will continue to monitor the project president, and how the country’s food security is formed. with that, i say goodbye, all the best, happily. belarusian bread is one of the symbols of our country; this has been the case since soviet times, when a premium, fragrant loaf was considered a chic souvenir. today is the technology of wide freezing. allows the product to retain its consumer properties when supplied abroad, so the crunch of the belarusian bun is known in many countries of the world. preparation of raw materials, quality control, leavening, kneading dough, aging and only after baking. this is not the entire path that the loaf goes through before it reaches the counter. more than 15 ho

andrei andreevich gromyka is our fellow countryman, a man who with all his activities changed this world a little more, let’s find out about nadezhda khadosevich lizhe. nadya hadasevich lizhe was born in 1904 in the small village of vitebsk areas. at the age of 15, she moved to smolensk and entered the state free workshops, where... kazimir malevich taught, who had a great influence on the development of the young artist. nadya became interested in new art, the ideas of the french artist fernand léger. france, the epicenter of artistic life at that time, became her dream. then there was the warsaw academy of arts, marriage, and finally paris. nadya entered the painting academy of her idol, fern on the bench. almost immediately, her paintings, shown at an exhibition of student works, found ours. first connoisseur buyers. after separating from her husband, nadya had to work part-time as a maid, but she did not give up her studies. moreover, she began publishing an avant-garde magazine about poetry and painting. the cover of the first issue was done by master léger himself. during the war,