as they landed the americans planted their flag on the moon a gesture that inspired pop artist andy warhol as late as 1987 just before his death. it was billed as a mission for all mankind that heralded in a new era the euphoria spread to countries that had recently thrown off the yoke of colonialism spaceflight subjects' on stamps cutter r.t.r. used them in his painting. british nigerian artist chink has shown a body suggests a space walk in wax print suits it's a multi-faceted work centered on themes of colonialism it seems to be asking why things are the. but more colorful up there in more ways than one. wife died of a cassette shot many segments of society the black and asian communities all women have never been to the moon is a joke price for men if a certain age and this work refers to that fact in a very ironic why ornish office top thought. you know that zambia had a space program of its own in the early 1960 s. . lack of funding may have spilled its doom but the vision has retained its explosive political force to the present day. the most famous image in the exhibition isn't an

liz: for andy warhol, you have the maryland, $9.9 million ipo offering size and you would expect to appreciatend a quarter percent, already you have 667 investors, do you cap it at a certain point? >> we don't cap it at a certain point, eventually to launch platform where people can trade and you can offer to sell your shares and we connect different investors, over time we expect the shareholder business to change with the paintings. liz: tell me how you expect this to go down, you talk about long-term investment, you said 3 to 5 years about? >> 3 to 7 years. liz: now how do you authenticate this stuff, because you're buying through crusty's you expect it's 100% authentic. >> that's right, paintings that we are buying ownership history as well as exhibition history, any art work in portfolio has been at several museums and has been in important collections. liz: you're starting a trading platform; is that correct? >> exciting feature for us and we sort of envision this as people being able to trade shares and paintings by -- by offering to buy or offering to sell very similar to help people t

you're thinking i can't afford an monet or andy warhol.to participate in upside move by shelling shares in individual authentic paintings. this is one of the "mona lisa," by bank, the cool artist out of london. this sells $20 per share. you buy into a share. when the actual piece sells to a collect tore, you get hopefully, if it sells more than currently valued at the ipo, you get the upside of that, or at least some of that. they have monets. they have warhols. these paintings go for millions and millions of dollars. we'll show you how you buy in, buy a single or heck how many shares you think you can afford. scott lynn is the masterworks founder. we'll show you in studio the banksy or the monet. i'm leak dogs playing poker. charles: either way it will be exciting. i love the art stuff. make sure you tune into the "the claman countdown." it is at top of the hour here on fox business. >>> i said several times on this show the manufacturing miracle, you know, it has done extraordinarily well. it has to keep doing well in states like wiscons

in pittsburgh if you are making a movie about andy warhol, because he's a favorite son, roberto clementejimmy: for sure. >> -- you have carte blanche in the city. >> jimmy: what about terry bradshaw? would he qualify? >> i think he'll get credit. but at the end of the money they're not going to say -- >> jimmy: did they do that to you? >> i was coming down from the gym in the hotel and i was all sweaty. and a guy got on the elevator with me. and he said oh, mr. hanks. i said korea, hi, how are you doing? he said, you're shooting the mr. rogers film here. yes, yes i am. i am. how is the shooting going, mr. hanks? i said pretty good. you know, i hope it cuts together. i don't know. i hope it comes out well. i'm having a good time. oh, good. well, i wish you good luck on the rest of your shooting, mr. hanks. i said well, thank you very much. and as the door -- he got out before me. and as the door was closing he turned and he looked at me and he said, "we take mr. rogers very seriously here." [ laughter ] like that. his eyes went like snake-like for a second. and i'm thinking, i believe i h

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. ♪ [ cheers and applause >> seth: here we go fred this is andy warhol's 1962 classic "campbell soup you can about this classic painting. >> fred: i love this one [ laughter ] and -- the reds that you see, seth - >> seth: yeah. >> fred: -- how does it make you feel [ laughter ] >> seth: the reds like here? >> fred: yeah. >> seth: it makes me feel, like that's how -- it's the same red as on the actual soup cans >> fred: nice. okay [ light laughter ] you're getting it. and the lines. do you see how the lines come together >> seth: like, the way these, like these lines >> fred: yeah. good [ laughter ] it seems, like you understand it uh, basically, these were birthday cards [ laughter ] and they were selling them and andy, as i like to call him -- [ light laughter ] >> seth: i think every -- i think everyone does. >> fred: oh, yeah. i guess a lot of people do >> seth: yeah. [ laughter ] >> fred: a sort of stapled them together and it was -- >> seth: they stapled the birthday cards together? >> fred: yes >> seth: okay. >> fred: that's how art is made. it's stapled together. [ laughter ]

you'd say maybe andy warhol or dolly parton. >> i have one, angela davis. >> absolutely. it's a pretty short list and there was a way in saturday night live costume department with the white street and it symbolized the new york intellectual. you could put it on and everybody knew it was sontag. but that becomes oppressive for her and the things that people reject on that is, are scary. just like anyone knows, anyone even moderately a life us, we're we publish books but we're not necessarily. people said horrible, horrible things about her. they were completely untrue all the time and this was before twitter. this was feel entitled because republic person to say anything about a person to you know, attack them in any way. also it's a fema on photography which i think is for great collection. for me, so the most resonant collection is about the image of a person and how the image and take over the person and destroyed a person. so it seems like it's about cosmetics. but it's funny that so many of the famous women writers always take that seriously. because they know what d