under anna ianovna. augustus ii became king of poland. after the death of augustus ii.atherine ii sent troops to warsaw. after which her lover stanislav poniatowski was elected king. catherine’s attitude towards the poles is reflected in the rescript to ambassador yakov sivers. due to the inconstancy and flightiness of the entire people, due to their proven malice and hatred towards ours, and especially due to the fact expressed in them... forced the polish deputies to equalize the rights with orthodox catholics, without having their own constitution, russia took on the role guarantor of the polish constitution, which... turned the polish-lithuanian commonwealth de facto into a protectorate of russia; dissatisfied with these innovations, the gentry united in 1768 into the so-called lordly confederation and openly opposed russia. the confederates gathered 5,000 people and occupied the zamosc fortress, which was defeated by alexander vasilyovich tsuororov. austria and prussia, shouting for a piece of us , are forcing russia to divide poland between them. in 1795, after th

among the kremlin exhibits there is not a single random thing, here in the armory, anna ianovna's carriagenation dress, the collection of carl fauberge, all that have come down to us are symbols of state power. no state can think to present oneself adequately, without keeping state regalia, which never leave the country’s borders, it’s like a regimental banner; if the banner is lost, then the regiment no longer exists. there are more than 6,000 exhibits in total, elena gagarina can give a whole lecture about each, be it the crown, the russian empire or the main symbol of the moscow princes - manomakh's hat. she is a very good director, she understands how to develop a museum, she understands what the moscow kremlin is, what features this museum has, what exhibitions need to be done. she doesn't fuss. and it's very what is important is that she maintains the dignity that ... the director of such a museum should have. an art critic by training, elena gagarina began at the pushkin museum, studying english illustration of the 16th century. for a long time she worked under the leadership of the