the memorial plaque did not dare to testify that andrei rublev was buried in the spassky cathedral inbut in fact no one knows the exact place; there is evidence that andrei rublev and danil cherny were buried. here at the monastery cemetery southwest of the cathedral of the savior. in the fire of 1812, the amazing frescoes of andrei rublev and daniil cherny, with which they signed the spassky cathedral on the slope of haakon , almost completely perished; this is the last work in the sixty-fourth. tarkovsky will shoot here several scenes for a film about the great icon painter, and the ascetics will save hundreds of icons for the museum, all over the country in the year 60, which means that in january there were about 3.000 icons here. so a lot of things were taken out collected and preserved and revealed. major masterpiece. the lord almighty xii century icons even before the mongolian funds and even more than this holy of holies. all our masterpieces, everything that is not shown to the viewer in 2016, part of the territory of the monastery with the ancient capital of the necropolis,

andrei rublev painted the cathedral.ast work of exquisite ornaments written six centuries ago on damp plaster by the hand of a brilliant ruble can be seen only with a special blessing. they are located behind the altar barrier in the sacred place of the most ancient temple of the capital and the oldest building in moscow, the cathedral of the savior, this white-stone pearl of the andronnikov monastery, like the entire monastery was saved, by the restorer pyotr baranovsky, if it were not for his energy of that memorable day in december 47. it would never have happened the ministers of the ussr restores to organize the andrei rublev museum baranovsky knew the cathedral was preparing the nose in its place was planned for the moscow skyscraper. actually, the future museum was conceived in order to save the monastery's ensemble from destruction. it was smoothly in the state of surrender; the buildings were destroyed. uh were e, partially were in a ruined state. there was a crow here. slobodka in the spassky cathedral was the

the ministers of the ussr decides to organize a museum named after andrei rublev.orical decree was signed by the then chairman of the council of ministers stalin . first director. david arseniy turned to his friend and relative for help in organizing the museum. take it. he handed over everything to lawrence, take it, went to stalin and soon arseneshvili settled in the porch of the spassky cathedral, defending the monastery every five years, so years later he recalled this academician, dmitry likhachev, when he came to the biggest authorities, if we refused, he pounded on the table and said, i am georgian. i want ancient russian art to be accessible to russian people as a restorer. pyotr baranovsky knew the spassky cathedral was preparing for demolition in its place , a moscow skyscraper was planned. actually, the future museum was conceived to save the ensemble of the monastery from destruction. smoothly in the state of the building were partially destroyed were zoned state. here was such, crow, freedom. the history of the salvation of the monastery was of incredi

he puts his work on a par with the frescoes of andrei rublev. as for the freedom fighter, the last preliminary defender, alania died with weapons in his hands, fighting with the troops of tamerlane, who staged an exhausting genocide. on these lands. in an ancient necropolis next to the nou-ural. the chapels are the remains of a dynasty, crowned, descending from the emperor from the once many million state of the alans. only a few thousand inhabitants remained for several centuries near the roofed mountainous regions. it was they who preserved the people's traditions and the ossetian language. the village of goliad, tamerlane's troops, all the distant harsh years, sought to seize absolutely all the lands ancient alani, therefore, most of the fortresses and villages were simply wiped off the face of the earth by synthesis, among which the galiad survived. one of the most attractive is compared with the peruvian machu picchu. also, located in the mountains at an altitude of about 2.500 m. the same time of construction, about the 15th century. machu

idea, but it is this is an idea, i do not categorically accept this film, because the life of andrei rublevttle of kulikovo , but it is not in the film at all. it was such an event for russia as for our modern russian battle of leningrad, but the script was stolen a little bit. at some point i was just with this idea of ​​my own, the idea of ​​this film, this plot, or what the skonchalovskys shared with my girlfriend , and i just returned from suzdal, which made me an incredible feeling. i came to the dacha through friends they don’t even say, come to the bag, so that, well, they planned a good barbecue, and i came under and there i told them the movie, which i introduced myself, full of impressions. rubles, and i told them the film all the episode when the monks are locked up. they lock rublevo in the church and they themselves go to the battle of kulikovo, they lock him in the church began so that he would not die in the battle such talent talent and suddenly oh i had such an episode there invented but they have nothing like that. yes, as i wrote, my friend is a wonderful critic, dmitry u

then andrei rublev, who was lying on the shelf.he performances were held, how performances were received in theaters. what it is? it was and how people came, i don’t know, from the district committees, from somewhere else in the repertoire, they looked for everything. for the film smugglers, two songs about hares were already written, which yury nikulin was supposed to sing and the volcano of passions performed by aida's third song could fit perfectly in the script, or it could scare the commission of the ministry of culture not only with words, but also with rhythm, and this miracle is western something we don't need. this chewed not lezginka, drooped. show everything first with the toe of your right foot. you crush, cigarette butt. so op-op-op-op-op second. the twist is a fast dance in the style of rock and roll, which took place in rather frivolous movements, but had one indisputable advantage. he excluded the touch of two bodies. so he was invented, and so he made his way into the soviet dance music. all three songs were record

tarkovsky, by the way, said when he was working on andrei rublev.ddly enough , the opportunity for the realization of some kind of plan, of course, is limited. this is a necessary thing in art. sent a letter to my friend. he describes there how hard he lives, but i have a lot of ideas one misfortune of abundance makes me bottom. i am familiar with the gigantic beauty, when i have so much of a choice, it is always worth it. i don't know how. i'm just a tormentor. by the way, i have to, but it doesn’t work out as i wanted, as it seems to me, i still have to go further. you probably know just about what buddhism also says is that this is perfection, when you are looking for you are constantly moving away from it. and if you let go, yes, yes, by the way, that's a good introduction. you me, i suppose that i have a critic, stronger than composing them, because i wear myself out so much when i already called her to say, this is better than years. she can say no, yes, these are the things they say, now just came to this. we must let go. sometimes it seems t

and this nikola is called mozhaisky in the andrey rublev museum of old russian art, there are severales. so he began to be depicted from the 14th century, when according to the legend, he helped to liberate mozhaisk, through the prayers of the townspeople, appeared to the enemies with a sword in his hand. in ancient russian culture, these attributes, as a rule, were overhead, therefore, in most cases, they are not preserved initially. it was a theological symbol precisely. here is how the word of god a in the 16th century in connection with the warriors who led the ancient russian state, and this image was rethought as nikola the military and he was already more often addressed as the patron helping military companies in battles in sea and land campaigns, but we and in ordinary life we ask me cola for a variety of help in studies and on the road, and it is not difficult to turn to him for family well-being and health. there are about 6,000 churches in russia in honor of st. nicholas the wonderworker, and in this sense he is the record holder of xenia ionkin mikhail karasev and andre i