, anechka, i beg your pardon, anna pavlova, excuse me, excuse me, i have a girlfriend there, i beg your pardon. well, anka, well done, congratulations, on what, her beloved, yeah, what is it, can you, but wait. thank you, beautiful, beautiful, the organizers invite all three finalists to the gala party. rita, give me the ring back, please, i just tried it on, what are you doing? anka, congratulations, well done! that's it, thank you all, thank you very much, no, this one with me, come on, come on, come on, come on, come on, don't let anyone in behind us, so that there's not a single living soul behind us, please let us in, we were invited, let us in, guys, excuse me, excuse me, excuse me, guys, i have a girlfriend there, can i come through, you were told, you can't come here, he's touching me with his hands, come on, show me, it's bad, why did you open up there, you couldn't wait, anyway , you weren't going to propose to me today, you'll do it again, with that face, and it bothers you, of course it bothers you, well, if it bothers you, you need to accept it for courage, and then the hos

the imperial school, i touched the barre, which many probably held on to, including, probably, anna pavlovato dance, all this was conducive, these circles are located, you know, so that... the yellow building on fontanka, there were the royal stables, this is the stable, and the palace stands like a wolf of the royal children, and i didn’t know, then i i recognized leningrad, i say, how they were here, yes, she says, here... the royal stables were, i have been saying ever since, so i was born like a ballerina in the stables, in the stables, yes, yes, here are the last windows, when i ride along the bridge, where these lottovsky horses stand, and i always show, and i tell my son, here are those last three windows, that's where i first took hold of the boletus machine, which many, many people held on to, i have never forgotten how i was received, i had normal data, i can't say that everyone gasped, no, they accepted me worthy, there were better children than me, there were worse ones, but i remember that i will stretch out, please, girl, stretch out the rise, i squeezed out this, you know, ri

choreographer, teacher, nikita aleksandrovich dolgushin brought the program of the silver age, anna pavlova, vatsislav nezhinsky. vision of a rose, when a girl comes home from the ball, also sits down in a chair, as i am sitting now, falls asleep full of impressions from the ball, where there was communication, dancing, a certain ghost appears to her, a smell, roses, and a completely complex, incredibly technically complex , physically complex miniature, where a young man literally depicts... ler smell e from the second year nikita aleksandrovich passed this miniature on to me and literally to the last days, there in the mirinsky theater, this miniature was with me both in the repertoire, and on a large number of tours that were in my life, that is, this is such a part that unexpectedly became a calling card for me, and if somewhere we meet someone, everyone says, ah, and the leading of the rose, such a rhythmic line for me, as well as a forming one... it was so offensive, i bow after the number and could not stand it, went up to the girl, said: girl, is it really so interesting for you to

pavlova, economics faculty, congratulations, anechka, i beg your pardon, anna pavlova, excuse me, excuseit.