andreevna akhmatovo, anna andreevna akhmatova was born on june 23 - in such a wonderful season - the889, this year she turns 135 years old, 135 years of her eternal journey in our hearts, in our books, in our thoughts, we will talk about this today with wonderful guests, the people's artist of russia. rutberg, hello, julia, with the philologist, art historian, a person who has been very involved in the poetry of the silver age, vera vladimirovna kolmykova. hello, vera. hello, well, akhmatova appears in st. petersburg, in tsarskoye selo, here is her debut, the beginning of the tenth years, pre-war time, what was the most important thing there? the role that amazed everyone, akhmatova’s appearance, yes, many were amazed, her involvement in different localities, either her unusual poems, or a prophetic gift, they talk a lot about this, yes, she writes about it herself, yes, that i can smell the water, near the blue sea endlessly, yes, her sleepwalking, mystery , what shocked everyone in these, probably, first four books, evening, the twelfth year, clear. the fourteenth year, which was t

on june 23, 1889, anna akhmatova was born in odessa. ic lyrics, the combination of subtle psychologism with pesin lad, won the hearts of the reading public. in 1910, anna andreevna married the famous poet nikolai gumilyov. a measured life full of creativity and inspiration was destroyed by the first world war and revolution. for a long time, anna akhmatova’s works were not published. despite this, she continued to write and study literature. when the great patriotic war began, the poetess worried about the fate of the country with all her heart. words from her poem of courage, written in 1942, became an expression of indestructibility. of our people, it is not scary to lie under dead bullets, it is not bitter to remain homeless, and we will preserve you, russian speech, the great russian word, we will carry you free and pure, we will give you to our grandchildren and we will save you from captivity forever. despite all the difficulties that she encountered along her difficult path, anna andreevna became a classic during her lifetime. akh

, and most importantly read anna akhmatova.had a wonderful conversation, and i think, after all, that we went along this spherical spherical trajectory, so that everything was connected. at least, it seems so to us, to me and my wonderful guests, people's artist of russia, actress of the vakhtangov theater, yulia rutberg. thank you very much to yulia, i’m sure we’ll see each other again, and to the philologist and art historian vera kolmykova. top, thank you very much for this conversation, thank you, i i think that we will talk about anna akhmatova more than once, to you, our dear friends, i again speak with emphasis, consider it with pleasure, dear friends. get away from the stereotype, which in the old days was persistently put into one’s head like this: pushkin is a friend of the decembrists, that’s all, that’s where it all ended, naturally, he was a friend of the decembrists, his friends included pushchin, kuchelbecker, and many other decembrists, so, but pushkin grew up, changed, and some elementary slogans like freedom,

at the turn of the 19th-20th centuries, nakenty aninsky, nikolai gumelev, anna akhmatova from anna akhmatovae dark-skinned youth wandered along the alleys, along the sad lake shores, and for centuries and lilies the barely audible rustle of steps. to paraphrase, we can say that now we have been cherishing the rustle of alexander sergeevich’s steps for two centuries. pushkin remembered the tsar’s village all his life and always met with friends on october 19 , the day of the lyceum. he came here in the spring of 1831 with his young wife natalya goncherova. they rented kitaeva’s dacha for the poet’s current anniversary. it has also been restored. zenaida kurbatova, yuri gonchar, gennady korneev, news. i have a question for you: do you have a clear picture of your future? do such thoughts scare you? you can just close your eyes, but you know what the outcome will be. open your eyes to your future, start with a long-term program. thanks to shopping at the megamarket, someone will reach the finish line first, someone will create comfort in their apartment, someone will go. on a long-awaited vacat

from the tsarsko-selo cycle by anna akhmatova. dark-skinned youth wandered along the alleys, along the sad lake shores, and for centuries the barely audible rustle of footsteps faded. to paraphrase, we can say that now we have been cherishing the rustle of footsteps for two centuries. alexander sergeevich. pushkin remembered tsarskoe selo all his life, always met with friends on october 19, the day of the lyceum, he came here in the spring of 1831 years with his young wife natalya goncherova, they rented kitaeva’s dacha; it was also restored for the poet’s current anniversary. zenaida kurbatova, yuri gonchar, gennady korneev, news! i... go for a walk in 2024, why do you always fly into the past, for my combo, dasha greshchagina's star combo for 355 rubles. and this will continue for a long time until june 16 at a delicious point dedicated to our senior loved ones, convenient loans, excellent deposits, in the branch and online, special conditions, special relationships. assemble the auto-inlet without unnecessary spending on avito.

you remember, let them not talk, let them read, today we will talk and... read poems by anna andreevna akhmatova in such a wonderful season - the season of white nights in 1889 - this year she turns 135 years old. 135 years of her eternal journey in our hearts, in our books, in our thoughts. we will talk about this today with wonderful guests. people's artist of russia, actress of the vakhtangov theater yulia ilyinishna rutberg. hello, yulia, with the philologist, art historian, a person who has been very involved in the poetry of the silver age, vera vladimirovna kolmykova. hello, vera. hello. well, akhmatova appears in st. petersburg, in tsarskoye selo, here is her debut, the beginning of the tenth years, pre-war time. something? played the most important role, which amazed everyone, akhmatova’s appearance, yes, many are amazed, her involvement in different areas, either her unusual poems, or her prophetic gift, they talk a lot about this, yes, she writes about it herself, yes, that i can smell the water by the blue sea endlessly, yes, its sleepwalking, the mystery that shocked everyone in the

he gives lessons, leads excursions around the city center and works at the literary museum of anna akhmatovath all this, when you sit on this pyramid and look down at the escalator, the most restless thoughts come to you, excuse me, what for... the whole escalator, as i usually say, based on my experience, you will need many. the most sought-after legs in st. petersburg, they are touched by natives who make wishes, and tourists are guilty of enlargement of the metatarsophalangeal joints. the lower limbs of the exhibits inside the hermitage are also not going smoothly. michelangelo's masterpiece is shown an x-ray of the forefoot in a direct lateral projection, the goddess of love at the time to complain not only about a splinter. we can pay attention. the toe and right foot of venus, which is slightly bent under the fourth toe. professor of the department of orthopedics and traumatology, turner institute vladimir kenis makes a morning tour of the museum halls with fellow clinicians. marble and picturesque patients are the most fertile material for studying, be it the hammertoe deformity of th

strongest childhood impressions, i was probably 9 years old , korean folk tales in translation by anna akhmatovain foreign literature, the union of writers of the ussr, these were. then this list will consist of the bolshoi theatre, the marinsky theatre, tretovka, the hermitage, the pushkin museum and a number of outstanding russian artists and... musicians who spoke the same language, of course, came, and brilliant performers came, bernstein came, the yurzhe of normandy came , came, there was a chicago orchestra, balyanchin came, also from... russian roots, by the way, well, look, when we say big theater, this is the grigorovich ballet, for example, the sixties, in the late sixties, which were very modern then, which were reviewed by many, there is also swan lake, let’s say, i don’t even say, spartak, which toured, this there was contemporary art, in this sense, there was, say, mkhat, who went to london in the early sixties, yes, that was in my opinion, well, not the beginning there, the mid -sixties, he lost. because he was carrying classics, which were very completed, by the way, after these

in the fountain house, in the year of the 135th anniversary of the birth of anna akhmatova, an exhibitiony blanket in mourning poppies with a sleepless owl, daughter, how we covered you with fresh garden soil. akhmatova’s element is like a connecting thread that is woven into the canvas of the exhibition, on the walls there are original manuscripts, drafts, poems without a hero, the work that akhmatova wrote all these 22 years. here are these sheets of text unfolded, which continues endlessly, yes, on the one hand, on the other hand we can read this text. from beginning to end and see how many revisions and editions this text has had, we remain on the one hand in the pure space of the text, which is very important in exhibitions that are held by literary museums and a museum that is dedicated to exhibitions of poets, yes, on the other hand we see the life of this text. these doors, provided by the descendants of nikolai punin, seem to connect the two spaces where akhmatova lived in recent years, the apartment on lenin street and the fountain house. an amphitheater on the bank of the slavy

- wrote anna akhmatova., all russian history, if you knew, you would be less likely to label yourself pharisees. be healthy. russian lessons, russian lessons, russian lessons , russian lessons, russian lessons, lessons. skating rink, with rhythm unwound the skein, eloquence of the child, so that no one throws a stream on my mouth, but boiling water, rough as a hammer, it’s too early to let the whale down, another drink has come, through the west to the east, my scarf flies away, i’m not as gentle as a flower , i don’t swear like my brother, i’m not a barto fire, but i know the current in poems, i cut it and it’s exactly like you’ll stick to them like philip kirkorov, i can’t shake my head, i’ll just give it a mambiton, and i’m a broken reader. timur rodriguez on regina tv. come on, come on. the greatest showman, participant and presenter of all television and radio programs, known and unknown, timur rodriguez, good evening, thank you, for some reason your performance, here is your exit, reminded me with its

anna akhmatova wrote: after this ocean of dirt, betrayal of lies, how solemn and wonderful it was toanyone, are you satisfied with it, a discerning artist, you are satisfied, so let the crowd armor it, spit on the altar, where your fire burns, your tripod shakes in childish playfulness. this line became the title of a journalistic sketch about pushkin by one of the main russian writers of the 20th century, alexander isaevich solzhenitsyn. he wrote it in april 1984. 40 years ago, it most accurately formulated the main property of pushkin, the ability to overcome everything tragic with light. it is a great honor for us that an excerpt from the literary and journalistic etude is shaking your tripod by alexander isaevich solzhenitsyn, here in boldino “natalya dmitrievna solzhenitsina” will read. the highest achievement we inherit from pushkin, nothing separate from him... not even the lightness of his poetry, unsurpassed, not even the depth of his nationality, which so amazed dostoevsky, but his ability. to say everything, to see everything shown, illuminating it, imparting to all events

personal ending, because despite the fact that pushkin got married, this is the famous phrase of anna akhmatovah my tatyana learned, married the general. i’m from hell, well, there’s war and peace, war and peace, of course, yes, but there are 700 characters, here, i think flyanova petushkova there and the others are generally five people, everything is said about the russian soul timur kibirov somehow in my opinion, he said, says pushkin is normal, yes, but this, in general, this is higher praise, such a conversation wonderful about the encyclopedia, it reminded me of what i’m somehow burning with right now, i’m working on pushkin’s personal library. which i couldn’t really get to, that is , there are a lot of private subjects, a lot of wonderful works, in fact, the library itself as a whole, but show me, tell me what kind of library you have, i’ll tell you, what are you, so pushkin, in my opinion, created a world civilization in miniature, and it is a world civilization in miniature, this is his library, it was then created by him already in their own texts, including the tiniest ones, and thi

put on her shoes with one. gloves, but with shoes it’s absolutely right to make such a mistake, anna akhmatoval, let’s have shoes for 400, someone invited to television was going to make this purchase, you feel more confident when you know that everything is in order from head to toe , buy new insoles, for sure. shoes 200 in this country in the house it is customary to either walk barefoot or wear uwabaki, special flexible and light shoes, mm, japan, that’s right, around music for 800, an album of beach music from palanga to gurzuf, the melody company recorded it in 1969 specifically for this soviet organization. maybe a foreigner, quite right, the album was intended only for foreigners, around music over 600. an international group of fans has collected more than 70 thousand different recordings of this aria, written in 1935, performed by charlie parker, louis armstrong, janis joplin, summertime, for sure. around the music for 400. the oldest russian festival dedicated to this musical direction has been held in yaroslavl since 1979 . among the guests were alexey kozlov, oleg lunstrom, igor bu

personal end, because despite the fact that pushkin got married, this is the famous phrase of anna akhmatovae seems to be so, she is autonomous, but, but he cannot, he actually gives his life for this, this is very, this, if you like. this is his phrase, here he speaks himself, the thirtieth year, cholera, marriage and the finale, the end of the publication, no, well, this is it, this is some kind of ultimate existential moment, well, that’s all, here we are to our conversation at the beginning, yes, this is all russian literature, and negen, yes, here, here it’s just everything, i’m from hell, well, there’s war and peace , war and peace, naturally, yes, but there are 700 characters, here, not counting flyanova petushkova is there... and there are five other people in general, everything is said about the russian timur kibirov somehow, in my opinion, in an interview he said in someone, he says: pushkin is normal, yes, but this, this is generally the highest, highest praise such, this is a wonderful conversation about the encyclopedia, it reminded me of what i’m somehow gangoring about now, i

because they just see, they immediately smile, and akhmatova, unfortunately, is very depressed poetry, but people still have a shift to stand by. “hello, today annaly, i will not allow anyone to make a decision for myself about whom i should choose when see, go listen to poetry, and the letter, my dear, in no time, read it to the end, friend, i’m tired of being a stranger. don’t look like that, don’t frown angrily, i’m beloved, i’m yours, not a shepherdess or a princess, no longer a nun, i’m in this gray everyday dress of trampled on... in heels, but as before, a burning embrace, the same fear in huge eyes , my letter, dear, don’t be crumpled, don’t cry about your cherished lie, put it in your poor knapsack at the very bottom. thank you, she's probably sick, please tell her not to leave us nowhere, i so wanted to tell her that i will certainly tell her, thank you, may you get well, and this is for you, thank you, thank you very much, will you allow me, why should you, you can hold up the basket, i gave up on this a long time ago, and what now? transfer to the rear of defense enterprises, okay, don’t be afraid that your performance will now be spo

lyubov orlova, grigory alexandrov, sergei ezenshtein, anna akhmatova, faina’s entourage gave her inspirationupt me, that you constantly interrupt me, in the famous actor vasily kachanova faina fell in love at the beginning of the century, at a time when it was fashionable to faint, she said. kachalov, immortal, as is his art, continue to love this piece of cardboard, fate brought them together from this evening until the end of the life of an amazing and unique actor. and ranevskaya considered akhmatova great and the very first poetess of the country, what you will be remembered for, faina is not a profession at all, for a quarter of a century ranevskaya worked at the mossovet theater, where the artistic director was yuri zavadsky, their frequent conflicts gave rise to many anecdotes. oh, let's scold him already, despite all their scandals, get out of the theater, out of art, he did a wonderful performance, a storm, where... he was given a cosmic kiss, a kiss from the team or from the heart, not a woman, a planet, ranevskaya, 2 evenings left, don't miss it, vivid dialogues, carefully recreat

anna andreevna akhmatova was performing, many wanted to see her, but some decided that her depressiveld see when, and whose poetry i should listen to? and the letter, my dear, is not a lump, read it to the end, my friend, i’m tired of being a stranger, being a stranger, being a stranger, being a stranger on your way, don’t look like that, don’t frown angrily, i’m beloved, i’m yours, not a shepherdess and not the princess. and i’m no longer a nun! in that a gray everyday dress with worn-out heels, but as before, a burning embrace, the same fear in huge eyes, you are a letter, my dear, no one, don’t cry a cherished lie, you are in your poor. put the descendants at the very bottom. don’t be afraid that your performances will now be spoiled, i’ll go sing in the market square so that they will throw rotten vegetables at me. evil forces, but not people, look, this is all for you, there are gifts, letters, cards, people were preparing for your arrival a week in advance, stay for tea, i like it, we only met once in a past life under very strange circumstances circumstances. but no, thank you,