of course, had every right, since he was also a wonderful teacher who trained such masters as andrei torkovskyrei konchelovsky, a little later sergei solovyov, let's remember our films about the greats battles, about the fate of man. war, about heroism, love, and today we would like to invite mastfilm veterans, veterans of the great patriotic war, to this stage, these are people of amazing destiny, real heroes who also need to be filmed about movies? it is a great honor for me that gennady mikhailovich kovalev is in our hall, i will now show you a photograph. when i took part in the filming of ivan the terrible under the direction of ezhenstein, i watched this film from beginning to end, i was still a boy, and the big world of cinema opened up for me. during the war, mostfilm was evacuated to almaty. i worked as a sanctifier, but at that time i was drafted into the army. went to kinexberg, berlin, the red star, the mosfilm order did not stop working even at such a time. like war, he produced wonderful, good films, sometimes i even dreamed about musfilm, the memory of mostfilm remained forever,

not knowing how to do anything, remember this scene of bariska in the film andrei rublev by andrei torkovsky tell him the secret of how to cast a bell, how to find clay, this is amazing. history, nebazhov builds a lot on this. okay, well, let's now consider how persistent this tradition is. well, yes, pavel petrovich bazhov, wonderful, such a founder of a whole movement, initially the word itself was not a fairy tale, a fairy tale. in general, it must be said that here it is a very successful hit in terminology, so let's try, yes, let's start with a fairy tale, literally, what is a fairy tale? yes. after all, a tale is a semi-mysterious story, yes, transmitted within a corporation, i would say that it is more likely to be transmitted within a group, as some secret knowledge is called in other words, it could be legends, it could be traditions, but already rewritten and recorded for a wide audience, they move, well, let’s say, to a slightly different rank, this is also an action that is absolutely correct, and just this here’s a story, yes, it’s like an exaggerated calculation. modern, i will

and andrei torkovsky invited her to the role of mary magdalene, the film andrei rublev, they filmede besides, he forced her to be naked under with this rubbish, so that she could feel the texture of this rubble, the texture of the body like this, so that everything would be true, so it was just wildly cold, but she almost gave in at the end, because there really was serious pneumonia there, but thank god it got better, mirashnichenko starred in a short episode with torkovsky, but that was enough for the director’s friend andron konchalovsky to notice her and invite her... to uncle vanya. and even more so , konchalovsky wrote the script for andrei rublev. he, of course, paid attention to this an amazing woman, stylish, who is at the piano. looked like an aristocrat, she had a problem for the film uncle vanya, to find a lady of aristocratic appearance, because everyone was like a collective farmer peasant woman, whom he tried, here irina petrovna could look like an aristocrat, that's when she played in kanchalovsky's film, uncle vanya , she believes that this role is still her most im

born june 19, 1924, writer vladimir osipovich bogomolov, author of the story ivan, filmed by andrei torkovskyer title. ivan's childhood cult novel in august forty-four, the moment of truth. he was born on july 3, 1924. and this is not all literary. the call of 1924, we will name many more, if you look at 1923, there is the same powerful picture. smershevets, writer, poet, bart, vysotsky’s teacher, mikhail leonidovich ancharov, born march 28, 1923 . grigory yakovlevich baklanov, author of the excellent filmed story five earths and the roman of july 1941, was born on september 11, 1923. tankman. in war as in war, viktor aleksandrovich kurochkin was born on november 23, 1923. we are celebrating centenary after century of such golden men, there should be holidays and huge memorial concerts on the central channels incessantly, something i didn’t remember in 2023, i hope i missed something . and i really hope that i will see these concerts in 2024. these memorable days, but for now about the upcoming anniversaries of our front-line soldiers, about the people who preserved and sang not only russian

, not knowing how to do anything, remember the scene of boriska in the film andrei rublev by andrei torkovskythis is exactly what i know from somewhere, i studied ancient greek for a year and a half, so i know this root, that’s what tail and tell and say, say are the same root words, this is important, but true do the researchers say?

master evgeniy murzin, and if you and i remember again the film the diamond arm, solaris by andrei torkovskyvalent of music, it is inserted into a special one. this musical instrument exists in a single copy. i will remind you, of course, our dear interlocutors, michala arkavich, they know this 300 times better than i , that the pythagoreans insisted that music always sounds, there is music in the mathematics of planetary orbits, yes, if we are silent, then they if only we could hear music, we don’t hear it, music - this is not what we think, it’s not just la-la-la, yes, it’s not sound, but it’s something more, including an image. of course, of course, it’s no coincidence that scriabin is the same synthesis of art that scriabin is talking about, this is light music, that too, he had synesthesia, he saw sound, and actually, i don’t know if it’s true, but they write about that , that he died so stupidly, this is a personal tragedy for me, well, just from an accidental infection, so his last drafts of scores were aimed at - well, creating music that would move the luminary, and how arfey, if ar

for one of the solaris scenes, andrei torkovsky suspended a boom with actors from a spare camera cranestions are from today. hello, i'm iveta rogova, soloist of the art group saprano turetsky. a native of st. petersburg. i play the violin, sing, and compose. in general, i live, it’s interesting that today’s questions will be about the famous soprano singers. questions from ivetta rogova for 600. great italian singer. adelina patti was this composer's favorite vocalist. in his operas, she sang at the table of violeta in la traviata, gilda in regaletta, leonora in troubodour. who is this composer? joseppa vezhdi. right. questions from ivetta rogova for 800. the repertoire of this american singer of greek origin, one of the greatest singers of the 10th century, included more 50 opera parts. point guard irwin afey johnson jr. became famous under this nickname, and this is not magic johnson, this is him, questions from yvette rogova for a thousand. australian-british singer joana has a unique voice. to this theater, where, according to opera conductor boris pokrovsky, it became a trump card

ivan's childhood is a war drama, by the way, the first full-length film directed by andrei torkovsky.arents during the war, ended up behind enemy lines and there, well, tried to be a scout, a scout behind enemy lines. sixth question: what human organ appears in... the name of this flower: a - eyes, b, nose, c - mouth. time. marina, do you like flowers? 50x50. but if you were given flowers like these, would you be happy? i think yes. what kind of flowers are these? this. eyes and therefore the answer to our question and eyes, this is an absolutely correct answer, the correct answer to our question and eyes, and this flower is called pansies. seventh question: we’ll meet at 6:00, what part of the sentence is the numeral? a - subject, b) definition, c circumstances, time. ksenia, what do you say? i don't know the correct answers, but i answered purely intuitively. cents time vladislav, what do you think, how are you with mathematics? i ’m good at mathematics, so i chose the option with 5%, this problem is solved in this way: first we find how many students represent 1% of the class, well

there, of course, they paid attention to her, she was a spectacular lady, there she met andrei torkovskyoreover, he forced her to be naked under this rubbish, so that she could feel the texture of this rubbish, body texture like this, so that everything is true. accordingly, i just gave it away, because it was really wildly cold there, but almost at the end she had serious pneumonia, but thank god she recovered. mirashnichenko starred in torkovsky in a small episode, but that was enough for a friend to notice her director, andron konchalovsky, and invited his picture to uncle vanya. and even more so, konchalovsky wrote the script for andrei rublev, he of course paid attention to this amazing woman, stylish, who looked like an aristocrat at the piano, she had a problem for... an endless dog wedding, 12 years together you stop following the news, because to carry out, well, the soviet union was good, but nevertheless, there are still crazy morals there, it doesn’t matter there whether it was the soviet union, or whether it’s some kind of modern era, people with their character in general w

vengeance and i will repay the one who took the sword , mark will die, for fans of andrei rublev and andrey torkovsky carefully records the spiritual traumas of the era. something like this can be found in the legacy of roman mikhailov, but there is everyday holiness, the guy is trying to perform a funeral service for a local healer, and grigoriev’s. here is a world in which evil exists, evil is very close, in the next house, but we don’t see it, we close our eyes to it, we learn to ignore it, will small deeds help us to atone for our silence, we are still good people? so, whether people are good or bad in the past, law or justice, this is the story you told about the judge, i have... experience of hosting another program on channel one, and we encounter this every day, this is a monstrous figure, there are 98 ,9 in my opinion, yes percent of guilty verdicts, and we know how our investigative bodies sometimes work and sometimes the prosecutor’s office works, cannot be perceived by society as justice, everyone then thinks, after all, justice is higher than this law, i wonder if i’m right or wrong, i w

from the word kukovat, observe, yes, but you can also see this fortress in the famous film by torkovsky andrein ostriches, the bird doesn’t have high intelligence, but what are its physical characteristics, for example, it can reach speeds of up to 70 km/h, we drive slower in a car , fine, they can’t do something like that, by the way, but with one of its legs, it can not only demolish a person, it can kill a lion. what's the biggest shock? i would never have thought that the pskov land and ostriches can even appear in one sentence, these are the words, but now you will be surprised, friends, these black african ostriches can withstand up to -30 in the lungs, because - by the way, even in africa, they don’t have fat there right here on his back, on his stomach, come on, did you see what he’s doing, goo, goo, goo, goo, goo, goo, oh, look, look. they generally do not eat in small portions, ostriches do not know how to fly, maybe they would like to rise into the sky like other birds, but the weight of the skeleton and wings does not allow it, while in unofficial ranking of birds, they are leaders

the secret plans that were... 20 years later, when they didn’t do that then, then later torkovsky will film andreilutely. a challenge , i think, that mark donskoy deliberately made in order to hook soviet viewers, and it is no coincidence that when this film was seen in italy, it is believed, as the legend says, that it largely influenced the formation of italian neorealism, and the movement in italian cinema that arose the last year, in fact, the second world war, and uh, which then influenced absolutely the entire world cinema, yes, when the film is not filmed in a pavilion. and somewhere on location, when we see real life on the screen, because it is no longer possible to recreate life in the pavilion, we see destroyed cities, ruins, we see, not even actors very often anymore, but simply models or, well, extras, as it were who actually play themselves, all this also partly comes from donskoy’s rainbow, although of course donskoy’s actors were played mostly by actors, well, except for children, and we know, let’s say one of these, as a matter of fact in neoralism films did children play themselv

festival in ivanovo in plyos, a mirror. yes, and i even remember how torkovsky, young with konchilovsky, came to nekrasov and showed him andrei everyone always, vika and vika, two such young handsome men came to viktor platonovich nikrasov, who lived with us then, i was probably 12-14 years old, they, apparently , we were studying in vgih then, but... just some two celestials came and there they locked themselves in the room, they kicked me out, and i leaned against the crack trying to hear something, but no one was a person from a completely different era, but i don’t think what did he understand rublevo, and what, what did they want to hear from him, why did he need it, is it good written, i wonder if he understands what they want to say, but it seems to me that it was completely outside his aesthetics, because they didn’t appear anymore. i don’t remember, i went to a lot of sleepers, he and nikrasov were very friends, i actually somehow, you know, when i was very young, they offered to introduce me to akhmatova, i dodged it because the poems were very good, then in new york with brodsky and i too, it seems to me that this