all you've got people injected a much—needed human note, ang lee for me is much—needed human note, angmuch—needed human note, ang lee for me is a storyteller, tell stories, stop worrying about the technology and whether or not we can push back 60 frames a second, ju5t and whether or not we can push back 60 frames a second, just do the thing you did before which was be a great storyteller. i have no problem with technology but technology for its own sake feels like the tail wagging the dog. it is true that mo5t wagging the dog. it is true that most of the ideas i have seen before, it is a sub—blade runner idea about body and soul and most of the time you're sitting there thinking, ju5t the time you're sitting there thinking, just tell me a story like you used to. i'm sure he'll listen to you. yes, i got him on speed dial. the farewell is a lovely story. have you seen it? yes. is in at just the story. have you seen it? yes. is in atju5t the most brilliant story. have you seen it? yes. is in at just the most brilliant thing?” did love it. i mean, i really, really loved... i5 did love it.

gemini man, i want it to be really good because it is ang lee, who is so interesting and does such greatk. no. will smith goes head—to—head with his digitally conjured younger self. he is a retiring assassin who finds he can't retire because he is being pursued by a young hit man, who weirdly seems to know his every move. it's almost as if he is being followed by his younger self. here is a clip. stop right there! who are you? i don't want to shoot you! fine. don't shoot me. mind if i shoot you? did i show you a picture of me? yeah, you look old. you take one step closer, you're going to leave me no choice. gunshots. there's some decently executed action sequences. this project began in the late ‘90s when it was first thought up and then they thought, we don't have the technology to do this. it turns out now they do, but it's like thejeff goldblum thing, you're so eager to see whether you could, you didn't stop to think whether you should. fundamentally, one big problem is i saw it in high frame rate 3d, which is this kind of high frame rate format which makes you think you're watching s

i saw it last week in, i think, ang lee's-- in his screening room. >> yes. >> stephen: here in manhattanation to watch it. 120 frames. >> per second. >> stephen: 4k. >> 3d. >> stephen: 3d, unbelievable. >> ang lee what, he did with this film is really spectacular. he's trying to-- he realized that home systems are-- you know, your television sound and screen at home are spectacular now. so he's trying to create a new reason for people to go to a movie theater. so with the 120 frames per second meaning it's super clear. the cameras are so crystal clear, and he wants it to respond like you see real life. and you're being immersed into the 3d. you have to see it in 3d. i know you can see it on the regular screens, but you have to see it in 3d, because it is really-- it's not old school. it's not your daddy's 3d. >> stephen: i kind of want to see it twice. i've seen it once now in the maxed out everything, and now i want to see it, like, in 2d, like 24 frames per second, just to see the experience. it really felt like i was in the film. it was like i was young will smith. ( laughter ). >> th

this is cool, ang lee. i love ang lee and directed this.been trying to make for over 20 years and i think ang lee finally said, "i think we're ready i think the technology's there. and basically will smith plays an agent and there's a guy after him. anhe doesn't understand why he's so good, until he turns and he sees a young will smith and basically he's been cloned and the guy's been sent out to get him. >> jimmy: so he's trying - >> and so you have -- and they've used this -- i think it's the first time there's a digitalized human, like, fully digitalized. so i did most of my stuff with the young will so basically he does it with a a whole camera rig then a body double does it anth they special effects run-through. and then - >> jimmy: so you basically with a tennis ball the whole time no, i -- [ laughter ] to be fair to will - >> jimmy: "get over here get over here, guy i love you, man. i'm going to save you. >> yeah,elfies and - >> jimmy: yeah [ laughter ] -- with a stick. a broom stick. >> no, but he -- >> jimmy: you never met will smi

. >> will and director ang lee says the facial capture technology is a game-changer.hnema" panel at techcrunch disrupt. >> there's a lot of potential, but right now it's will smith. >> meanwhile, will, who reunited with deejay jazzy jeff -- i need to ask about the bel air athletics because that just dropped. i love it. i need those "fresh prince" t-shirts. >> you know, i love doing merch and stuff, like, because i never did it before. that's a part of the new age now, too, how you can interact as a movie star. >> tyler perry is dedicating a stage to you. >> i'm going to go down there to pat him on the back. >> how much do we love will smith, man? will is amazing. can't wait to see the movie. >> well, tyler, we have a lot to talk to you about, but first, we are heading to japan where angelina jolie reunited with her college son, maddox. >> that look of pride pretty much says it all. maddox traveled just over 700 miles from seoul to tokyo for the epic mother/son reunion at the "maleficent 2" premiere. "e.t." has learned the trip was their first time seeing each other si

gemini man, i want it to be really good because it is ang lee, who is so interesting and does such greatng hitman, who weirdly seems to know his every move. it's almost as if he is being followed by his younger self. here is a clip. stop right there! who are you? i don't want to shoot you! fine. don't shoot me. mind if i shoot you? did i show you a picture of me? yeah, you look old. you take one step closer, you're going to leave me no choice. gunshots some decently executed action sequences. this project began in the late ‘90s when it was first thought up and then they thought, we don't have the technology to do this. it turns out now they do, but it's like thejeff goldblum thing, you're so eager to see whether you could, you didn't stop to think whether you should. fundamentally, one big problem is i saw it in high frame rate 3d, which is this kind of high frame rate format which makes you think you're watching something which looks like behind—the—scenes footage. it's so real, it looks like it's not a movie, which is really bizarre. secondly, it's kind of distracting because even when

adrienne bankert had a chance to sit down with will and the director ang lee in budapest. >> it was soe and, again, will smith, there's nobody like him. funny, action hero, multiplatinum grammy winner. for the man who's done it all he did something very new, playing two leading roles. >> they chose me because there's never been anybody like me. >> reporter: a dramatic double take. will smith stars in "gemini man" as not one but two assassins. director ang lee combines cutting-edge cgi technology with the power of 4k 3d. >> of all the people in the world to come after me, why would he send you? >> reporter: we traveled to budapest, hungary where some of the most intense combat scenes in the movie were filmed. now, the last time you were here i think somebody was trying to kill you, will. >> people have tried to kill me before. i'm okay with it. >> reporter: i met smith and lee here, a backdrop in the movie and one of the most well-known bath houses in europe. >> did you try this when you were in budapest? >> no, hungarian thermal water. >> to budapest. >> the hot threw me off. it's more

gemini man, i want it to be really good because it is ang lee, who is so interesting and does such greatdigitally conjured younger self. so he is a retiring assassin who finds that he can't retire because he's being pursued by a young hit man, who weirdly seems to know his every move. it's almost as if he is being followed by his younger self! (laughs) here's a clip. stop right there! who are you? i don't want to shoot you! fine. don't shoot me. mind if i shoot you? did i show you a picture of me? yeah, you look old. could you take one step closer? you're going to leave me no choice. gunshots. there's some decently executed action sequences. this project began in the late ‘90s when it was first thought up and then they thought, we don't have the technology to do this. turns out now they do, but it's like thejeff goldblum thing, you're so eager to see whether you could, you didn't stop to think whether you should. because, fundamentally, one big problem is i saw it in high frame rate 3d, which is this kind of high frame rate format which makes you think you're watching something that look

will smith talking about how ang lee, the director, shot this movie. way it looks but the critics, not so much. >>> next to an early halloween animated treat. the lives of the addams family begin to go haywire after they move to new jersey. a shady tv personality realizes the family's eerie hilltop mansion is standing in the way of her dream to sell all the houses in the neighborhood. >> yuck. i've done this thousands of times. >> live, my creature! live, i tell you, live! >> rrbitt! >> oh my god oh my god oh my god oh my god. get him off me! >> totally awesome. >> starring the voices of oscar isaac, charlize theron, snoop dogg, and alison janie, "the addams family" score is practically six feet under, 31% splat. peter howell laments all this talent, but an empty crypt of a committee-written script which goes in mainly for cornball one-liners. yikes. johnny writes -- calls it a sweet good-natured flop. >> you know what i heard about it? >> oh my goodness. >> i heard they're creepy and they're spooky, they're the addams family. >> da da da da. >> i'm go