lean on pete, a very moving drama from director andrew haigh. and the new anime mary and the witch's flower. and tully i am so looking forward to because it is made by the people who made juno, which isjust glorious! i loved juno so much! written by diablo cody, directed by jason reitman. of course, they also worked together also with charlize theron on young adult. so the story is charlize theron is marlo, she is a middle—aged woman who is struggling with kids and a newborn baby. she is exhausted, absolutely exhausted, and her smugly successful brother says to her, "look, why don't you let me pay for a night nanny?". she says "what's a night nanny?" he says "a nanny who comes at night so that you can get some sleep" and at first, she says "i don't want anything to do with this" but finally, she is so exhausted that she succumbs and she says "fine." enter tully, who is a strange mix of on the one hand part scary mary poppins, on the other hand, a sort of sprightly reminder of marlo's younger self and immediately, they bond. here's a clip. you se

lean on pete, a very moving drama from director andrew haigh.t is made by the people who made juno, which isjust glorious! i loved juno so much! written by diablo cody, directed by jason reitman. of course, they also worked together also with charlize theron on young adult. so the story is charlize theron is marlo, she is a middle—aged woman who is struggling with kids and a newborn baby. she is exhausted, absolutely exhausted, and her smugly successful brother says to her, "look, why don't you let me pay for a night nanny?", she says "what's a night nanny?" he says "a nanny who comes at night so that you can get some sleep" and at first, she says "i don't want anything to do with this" but finally, she is so exhausted that she succumbs and she says "fine." enter tully, who is a strange mix of on the one hand part scary mary poppins, on the other hand, a sort of sprightly reminder of marlo's younger self and immediately, they bond. here's a clip. you seem like a great mum. scoffs. great mums organise class parties and casino night, they bake cup

lean on pete, a very moving drama from director andrew haigh.ary and the witch's flower.

so, the andrew haigh adaptation about the story of a boy and his horse. what i liked about it... was a coming—of—age story, yes, but, ithink it is more universal. i thought it looked beautiful, and i thought charlie plummer was fantastic. so much about him reminded me ofjames dean, so vulnerable, so fragile, but a real sturdiness, and the scenes with just him and the horse, and the scenes with him and steve buscemi, who i know you... they're a highlight of the film, aren't they? they were an absolute highlight of the film. i watched it as someone who knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one if not two of those things. and steve buscemi is great. the movie is kind, even its darker characters it's kind to, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd? previous palme d'or winner, the square. the cannes film festival is on at the moment. you know i don't go. ch

i love the fact that andrew haigh, british film maker, has gone to america and shot in some deserts around by the scenery. there are moments in it when we are out in the desert, but still at the centre of it is charlie. he is in every single frame pretty much in the movie. the other thing is i like the fact that none of the characters in this film are two—dimensional. some of them seem harsh and difficult and violent, but everyone has got redeeming qualities. and they often play against type. chloe sevighny turns up as a jockey who has fallen off the horse one time too many. i can see the narrative is going to set her up as a surrogate, but it absolutely does not. i think there is a really, really terrific movie. it is dark in places. there are moments of tears in it. i mean you liked 45 years. i loved it, which is why i am going to see this. you can think of the intimate relationship thing. that is all here. i thought it was really great. i wish it was called something other than lean on pete. i wish it was called something like discovery, but lean on pete is it. don't be put off by the t

yes, the andrew haigh adaptation about the story of a boy and his horse. 0n the one hand i thought it, i think it is more universal. i thought it looked beautiful, i thought it looked beautiful, i thought charlie plummer was fantastic. so much about him reminded me of james fantastic. so much about him reminded me ofjames dean, so vulnerable, so fragile, but a real sturdiness, and the scenes with just him and the horse, and the scenes with him and steve brucejenny, who i know... they were an absolute highlight of the film —— steve buscemi. i watched highlight of the film —— steve buscemi. iwatched it highlight of the film —— steve buscemi. i watched it with someone he knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one is not two of those things. and steve buscemi is great. the movie is kind, nobody is great. the movie is kind, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you wa nt beautiful landscapes as well, if you want that as a bonus. what

based on a by willy vlautin and directed by andrew haigh who made 45 years and weekend, so it is a storynely, he's moved to portland, oregon with father, his single father, who's not a great father but, you know, he clearly loves him. he's looking for a family, he's looking love, he ends up finding work looking after a quarter horse. the quarter horse is called lean on pete. it's a horse who is towards the end of its racing life, he's looked after by steve buscemi, who is kind of gruff horse owner who, when it, when the horses are done with, he has told no sentimentality about sending them off to mexico, which becomes a kind of euphemism for what's really happening to them. no, not over your neck. the rope over your shoulder. good. all right. come on. it's ok. hey, hey, hey. slow down. remember what i told you yesterday. pick them up before you take the rope off 'cause he'll run on you. good. let's go. see that body? this kid is a natural. yeah, he's a good kid. and he ain't afraid of a hard day's work like some of these other kids... come on, it's all right. just relax your arms. and wa

so, the andrew haigh adaptation about the story of a boy and his horse. what i liked about it...niversal. i thought it looked beautiful, and i thought charlie plummer was fantastic. so much about him reminded me ofjames dean, so vulnerable, so fragile, but a real sturdiness, and the scenes with just him and the horse, and the scenes with him and steve buscemi, who i know you... they're a highlight of the film, aren't they? they were an absolute highlight of the film. i watched it as someone who knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one if not two of those things. and steve buscemi is great. the movie is kind, even its darker characters it's kind to, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd? previous palme d'or winner, the square. the cannes film festival is on at the moment. you know i don't go. christian is the creator of this museum, who seems to be te

i love the fact that andrew haigh, british film maker, has gone to america and shot in some deserts around desert but still at the centre of it is charlie. he is in every single frame pretty much in the movie. the other thing is i like the fact that none of the characters in this film are two—dimensional. some of it may seem harsh and difficult and violent, but everyone has got redeeming qualities. and they often play against type. chloe sevigny turns up as a jockey who has fallen off the horse one time too many. i can see the narrative is going to set her up as a surrogate, but it absolutely does not. i think there is a really, really terrific movie. it is quite dark in places. there are moments of tears in it. i mean, you liked 45 years. i loved it, which is why i am going to see this. and to know how good he is of doubling that kind of intimate relation thing. that is all here. i thought it was really great. i wish it was called something other than lean on pete. i wish it was called something like discovery, but lean on pete is it. don't be put off by the title of the film. that is the