white university and worked as an artist in the theater for young spectators, in my opinion, andron konchalovskyhen nikita later. that is, people from the creative intelligentsia acted, and i came. i realize how stupid i looked like me, of course that's me. i often think about it now, and so it was the next year, you understand, but, uh, fortunately , in the year 1958, our director's workshop was organized. i also wanted to, uh, ask you. here's what from your dreams. you did not refuse and you, uh, went as an assistant director to belarus film. yes , yes, all these years i worked as an assistant director on five films. i worked. they were mikolka. steam locomotive our neighbors red leaves. uh, the girl is looking for her father. after graduation institute. e you got a job in a tv movie and a bill of a tv and radio company, so in your interviews. you said it was a special privileged department. and here's what it was. its peculiarity came to me two applications for belarusfilm and for a tv movie seeing what was being done at belarusfilm at that time. i think i did the right thing by choosing the