and some, sir, he works by british sculptor anthony gormley are finally after pandemic. and do see lays on display in those thing. and the most significant solo, so ever in germany on the corona virus pandemic brought cultural life here in germany to such a sudden hold that many exhibitions that were long planned are just now getting there moment in the sun. recent edition to berlin's already rich museum landscape. is the for to liam, which as its name implies, imagined the interest sexuality of nature, technology and society in the future. in this black que houses, berlin's booty and exhibition space, the rooftop skywalk with a view over berlin's government order is a popular attraction. inside the building, the exhibition focuses on one of life's most pressing questions. how do we want to live gabriella? tip, the curator. begin him as we begin with questions. because how often do we ask in our daily lives? how do we wanna have future to look like one and the name of the exhibition one, open the visitors eyes to why the perspective of these visions of the future were cr

anthony gormley are finally asked, are pandemic, and due to late on display in those sing and most significant solo. so over in germany, on the corona virus pandemic brought cultural life here in germany to such a sudden hold that many exhibitions that were long planned are just now getting there moment in the sun. recent edition to berlin's already rich museum landscape is the for to liam, which as its name implies, imagine the interest sexuality of nature, technology and society in the future. in this black, you houses, berlin's booty and exhibition space the rooftop skywalk was a view over berlin's government. porter is a popular attraction inside the building, the exhibition focuses on one of life's most pressing questions. how do we want to live? gabrielle is the curator there begin him if we begin with questions? because how often do we ask in our daily life? how do we wanna have future to look like? and the name of the exhibition one open the visitors eyes to wider perspective. and these visions of the future were created by 150 researchers in cooperation with several designers. berlin'

per anthony gormley cut his own clothes into strips from underpants to ship. the result is a body surrounded by clothing. yep. so open and uncovered. i want to say that our final skew, you know, we have a skew, we have a list. we have this q, we have the architecture skin, i want to say next, think of the final skin, which is the perceptual skin. the horizon that surrounds us. these days, just visiting a museum again, is horizon expanding. experiencing gormley work is even more so well, you can also expand consciousness and horizons by visiting our website, w dot com slash culture. and until we meet again, all the best from us in berlin and stay safe in the canada. and in the end, if you are not allowed to see you anymore, we will send you back. are you familiar with this with lyons. what's your story. ready ready wasn't i was women, especially in the finance part of your story chain . always understand this new culture. so you are not to visit, turn the guess you want to become city into migrants, your platform for reliable information. i sent out the the the

understand feature, and our culture magazine are 21 this coming saturday. meanwhile, british sculptor anthony gormley, has won nearly all the top awards in the course of his career. and yet, she's interrogation around the human body and how we occupy space continues with works in his favored materials cara casa iron steel. a new exhibition in south western germany is an event to say the least ah, one of the antony normally best known sculptures is also his largest angel of the north is 20 meters high with the wingspan of a jumbo jet. compared to this giant angel mankind is anything but the measurable things. a smaller angel has now landed in the show vaccine, definitive, a human sculpture fathom in itself and the space around it. it brings us to gormley, the main subject, the human body, my body and the body on our bodies, our spacious vessel. they are our vehicle. they are the the carry of all the adventures that we will make in space. time sculpture equals body equal space in this small but well curated retrospective company gormley uses scientific curiosity and an experimental approach to explore

understand feature in our culture magazine arts 21 this coming saturday . meanwhile, british sculptor anthony gormley, has won nearly all the top awards in the course of his career. and yet his interrogation around the human body and how we occupy space continues with works in his favored materials, terra cotta iron and steel. a new exhibition in south western germany is an event to say the least. ah, one of antony normally is best known sculptures is also his largest angel if the north is 20 meters high. with a wingspan of a jumbo jet. compared to this giant angel mankind is anything but the measure of all things. a smaller angel has now landed in the show vex into thing and a human sculpture fathom in itself and the space around it. it brings us to gormley, the main subject, the human body. my body and the body on our bodies are spaceships, they are best. they are our vehicle. they are the the carrier of all the adventures that we will make in space. time sculpture equal body equal space in this small but well curated retrospective company gormley uses scientific curiosity and an experimental appro