anna khrustaleva and actress milana bru. hello. hello, you're here right now.ic related to school uniforms is the premiere of your film. i take a step and immediately ask kanye how the work on creating images in cinema happens. well, first of all, this is, of course, mental work, intuitive and in some kind of ideal world. well, ideally, i i don’t mean in a material way, that is, you need to find commonality between your idea of ​​a hero and heroes. eh, how the actor presents him, how the screenwriter and director present him. and as soon as it’s all connected into one image, the image is found. eh, everyone is happy, then the tenth thing is to find it. actually clothes. e is happening. let's go straight ahead. from the very beginning, the costume designer receives an offer to work on a film set in a school. that is, accordingly. this is mainly school form. yeah, it's a cursive style. yeah and something to do with the school lady with the uniform. yes, with a school uniform. moreover, as far as i understand, it’s a school uniform. now somewhere it is, somewhere

today , costume designer anna khrustaleva and actress milana bru are with me in the studio.opular prepi style in general, who is it suitable for? can schoolchildren and students wear it using some references directly in their study life or can it be worn? this is a popular style and now everyone is actively promoting it. no , it seems to me that this is for this period of time. this is one of the main movements of our styles, something like strict, but free. i very often see adults in this style, i’ll tell you more. i really like it, i really like it, when it seems to be very formal and strict, but there is some kind of lightness and yes, and it’s very stylish. in my opinion, especially since now this is such another round of return, it can really be more free and combined. even with orange moments, that is, an older person can wear a jacket and hmm and a tie, but on a naked body, for example, yes, that’s for sure. which elements of propestyl can be used in office clothes, because they have something in common. the styles are quite similar, but still different. what elements

anna khrustaleva and actress milana bru.right now . a very relevant topic related to school uniforms is the premiere of your film. i take a step and immediately ask the stones, how does the work on creating images in cinema work? well, first of all, this is, of course, mental work, intuitive and in some kind of ideal world. well, ideally, i mean not ideally material, that is, you need to find commonality between your idea of ​​the hero and the heroes. eh, how the actor presents him, how the screenwriter and director present him. and as soon as it’s all connected into one image, the image is found. eh, everyone is happy, then the tenth thing is to find your own clothes. e is happening. let's go straight ahead. from the very beginning, the costume designer receives an offer to work on a film set in a school. that is, accordingly. this is basically a school uniform. yeah, it's a copybook style. yeah and something to do with the school lady with the uniform. yes, with a school uniform. moreover, as far as i understand, it’s a sc

anna khrustaleva and actress milana bru. hello. hello, you are here right now.ideal world. well, in an ideal way, i don’t mean in a material way, that is, you need to find a commonality between your idea of ​​a hero and heroes. eh, how the actor presents him, how the screenwriter and director present him. and as soon as it’s all connected into one image, the image is found. eh, everyone is happy, then the tenth thing is to find your own clothes. e is happening. let's right away. from the very beginning, the costume designer receives an offer to work on a film set in a school. that is, accordingly , this is basically a school uniform. yeah, it's a copybook style. yeah and something to do with the school lady with the uniform. yes, with a school uniform. moreover, as far as i understand, it’s a school uniform. now somewhere it is, somewhere it’s not, somewhere it’s free and that’s enough. in general, but the difficulties. you know, uh, first of all, naturally, a conversation with the director, after i read the script, how she she sees this, in this case she is the