the script was featured on the bbc‘s antiques roadshow 12 years ago, after being found in a bag of rubbishe source. it was a surprise, yes. yes, i mean not horror, shock, god, "come here, anne, and see what's on the television!" but it was a surprise and quite sweet really, for me to see that handwriting again. when i first saw it and first opened it up, it was kind of like a light bulb in a briefcase moment, kind of like it shone out of the box at me. why does this matter so much? it's the sketch, really. it's the comedy sketch that kind of epitomises british humour. it's got a bit of everything. it's got some wordplay in it, it's got the character acting, and it's kind of a tightly made sketch, and everybody loves it, everybody knows it, it's completely iconic. you know, it's part of the british conscience. written under ronnie barker's pseudonym gerald wiley, there are production notes suggesting this was a first draft. now, four pages, for sale, if you're willing to fork out. jon kay, bbc news, bristol. now its time for meet the author with jim naughtie. two political murders, more tha

the script was featured on the bbc‘s antiques roadshow 12 years ago, after being found in a bag of rubbish and see what's on the television!" but it was a surprise and quite sweet really, for me to see his handwriting again. when i first saw it and first opened it up, it was kind of like a light bulb in a briefcase moment, kind of like it shone out of the box at me. why does this matter so much? it's the sketch, really. it's the comedy sketch that kind of epitomises british humour. it's got a bit of everything. it's got some wordplay in it, it's got the character acting, and it's kind of a tightly made sketch, and everybody loves it, everybody knows it, it's completely iconic. you know, it's part of the british conscience. written under ronnie barker's pseudonym gerald wiley, there are production notes suggesting this was a first draft. now, four pages, for sale, if you're willing to fork out. jon kay, bbc news, bristol. time for a look at the weather. here's phil avery. we are getting reports of local flooding again. i'm afraid so, this picture taken this afternoon, the quality not great

he could be super into antiques roadshow and we just don't know it. i'm just not assuming that that's the case. but the great thing about pbs, though, and we can both agree with this is that pbs is this sort of down the middle, solves the riddle kind of brand, right? people look at pbs and they think, they're just doing non-partisan work, they're sort of just doing reporting. and for someone such as yourself who has serious aspirations for the impact of her work, a place like that probably affords opportunities that you really can't pass up. - yeah, pbs, it affords me the opportunity to sit back and think, now that i'm getting farther into my career, what do i want my impact to be? where are my strengths best used? and can i do this broadcast journalism thing? it's one thing to be an msnbc contributor, i love being on tv and talking about my story. it's another thing to think through visual storytelling, to learn to track a piece, to learn to get people to be comfortable with you while there's a camera in your face. that's a completely different skill