me and anton yakovlev, because that's what i was afraid of.ll this train was for this stranevskaya. this is for deep old people. it's touching, it's softer. it was precisely this already such helplessness and old age of these people that caused the pain, and then we probably found a solution that i did not play the old woman. i i talk topics about these people, and in the relationship of parents and children with a slight hint that i am not a young woman. every day every minute with you, unexpectedly during the performance, you get out of character and address the audience with a monologue, a direct speech from yourself inspired the theme of the performance such a declaration of love to your mother, my monologue, but initially hmm the author e plotov wrote monologues to the artists, and which is a little were not their own, not appropriated, and the director allowed us, if you have your own story, then against this background, well, as it were, without getting out of some framework invented by the author, you need to tell your tax, so the mono