young actress olga gobzeva could not slap the young director andrei torkovsky in the face, she did so she couldn’t do it, she simply physically could not hit him, in the end, when she finally succeeded, tarkovsky left with a red cheek , documentary authenticity of feature films, this is what appears. soviet cinema, with khutsiev’s films, we will see this later in the july in the rain, in some other films, this may become a common place, as at the end of the decade, but all this would not have happened if not for the film of the ilyach outpost, or i am 20 years old, because the audience of the sixties knew it after all under this name, why? because the film has a very sad fate, even before it was completely... finally released on the screens, as i said, they talked a lot about it, and they didn’t always talk in a positive way, because the final scene, where is the main character spoke with an imaginary interlocutor, so to speak, his own father, who had long since died at the front, whom he personally never knew, and whom he imagined in his imagination as some kind of ideal person, well

the first role in movie that shukshin played - it was a role in a course film by andrei torkovsky, itller based on a story by ernest khamengue, shukshin played the main role in it, played brilliantly, that’s the fact that imagine, it means pyryev, as it were, shukshin, pushed him onto the director's path, rom accepted him, torkovsky discovered him as an actor, and then shukshin's fate will continue to roll and develop, all this, of course, speaks of '. the randomness of this man’s fate, and shukshin in general, in fact, when we talk about his acting talent, it seems to me that in order to become a director, he studied a lot. in general, he was a very hardworking person, as a writer he also certainly worked a lot, but as an actor, i have the feeling that he really played without difficulty, that’s all all the people who knew him as an actor talk about the incredible naturalness of his acting talent, the impression is that fate, as if understanding the whole severity of his life, she gave him this gift, she gave him an acting gift, acting talent just like that some kind of bonus, this i

interviews, his first story ivan, published in the znamya magazine in fifty-seventh, filmed by andrei torkovskye ivanov’s childhood, i did not meet the author, but in our film group i felt some kind of anxiety about the communication of our authors, antarkovsky and konchalovsky, the authors of the script, with the author of the story, they whispered about this, about that , that there are some... problems there, this is my first film, or something like a youthful work, it is connected with my childhood, the heroes of this film, well, those... at my age they witnessed the war, they understood a lot about it, everything i'll run away from yours suvorovsky, ran away from his orphanage, i’ll run away from suvorovsky, think, in the movie in the book the little hero was obsessed with the fight against the invaders, but in the story ivan, a convinced soldier, a little intelligence officer, inscribed in the atmosphere of war, in the movie a boy with a heart scorched by the war, this footage from the venice film festival, torkovsky was very nervous, and somehow at the door we met with the author, with b

romm, vasily shukshin, and on this set he becomes the mentor of another future famous director, andrei torkovskyn projects, on the other hand, they want to work together , they submit a new application, which they call zastavoycha, and this happens somewhere in the very, very end of the fifties, already... already gorky’s studio in moscow, which is in this application ? four friends, young muscovites, all workers, work at the same factory, one of them has just returned from the army, so he goes to the factory and joins back into this peaceful moscow life, his friends, one of them is a newlywed, the other is a bachelor, who is caring for a girl named zoya, she is a nurse at the same factory, another younger young man meets with the main character’s sister, they also have a certain mentor at this factory who works in their workshop, he has a fragment near his heart from the forty -third year, according to miranera khuttsyev’s idea, as they talk about it in the application, the ilcha outpost is like a patrol that binds young people to itself... right before our eyes, but at the same time the film i

is the 100th anniversary of the birth of vladimir bogomolov. the story ivan, based on which andrei torkovsky made his first film ivan's childhood. it is impossible to tear yourself away from bogomolov’s books; you can and should return to them again. channel one completed filming of the new film adaptation of the cult novel in august 1944. the film will be called moment of truth. about big cinema, the creative method of the writer bogomolov, about what he bequeathed to all of us. in the report by alexey zotv. everyone who comes out of the forest goes there, suspects, here is the main human story, the relationship of people with each other, they themselves said, the soul of the front, intelligence, vladimir bogomolov wanted this film to end with the fact that ivan is alive, i can’t understand, this is the utmost attention, such a powerful person, without compromise, absolutely, i forbid sleeping, smoking, talking only when vladimir. bogomolov was tired of the questions, he brushed it off, i made it all up, but it’s impossible to tear yourself away from his books, they are not only extremely r

, the writer front-line soldier, the author of the novel ivan in august 1944, based on which andrei torkovskyd return to them again. channel one completed filming of the new film adaptation of the cult novel in august 1944. the film will be called moment. the truth about big cinema, the creative method of the writer bogomolov, that he bequeathed to all of us in alexei zotov’s report, everyone who comes out of the forest goes there.

andrei torkovsky’s picture of ivanov’s childhood was also based on bogomolov’s prose, but the writer dangerous, who is lobbying for the seizure of frozen russian assets? pranksters vavan and lexus talked to hillary clinton under the guise of petro poroshenko. 88 years of guarding traffic safety, traffic police officers celebrate their professional holiday, tens of thousands inspectors who monitor order around the clock, stop violations and save the lives of drivers and pedestrians. vladimir putin arrived in astana, where he will take part in the summit.

he was a consultant to torkovsky during the filming of andrei rublev and joked that he held in his hands preserved in the country, for more than 20 years he traveled to provincial museums to find and describe works of ancient russian painting in the storerooms. this made it possible for the center of the grave to select the most interesting things or those most needed. sava yamshchikov showed newly discovered and restored icons at exhibitions for the first time since the revolution. returning ancient russian art to the soviet public. he himself was originally from moscow, he called the capital machakha, and the province the mother of russia; ancient pskov always occupied a special place in his heart. he worked in the pskov-pechersk lavra, saving frescoes, discovering hidden images, and also managed to convince the abbot to transfer a collection of paintings, which included paintings by aivazovsky, to museums. the fact that today we have a large part of the collection of the famous abbot of the pskov-pechersky monastery. then he found eternal peace in those places for which ryan fought so

was possible to restore it. and was donated to the temple, he was a consultant for torkovsky during the filming of andreivery horse that was preserved in the country, for more than 20 years he traveled to provincial museums to find in the storerooms to describe works of ancient russian painting, this made it possible for the grave center to select the most interesting things or those most in need, sava yamshchikov showed the newly discovered and restored icons at exhibitions, for the first time after the revolution, returning the soviet. public ancient russian art. coming from moscow himself, he called the capital machakha and the province the mother of russia. ancient pskov always held a special place in his heart. he worked in the pskov-pechersk lavra, saving frescoes, discovering hidden images, and also managed to convince the abbot to transfer a collection of paintings, which included paintings by aivazovsky, to museums. what we have today a large part of the collection of the famous abbot of the pskov-pechersk monastery alypiy, voronov. this is also sava vasilievich yamshchikov. in skov, which he co

he was a consultant to torkovsky during the filming of andrei rublev and joked that he held in his hands to provincial museums to find and describe works of ancient russian painting in the storerooms. it's true. for the first time since the revolution, returning ancient russian art to the soviet public. coming from moscow himself, he called the capital machakha, and the province the mother of russia, a special place in his heart always occupied ancient pskov. he worked in the pskov-pechersk lavra, saving frescoes, revealing hidden images, and also managed to convince the abbot. transfer to museums a collection of paintings, which included paintings by aivazovsky. the fact that today we have a large part of the collection of the famous abbot of the pskov-pechersk monastery alypiy, voronov, is also sava vasilyevich yamshchikov. in pskov, which he considered a city close to his spirit, his heart ached for every ancient temple, every brick of the kremlin wall. the city was completely destroyed, destroyed monuments, tens of hundreds of houses were built next to the monuments. with incredible

he was a consultant to torkovsky during the filming of andrei rublev and joked that he held in his handsved in the country. for 20 years he traveled to provincial museums to find and describe works of ancient russian painting in the storerooms. this provided an opportunity for the selection grabber center the most interesting things or the most needy. sava yamshchikov showed newly discovered and restored icons at exhibitions for the first time after the revolution, returning ancient russian art to the soviet public. coming from moscow himself, he called the capital machakha and the province the mother of russia. he always held a special place in his heart. ancient pskov, worked in the pskov-pechersk lavra, saving frescoes, revealing hidden images, and also managed to convince the abbot to transfer to the museum a collection of paintings, which included paintings by aivazovsky. what we have today a large part of the collection, the famous abbot of the pskov-pechersk monastery olipe, voronov, is also sava vasilyevich emshchikov. pskov, which he considered a city close to his spirit, his he

andrei tarkovsky wrote maikovsky’s essay with a c. today there are monuments near vgik both, shukshin and torkovsky, next to the third is gennady shpalikov the manner of dressing, nor the way of life are important. and what is your name? fedor. my name is also fedor. well, does it happen? as much as you like. the directors noticed shokshin while still studying at vgik. many consider the film two fyodors his first acting work, but this is not so. shukshin first appeared on screen in the famous film quiet don, although he then played in a tiny episode. a sailor peeking out from behind the fence. shukshin was filming a lot and actively. the directors loved his face, the wise and at the same time sad look of his narrowed eyes. but vasily shukshin wanted to film it himself. he realized long ago, no matter what a person’s literary gift, the future belongs to cinema. only with its help can you instantly touch the souls of millions. yes, and once again, i’ll steal, if theft is to your liking, once again i’m flying, moscow, odessa, again they don’t let planes out, and even quail, with sawdust, you’re spinning in infinity, i’ve been getting up for

andrei tarkovsky, calling the picture ivanov's childhood. i didn’t meet the author, but i felt some anxiety in our film group about the communication of our authors. torkovsky were some problems there, this is my first picture, or something youthful work, it is connected with my childhood, the heroes of this film, well, those who witnessed the war at my age, you understood a lot about it. this meeting, he didn’t tell me anything, he stood up like that, looked at me and just put his hand on my head and carried me on like that. as a result , the surname bogomolov was not indicated in the film. from the first days of the war, vladimir osipovich himself, then under the name vaitinsky, signed up as a volunteer, was shell-shocked near moscow in 1941, crossed the dnieper in 1943, liberated ukraine, belarus, poland, military counterintelligence in smersh, was transferred by the fall. forty-four, hence one of the names of the famous novel in august forty-four, originally the moment of truth, a novel that was republished many times, they tried to film it in seventy-five, again the author came into conflict with the director, the film was closed, although bagomol only