annenberg media ♪ and: with additional funding from these foundations and individuals: and by: and thennual financial support of: ♪ ("american cinema" theme playing) ♪ ♪ (music plays) howard, what are you doing up here? (man) i'm thinking. well, don't think! talk. talk to me! jesus christ! you can't walk out of a meeting like that. you say, "excuse me." you say, "pardon me." otherwise they think it's something that they said. did they say anything? (man) no. howard, talk to me. listen to me. let me remind you of the upside here; okay? you put in a million dollars -- a year, maybe two -- three at the most -- you're walking out with four million bucks. i understand the math, lenny. i just want to rethink things; okay? ♪ (music plays) talk to me, howard. listen to me. let me remind you of the upside here. you put in a million. a year and a half, maybe two -- three at the outside -- you take out four million, maybe more. i understand the math, lenny. i just want to rethink things. ♪ (music plays) don't do it, howard. i said, "don't do it." i said, "don't do it." (man) do you know her? hi.

annenberg media ♪ funding for this program was provided by... [ indistinct conversations ] aah!ood morning. good morning. hello. are you going to tour the exhibition? well, i've seen the show, you know. i think it looks good. well, it's certainly a grand theme. genesis. how can you beat genesis, right? [ laughing ] and the thing that you discover about it, it's interesting because you discover that, compositionally, the most difficult thing about the picture is not the figures, it's a tree. why is that? you have to find a place for it. if you have a pattern of some kind -- if you have no tree, then anything you do -- you can turn it upside down, lay it down, whatever, you know -- but a tree can only grow up. the only thing i'd say with genesis is the serpent or the snake because you can do anything you want with it. so wherever you feel there's some emptiness, put the snake in. and then find some empty place there, bring the snake there. you can put him anywhere, so that saves you. cheim: what do you think about the difference between figurative paintings and abstract paintings,

annenberg media ♪ some of the most picturesque landscapes on earth owe their existence to glaciers.here are many examples-- spectacular mountain ranges such as the alps, the himalayas, and the rockies were sculpted by repeated glaciation. yosemite valley, here in the sierra nevada mountains, would have been another nondescript river valley if glaciers hadn't carved it to its present shape. many of the world's most beautiful lakes were gouged out of hard rock by glaciers, including north america's great lakes and the famous lochs of scotland. even the great expanses of rich agricultural soils that blanket china and the soviet union, canada and the united states owe their existence to glaciers. moving glacial ice pulverizes the underlying rock into silt-sized fragments. this silt was eventually transported and concentrated by the wind into the vast fertile soils of today. early scientists didn't really appreciate the important geological role of glaciers. even geologists were convinced that glaciers had never existed outside of their present locations over the last one million years.

annenberg media ♪ and: with additional funding from these foundations and individuals: and by: and thennual financial support of: ♪ (theatrical music playing) movies are the culture of the 20th century. they have affected people in everything, from determining how they dream ... to how they kiss. so much of moviemaking is moving the audience's eye. when are we going move it? how are we going to move it? what do we want them to see? (bell ringing) it's very important to watch every detail in a film, particularly with a director like fritz lang, who's not going to leave anything up to chance. everything is calculated. ♪ (dramatic music plays) no, johnny! no. well ... maybe. (narrator) never has a woman been more beautifully brutal. oh, i'm sorry i can't ask you to come up, but i share my apartment with another girl. a chance encounter becomes a tale of lust, betrayal, and murder. it's only blackmail, baby, when you're dumb enough to get caught. (knocking on door) you will see it all on "scarlet street," universal's terrific suspense drama. if i weren't a gentleman ... "scarlet street" wi

annenberg media ♪ captioning sponsored enberg/cpb narrator: since 19, latin america has been one of eost rapidly urbanizing regions on eart nowhere are the sults more dramatic than in sao paulo, brazil, the third largest city in the world. in this anatomy of a mega-city, we'll explore: the urban geography of immigration and ethnic diversity, thsquatter settlements and self-construction. sao paulo, brazil. with its crowded boulevards and massive skyscrapers, it seems awealthy as any city in the world. sao paulo is unique among latin american cities. in the early part of t, when places like rio de janeiro copied traditional european styles of construction, sao paulo was following a distinctly american model of urbanism. imitating the forms of chicago and new york, sao paulo built upward,gro. but in a huge ring around ty slies a very different,gro. urban environment. here, stretchingoriles, is a city of self-built structures in various stages of completion. they line hillsides and rocky streets where some of sao paulo's newest immigrants struggo build mes om brick and cen where some of s

annenberg media ♪ and: annenberg media with additional funding from these foundations and individualsand by: and the annual financial support of: hello, i'm annette insdorf. i'm chair of the film division at columbia university's school of the arts and i'll be moderating a discussion on hollywood style and the contemporary american cinema. our panel has four outstanding writer-directors. to my immediate right is paul schrader. his credits as writer-director include american gigolo, cat people, mishima. as a screenwriter for other directors he's responsible for the script of obsession for brian depalma mosquito coast for peter weir and for martin scorsese, taxi driver, raging bull and the last temptation of christ. to his right is joan micklin silver whose credits include hester street between the lines chilly scenes of winter and crossing delancey. to my immediate left is james toback. his credits include the gambler and bugsy, for which he received an academy award nomination for screenplay. and in terms of directing his credits include love and money, exposed and the pick-up artist.

annenberg media ♪ narrator: the region called latin america can be divided up into several subregionsincluding four in south america. in the northern andes subregion, ecuador is the smallest country, but one of its most dynamic, at least geologically. the physical geography of ecuador is dominated by the volcanoes and other mountains that are raised up as the tectonic plate beneath the pacific ocean slowly but violently collides with south america. around the world, humans have learned to survive such natural hazards, but sometimes they cannot escape tragedy. in this story, we follow a geographer working at many levels to help people live with a killer volcano. narrator: of the 200 volcanoes in ecuador, 30 could erupt again. guagua pichincha has devastated quito, the capital, several times, so scientists monitor emissions of sulfur gas with gatonrn. in 1985, a massive eruption in neighboring colombia melted snowfields, causing mudflows that killed more than 23,000 people. throughout south america, scientists study the tragedy and vow to prevent the next one. they may get their chance

annenberg media ♪ and: with additional funding from these foundations and individuals: and by: and thennual financial support of: ♪ (theatrical music playing) movies are the culture of the 20th century. they have affected people in everything, from determining how they dream ... to how they kiss. so much of moviemaking is moving the audience's eye. when are we going move it? how are we going to move it? what do we want them to see? (bell ringing) it's very important to watch every detail in a film, particularly with a director like fritz lang, who's not going to leave anything up to chance. everything is calculated. ♪ (dramatic music plays) no, johnny! no. well ... maybe. (narrator) never has a woman been more beautifully brutal. oh, i'm sorry i can't ask you to come up, but i share my apartment with another girl. a chance encounter becomes a tale of lust, betrayal, and murder. it's only blackmail, baby, when you're dumb enough to get caught. (knocking on door) you will see it all on "scarlet street," universal's terrific suspense drama. if i weren't a gentleman ... "scarlet street" wi

annenberg media ♪ by: narrator: welcome to episode two of destinos: an introduction to spanish.n this episode, you will learn why this letter is so important. and you will learn the secret that don fernando has kept for so long. remember that as you watch an episode of destinos there are three kinds of spanish you will hear: the conversational spanish spoken by the characters... ¿me podría comunicar con el señor carlos castillo, por favor? sí. ¿quién le llama? su hermano, ramón. iay, ramón! the spanish spoken by a narrator... narrador: aquí está carlos. carlos también tiene una esposa. se llama gloria. carlos y gloria tienen dos hijos: una hija, juanita y un hijo, carlitos. narrator: and the spanish spoken by raquel as she reviews major and minor highlights of the episode. fernando tiene cuatro hijos: una hija, mercedes y tres hijos, ramón, carlos y juan. while you will probably understand most or all of the spanish spoken by the narrator and by raquel during her review segments you are not meant to understand word for word the conversational spanish. ¿qué pasa? ¿fernando está m

annenberg media ♪ by: narrador: bienvenidos al episodio 50 de destinos: an introduction to spanish.n este episodio raquel sigue contándole a don fernando y su familia de su investigación. escuchen bien mientras raquel cuenta como conoció a angela y lo que le pasó en puerto rico. carmen: en el nombre del padre, del hijo y del espíritu santo... ¿qué pasó? su hermano tuvo un accidente en la excavación. captioning of this program is made possible by the annenberg/cpb project and the geraldine r. dodge foundation. entonces, fui a san juan para buscar a angel. disculpe. estoy buscando la calle del sol, número cuatro. la calle del sol, es ésa que está en el frente. el número cuatro es a la derecha. ¿a la derecha? exacto. gracias. de nada. ( timbre suena ) señorita, ¿a quién busca? buenos días, señora. busco al señor angel castillo. ¿no sabe ud., señorita? el señor castillo murió. ¿cuándo murió? hace poco. es una pena, tan buenos vecinos que eran. nunca se repuso de la muerte de su esposa. ¿entonces era casado? sí, su señora era una mujer muy linda. era escritora. pero murió ya hace varios

annenberg media ♪ narrator: welcome to destinos: an introduction to spanish.s our story unfolds most of what you hear will be in conversational spanish. bueno, es un poco tarde. tenemos que irnos. sí, es tarde, es verdad. camarero, por favor. hay un mensaje para ud., señora. you will not understand every word you hear. let the actions and the situations guide your understanding. tengo que hacer una llamada de larga distancia. tengo que llamar a méxico. eh, muy bien. ¿adónde? a la ciudad de méxico. at other times, you will hear narration in spanish that is spoken just for you. narrador: miguel va al colegio de san francisco de paula. miguel es un buen estudiante. estudia mucho. as you enjoy the story, you will also learn the names of certain school subjects in spanish. tu mamá dice que tienes siete asignaturas. ¿qué materia te gusta más? bueno, realmente me gustan todas pero la verdad es que mis favoritas son las ciencias naturales. tengo unos minutos, y voy a apuntar... at the end of the episode raquel will review some of the story with you. primero. ¿cómo se

annenberg media ♪ provided by: ¿qué le estará pasando a fernando?a lo había visto tan desconfiado. es natural, pedro. quiere estar seguro y necesita pensarlo un poco más. claro. yo recuerdo muy bien mi reacción cuando vi por primera vez a raquel en mi casa en buenos aires. tal vez tengan uds. razón pero yo conozco muy bien a mi hermano. algo le está pasando. bienvenidos al episodio final de destinos. en este episodio concluimos la historia de raquel, don fernando y los otros miembros de la familia castillo. mercedes... diles a angela, roberto, raquel y arturo que los espero en mi habitación. por supuesto, papá. raquel: don fernando... la señora suárez me dijo que rosario nunca dejó de pensar en ud.... que siempre lo amó. captioning of this program is made possible by the annenberg/cpb project and the geraldine r. dodge foundation. y de la excavación, fuimos al hospital y de ahí, vinimos para acá y fue así, don fernando, como sucedió todo. muy interesante, raquel. te agradezco la paciencia y el interés que pusiste en este caso. pero, ya es tarde. se

annenberg media ♪ by: narrator: welcome to destinos: an introduction to spanish.s you know, much of what you hear will be in conversational spanish. ¿hay algún mensaje para mí? no. hasta el momento, no, señorita. of course, you will not understand every word. relax and let the actions of the characters and your knowledge of the story guide your comprehension. perdone. creo que dejé mi cartera en el taxi. lo vio salir? lo siento, señorita. at other times, you'll hear narration in spanish spoken directly to you. narrador: raquel llama pedro a méxico pero no está en casa. entonces, raquel le deja un mensaje. as usual, raquel will review highlights of the episode with you. primero, llego al hotel, y ¿qué pasa? no encuentro mi cartera. estará en el taxi. perdone. no puedo encontrar mi cartera. iay! iqué verguenza! in today's episode, you will learn the spanish words for some common articles of clothing. dos blusas... dos blusas. dos suéteres... dos suéteres... in this episode, there will be some confusion between these two people: federico ruiz... quisiera hablar con l

annenberg media ♪ and: with additional funding from these foundations d individuals: and by: and thennual financial support of: hello, i'm john lithgow. welcome to "american cinema." at the edge of hollywood and beyond, new filmmakers are making some of the most interesting films in america today, films that have made hollywood stand up and watch. these filmmakers work against great od on shoestring budgets. if they succeeed, they can get a chance to make hollywood pictures, like quentin tarantino and "pulp fiction." but going hollywood has its price, one that some ofhese filmmakers won't pay. this program, narrated by frances mcdormand, we will look at some visions from "the edge." aaahh! (big band music playing) independent films are the most important there are in the usa. they're the lifeblood of the industry. they set the new standards and the trends, and they have the wildest ideas and most interesting stories. and they're usually the best of the pictures in the country. you're not mr. purple. some other guy is mr. purple. you're mr. pink. these independent directors have their

annenberg media ♪ captioning sponsored by annenberg/cpb narrator: in the region of latin america, a keyeographical issue isopulation-- its distributionand rad. inub-region ofexico, weo oklation movement, or migration bo within mexico and north tohe u. we explore a major and unexpectedource of migras caedollow re weskf e usionof s can change the rate of flow, or if a new u.s. border policy is having an unintendeconsequence. ( helicopter whirring ) narrator: every day, thousands of mexicans cross the border illegally into the united states. often, those hopes are arrested manyre at the border.o man: ahora lista po la mano frente... narrator the u.s. i.n.s., or immigration and naturalization service, records each apprehension on standard forms, including one entrywith hid: it was the migrants' home towns inexico. that's whabringseograpr richard jones to the i.n. with a novel reseah plan. jones knows that economic conditions vary greatly om region to region in mexico. he suspects that some places drive ou- or "push"-- many more migrants to the u.s. than others. hehis investigation beginses

annenberg media ♪ funding for this program was provided by...oman: i have been commissioned by the new york city department of cultural affairs and the sanitation department to be the artist of the largest municipal landfill on this planet -- a rather daunting challenge. slowly but surely, i realized that she was doing the art for the next century. that she was just way ahead of everybody and that she was the official artist in residence at the department of sanitation of the city of new york. and i was just baffled by this, but i couldn't get it out of my mind. hey, david, what's that? what's that over there? ukeles: working in collaboration with sanitation engineers, ecologists, and planners, i will help design what this site will become. i don't want to pretend this is solid ground. this is not solid ground. this is a social sculpture that we all made. these mounds are here because i threw out my garbage in the bronx, and you threw out your garbage in brooklyn, and maybe we made a little bit too much garbage altogether, and look what we did h

annenberg media ♪ captioning sponsored by annenberg/cpb narrator: north america is comprised of canadand the united states. these two highly-aanced and comparatively wealthy cotries are home to an extremely urbanid and mobile population. in the u.s., many urban areas are characterized by diverse cultures, which create a rich ethnic mosaic. oufocus is boston, massachuse, part of a megalopolis located on the northeastern seaboa othe iteds. macaciopulio part of a megalopolis locahave taken root in older seainner-city neighborhoods. in recent decades, these neighborhoods deteriorated, with a downward spiral in infrastructure, services and opportunities. bunow stons bouncing back. with a downward spiral we'll see how relative location to the central business district, or cbd, is important to the development of these neighborhoods-- how so much can ride on their being part of federally-funded enterprise zones and how geographic information systems, or gis, can be used in addressing some difficult urban economic and social issues. boston, massachusetts. once a great port, it's now a world lea

annenberg media ♪ captioni spoored by annenrg/cpb narrator: western afca is the most populous subregionouth of the sahara. for decades, côte d'ivoire, or the ivory coast, was one of its most stable societies. then in 1999, a military coup, followed by years ofivil war, threatened the state and its prosperity.ies. we will examine the geographic roots of this conflict, including: differing climatic and ecological zones; the booms and busts of agricultural export commodities; regional conflic based o ethnic and religious tensions. geographer jean-louis chaleard studies a cocoa plantationities; nearoubr ithsohwestof côte d'. geographer jean-louis chaleard st(dchaleard speaking frenchi)s; translator: during the 1960s and '70s, the ivory coast experienced strong economic growth. this was essentially due to exported cultivation, principally of cocoa. narrator the icocoa will only growrgest coin tropical rain forests,. which you can see on this satellite mosaic as darkegreeareas along the southern coast. during the 1920s, coffeendocoa plantations abegan in the southeast.. they then diffused to

lns captioning portland, oregon www.lnscaptioning.com >> for information about this and other annenberg media programs, call... and visit us at... i think it breaks a little to the left. uh-uh. to the right. nope. straight. girl: come on! i told you it was going right. ♪ get up, get up, get up ♪ and be a playah ♪ get up, get up, get up ♪ get up, get up, get up ♪ and be a playah players: get up and play. an hour a day. announcer: for fun play-time ideas, go online-- just don't stay long. ♪ get up, get up, get up >> waves. light waves washing against our eyes, creating a vision of the world around us. [ thunder rumbling ] sound waves crashing against our ears, sometimes jarring and other times beautiful. cosmic waves bathing the universe. all of it explained, illuminated, and connected via mathematics. sometimes we call it harmonic analysis, other times we call it spectral analysis, but most people call it fourier analysis. of all these sensory experiences, perhaps music more than any other is the one that is most closely associated with mathematics. the greeks believed that beautiful music was

annenberg media ♪ gam made possible by the financial support of...nd the following individuals and foundations... corporate funding for art of the western world is by movado, makers of the movado museum watch, the watch dial design in the permanent collections of museums throughout the world. captioning made possible by the annenberg/cpb project the first 15 years of the 20th century saw changes in the theory and practice of art among modern artists in western europe which were so remarkable they've been compared with the great advances made in science and technology at the same time. there's no simple explanation for why this period was so dynamic, nor was the dynamism confined to one center. although paris had long been the focus of modernism, it had its rivals in brussels, barcelona, and munich. but it was a time of growing tension in western culture, of continued rapid industrialization, of imperialism abroad and rivalry within the states of europe, and, at the same time, scientific breakthroughs, which not only questioned our way of seeing the w

annenberg media ♪ narrator: in africa, south of the sahara, european colonization has had tremendousong-term impact on contemporary divisions of land. here, south africa's notorious legacy of race-based laws of apartheid profoundly affected the lives of the country's population. many people were removed from their ancestral lands and relocated to less desirable areas called homelands. with the end of apartheid, south africa is taking remarkable steps toward a more positive and unified future. at the heart of the transformation, though, is the volatile issue of land reform. repatriating people to their land is a complex and difficult process. we will see how one geographer is using global positioning system-- or gps technology-- as one tool to study how the land resources in south africa are being distributed and utilized. ( choral group singing in native language ) in ail 199 south ricans particited ( cin their nation'sng first democratic elections) and chose nelson mandela as their president. one of the greatest challenges facing the new post-apartheid regime was toive the jority bl

annenberg media ♪ narrator: welcome to destinos: an introduction to spanish.s our story unfolds most of what you hear will be in conversational spanish. hola. hola. ando buscando a una señora-- la señora teresa suárez. ¿la conocen? sí. es mi abuela. iah! ¿vive con ustedes? ya no. you will not understand every word you hear. let the actions and the situations guide your understanding. jaime, ¿qué haces aquí? ahí está una señorita que busca a la abuela teresa. bueno, yo me marcho, ¿eh? bien. mamá, esta señorita busca a la abuela. at other times, you will hear narration in a more comprehensible spanish spoken just for you. narrador: raquel viaja de la ciudad de méxico a sevilla, una ciudad de españa. españa-- un país europeo. as you enjoy the story, you will also hear how certain numbers are expressed in spanish. pay particular attention to the numbers one through twenty-one and get a sense of how they sound. uno, dos, tres cuatro, cinco, seis... siete, ocho, nueve, diez, once... doce trece catorce quince dieciséis diecisiete dieciocho diecinueve veinte veintiuno

annenberg media ♪ tienes que ir directamente a ver a tu hermano cuando llegues a méxico. ¿cómo?omprendo. narrador: bienvenidos al episodio 51 de destinos: an introduction to spanish. en este episodio, raquel resume lo que les pasó a ella y a angela desde que se fueron de san juan. hombre: ies villa! ies villa! ies andrés villa y está bien! ( gritando ) iroberto! iroberto! iroberto! iroberto! captioning of this program is made possible by the annenberg/cpb project and the geraldine r. dodge foundation. raqueligue contándole a don fernando de su investigación. los demás escuchan atentamente. después, saliendo del hotel de san juan supimos que hubo un accidente en la excavación. jaime: iangela! me alegro mucho de encontrarte. ¿qué pasa, tío? estás muy preocupado. tienes que ir directamente a ver a tu hermano cuando llegues a méxico. ¿cómo? no comprendo. sucedió un accidente... en la excavación. raquel: cuando angela y yo llegamos a méxico alquilamos un carro y fuimos manejando directamente al sitio de la excavación. verás que tu hermano está bien. pronto podrás hablar con él. ( sir

annenberg media ♪ by: ¿por qué tienes que ser tan desconfiado?entiendo por qué todos le tienen tanta antipatía a jorge. porque queremos protegerte de ese don juan. no tienes derecho de decir que es un don juan. tú no lo sabes. entonces, ¿quién era la mujer que contestó cuando lo llamaste a su casa? unos amigos de nueva york que están en puerto rico. están alojados en su casa. ¿qué hay de malo en eso? ¿tú crees eso? por supuesto. narrador: bienvenidos al episodio 47 de destinos. primero, algunas escenas de este episodio. mira, arturo, quería hablar contigo porque... pues, tengo unos problemas y pensé que como tú eres psiquiatra... te escucho. ¿de qué se trata? de mi mujer, gloria. en este episodio, no hay vocabulario nuevo. uds. no tienen que hacer nada más que ponerse cómodos y gozar de la historia porque en este episodio don fernando finalmente conoce a sus nietos. yo soy angela y éste es mi hermano, roberto. vengan. quiero verlos de cerca. captioning of this program is made possible by the annenberg/cpb project and the geraldine r. dodge founda

annenberg media ♪ by: narrator: welcome todeinos: an introduction to spanish.estinos is a 52-episode spanish language telecourse. deme seis naranjas. it will introduce you to the richness and variety of the language and culture take you on a journey through the spanish-speaking world and intrigue you with the search for a missing person. rosario... perdóname... perdóname. the story begins outside of mexico city. don fernando castillo saavedra left his native spain at the end of the spanish civil war in 1939. old and in ill health, he has retired to his country estate knowing that the end of his life is near. but don fernando's past has come back to haunt him in a letter from spain. after revealing a long-kept secret to his family don fernando asks his brother pedro for help and the family hires a lawyer, raquel rodríguez to investigate the claims made in the letter. you will follow raquel on her investigation. her journey takes her first to sevilla a city in southern spain. sevilla is a city of churches, the famed giralda tower and open-air markets. ivaya a ver

annenberg media ♪ narrador: bienvenidos al episodio 48 de destinos: an introduction to spanish.n este episodio raquel le cuenta a don fernando y su familia de su investigación en españa. bueno, como uds. saben primero fui a españa buscando a la señora suárez. ioiga! ¿está la señora suárez? ioiga! no contestan. yo tengo que hablar con esa señora. no hay información nueva. escuchen a los personajes, mientras ven, una vez más algunas de las escenas que sucedieron en españa. aquí está una señorita de los estados unidos. tiene una carta tuya que le escribiste a un señor en méxico. dile que me visite a madrid. ¿a madrid? captioning of this program is made possible by the annenberg/cpb project and the geraldine r. dodge foundation. en el episodio previo don fernando por fin conoció a sus nietos, angela y roberto... y la relación entre raquel y arturo empezó a tomar un nuevo camino. deberíamos. pero no quiero hacerlo. quiero actuar. no quiero que me dejes. durante la noche se reunieron todos para gozar de una gran cena y se sorprendieron cuando don fernando, enfermo y débil se presentó

annenberg media ♪ by: narrador: bienvenidos al episodio 46 de destinos: an introduction to spanish.n este episodio, nuestra historia continúa. tenemos que tomar una decisión. ya hay una oferta para el apartamento. es que si queremos venderlo, habrá otras ofertas. ay, está bien. esperemos. ¿ha habido alguna novedad sobre la venta de la gavia? han aumentado la oferta. pero quiero decirte que lo he estado pensando y ahora comprendo por qué te opones. no se preocupe, arturo. tan pronto como maría comprenda la situación cambiará, pero a su manera, ¿sabe? ojalá que así sea. de veras, pancho la opinión de uds. es muy importante para mí. no me sorprendería nada si en este mismo momento maría y raquel estuvieran platicando. ¿sí? no debía haber invitado a luis a venir a méxico. no es que no me guste tu amigo arturo. es que... es que tengo miedo. además, vamos a ver un parque muy conocido de la ciudad de méxico, el bosque de chapultepec. ( vendadora pregona comestibles ) papá, ¿estás despierto? sí, hija. ¿ya llegaron? sí. están aquí afuera. ¿y qué esperas? ihazlos pasar! captioning of this pro

annenberg media ♪ narrador: bienvenidos al episodio 49 de destinos: an introduction to spanish.n este episodio, raquel sigue contándole a don fernando y su familia de su investigación. escuchen bien mientras raquel explica como conoció a arturo y como los dos emprendieron la búsqueda de angel. ¿qué querían? iangel! claro que lo recuerdo bien. era mi amigo. ¿sabe dónde se encuentra? captioning of this program is made possible by the annenberg/cpb project and the geraldine r. dodge foundation. ...y luego, fui a la argentina donde conocí a arturo. raquel: al llegar al hotel hubo una confusión con mi reservación. felizmente, lo pude arreglar simplemente sin problemas y le pregunté al recepcionista si conocía la estancia santa susana. siento mucho la inconveniencia, señorita. está bien, gracias. ah, se me olvidaba. necesito un carro para mañana. tengo que salir fuera de la ciudad. ¿para qué hora lo necesita? voy a una hacienda que se llama santa susana. sí, la conozco. es la estancia santa susana. está a unos cien kilómetros de aquí. ¿ud. conoce la estancia? sí. conozco toda la zona.