revolutionary renest chegivara, scientist nikola tesla, directors frederick fillini, ingmar bergman and andrei torkovskyo maradonna, there are. i think that we live in the underground, where there is such a so-called world elite, they work, they work as they want, but the world will change, it will change, it has already changed, because there is china, there is india, russia, did the biggest ethnic cleansing after the second world war, but the problem is that from cnna to all french television , they say that ukraine is the first war of the second world war, they forgot that it happened, they do everything they don’t want, they, they did an audit, they just forgot, well ... that’s why we are here on belarusian television, yes, to talk about this, but do you remember where you were on march 24, 1999, that’s when it started, i was in paris, unfortunately, my son was here, he was playing on the bridges concerts and orchestra, and i returned to serbia, 2000, and i thought that everything would be better, everything changed, like a person who... supported milosevic, i thought that one era had ended, a new o

master evgeniy murzin, and if you and i remember again the film the diamond arm, solaris by andrei torkovsky there, there are no computers yet, so it’s possible, these are physicists, there are also keys, like old tape recorders, this, this was collected by a physicist from those same oscilloscopes and other physical instruments, if he lived in the world. yes, you know how it works, it's a large metal plate on which an image is extruded, a drawing is extruded. that is, there is a graphic equivalent of music gravitationalists inserted into special poses, well, like a music box, only much more complicated and it moves, this drawing sounds, by the way, we did several experiments, we took it in this way, it works, it works absolutely, we took works artists, transferred them to this iron sheet, and we heard how the artwork sounded, well , this is an idea - a sin of the ancients. what we think is not just la-la-la, yes, this is not sound, but this is something more , including an image, of course, of course, this is beautiful and not by chance scriabin, this is the very synthesis of art that scria

places of power of russian cinema, here dozens of masters created their masterpieces, including andrei torkovsky. the main thing that strikes the unprepared and also prepared spectators at susdal fest is the endless variety of styles. it feeds on ideas, not only cartoons, but also advertising, educational projects, and even the gaming industry. a city of craftsmen is any community, any event where professionals are present and do something. and here is our festival. also call a city of masters, any studio that makes cartoons a city of masters, in a separate non-competitive program morning exercises, cartoons from hundreds of children's studios from all over the country, next to young masters of the classics, in lectures, discussions, advice, the task of the elders is to help everyone find their individuality, if a creative person lives with an overexertion of his creative powers, he will come to some very high creative result, if he thinks: he came up with and that’s enough, that’s his job. there always needs to be a personality behind the work, so you always need to start with yourself. here is

dozens of masters created their masterpieces here, including andrei torkovsky.trikes the unprepared and also prepared spectators at suzdel fest is the endless variety of styles. it feeds on ideas, not only cartoons, but also advertising, educational projects, and even the gaming industry. the city of masters is any community, any event, event where.

scriabin, master evgeniy murzin, and if you and i remember again the film diamond hand solaris by andrei torkovsky so it’s possible it’s physics, there are the same keys as the old ones tape recorders , this is what the physicist collected from those same oscillographs and others. physical devices, if he lived in the world of the golden calf, he would definitely be a billionaire, but you know how it works, it’s a large metal plate, on which an image , a drawing is extruded, extruded, that is , a graphic graphic equivalence is inserted into special grooves, well, like a music box, only much more complicated and it moves, this drawing sounds, by the way, we did several experiments, we took it in this way, it works , it is still active, absolutely, we took the works of artists, transferred them to this iron sheet, and we heard how the works of art sounded, well, that’s the idea. the ancient greeks, in fact, the socratics, absolutely true, this musical instrument exists in a single copy. i will remind, of course, you, our dear interlocutors, know this 300 times better than i, that the pythagoreans ins

means, in principle, this is how artists are treated, such generalizations, which didn’t give andrei torkovskyle who were watching. the era treats artists very differently, sometimes in a very unpleasant way , but it was impossible to say so frankly then, so metta convinced everyone that it was just such an accident, a tragedy, he dies there several times during the course of the film, and this reality, which interferes with our game and so on, but nevertheless its art continues, and it is precisely connected with this continuation of art change of name, because the film had already been accepted, suddenly... in the production documents at the state cinema a letter appears signed by alexander metta, this is already the beginning of the seventies, the letter was addressed personally to the head of all soviet cinematography, alexander romanov, and mita writes that we talked to you, you advised us to change the name, and we gathered here and thought that in one of our scenes our heroes-artists sing an old romance, burn, burn my star, it seems to us that this is burning, this is stardom, yes, it's

master evgeniy murzin, and if you and i remember again the film the diamond arm, solaris by andrei torkovskyssible, these are physicists, there are keys there, like old tape recorders, this , this was collected by a physicist from those same oscilloscopes and other physical instruments, if he lived in the world of the golden calf, he would definitely be a billionaire, but do you know how it works? this is a large metal plate on which an image is extruded, a drawing is extruded, that is, there is a graphic equivalent to music. a story that has a beginning , development, an end, well, in general, yes, due to the fact that you and i don’t have much time, and you know, i don’t want to give up at all, because, because this, this important for the institution. for the museum in the car, yes , for the museum, this is important, because, because people, even if you have not been to the museum, listen, one, two, three, well, maybe you will have a desire to come, see something find out more, either at home, later, or when you get out from behind the wheel, something like that look, interesting stuff,

sense cinema, since it is an art that develops... musical form, in my opinion, here we are with andrei torkovskyhere was a musician, he studied in architecture, and i in time requires a sense of time, i studied at the conservatory, and i said, time is very important for development, and he said scaling, sculpture in time. in many ways they are asked by the documentary footage , selected, as far as i understand, by pelishan, but how did you find each other, how did the idea come about, but i didn’t know , they told me, i didn’t know, they told me pelishan is a talented guy, i’m generally a rude person, he kind of took me in, at first he flinched like a hedgehog, but he did a wonderful job, you know, i i'll tell you, a documentary image. incomparably always with an artistic gain, because a documentary image is always the absolute truth, everything that is shot in feature cinema is not accidental, it is calculated, the directors try to tell the story, the cameramen try to film, they teach composition and other things that happen in documentary films... it happens, here you are watch how war documen

in 1983, andrei torkovsky staged this opera at london's covend garden theatre.right. and the teeth are over 900. his left upper tooth develops into a spiral tusk. narwhal. yes. teeth 1,500. the doctor will call this feature a diastema. oh, that's the gap between the front teeth. right. wedding rituals 1.500. in some areas of kong, the bride and groom are strictly prohibited from doing just that. marriage is a serious matter. they laugh. laugh, smile, yes, wedding rituals 1200. in the masai tribe, the father, as blessings, spits on her daughter, after which she leaves with her husband, without doing this under any circumstances, otherwise, they say, she will turn into stone, well, maybe without turning around, true, like a woman, teeth for 600, this saying has a rhyming ending , got to hell in the teeth, went through fire into water, copper pipes, but got to hell in the teeth, please, teeth for 300, it was this medical worker who removed teeth in chekhov’s story, surgery, not a doctor at all, and there will be no answer, paramedic, felsher, absolutely right, this

1967, alexander mita has already released three film, he graduated from geek, he studied with andrei torkovskyedible workshop of mikhail romm. according to aleksandrach, it’s not that he actually learned a lot from the lesson, he understood more when he had already re-read those very lectures, released in a book edition, and the year sixty-seven is important in soviet cinema, soviet history, including because the fiftieth anniversary of the great socialist revolution was widely celebrated, many special films were released and apparently alexander thought that it would be great to show how... yes, we say it so easily, but in fact the name appeared, probably, the very last in this film, when we look at the documents about how the film was created, we see a series of names that, first of all, include the name of the main character, first of all they came up with his surname sparkmass, well, this is a creative pseudonym, of course, of course, the art of revolution to the masses, apparently this is what all this content grew from? we have photos from the soviet screen magazine that show what the ma

an art that develops over time, requires a sense of time, musical form, in my opinion, here andrei torkovskyand i studied at the conservatory, and i said, time is very important for development. and he said skalptiking sculpture in time, and we were like since we had a lot of discussions about this, sculpture, yes, sculpture, pelishan wanted to ask about khrennik, because the scale of sibiriade is largely determined by documentary footage, selected, as far as i understand, by pelishan, but how did you find each other, how did it come into being? idea, i didn’t know, i was told pelishan is a talented guy, he acts in feature films for a reason, it’s calculated, the directors try to tell the story, the cameramen try to film, they teach composition and other things that don’t happen in documentary films, here you are look at how war documentaries are made, as a rule, the cameraman lies behind some stone or behind some tank... an atograf, he worries me very much, i read that when you were working on the script, you had business trips to siberia , almost the same berezovskoye field, and the same b