annamarie lopez: in morals [laughs] clarence pierre: no. what is it? annamarie lopez: morales.pierre: morales. james bryant: morales. clarence pierre: yeah. james bryant: i'mma comeee you. clarence pierre: ok. james bryant: he knew about wine, not architecture, nor masonry. m-a-s-o-n-r-y. clarence pierre: james was raised in the era of where he could not get hired or work at a white funeral home. james bryant: ok, i'm trying to catch up. clarence pierre: but i didn't have to worry about the division. i don't feel that their experiences back then have anything to do with me now because i don't feel that i have to put myself in a box and say, i can only work at a black funeral home. i can make it somewhere else. james bryant: my uncle eddie is not doing well at this time. in order to go forward, you have to know where you came from. people like clarence, these young people now, they are what older blacks dreamed of. and that's being integrated. we fought for it. we died for it. we-- it was a eam. but progress comes change. i'm loyal what the black funeral homes stood for then. bu