antony gormley, thank you so much for inviting us into your studio.io, but it actually feels like a workshop, doesn't it? i think it's a factory. it's a place where we make things. and things are being made and tested the whole time. very nice to have you. throughout your career, you have focused on the human form, the body, but not so much representative art, more trying to say something else about the body, try to explain that. for me, in the history, certainly, in western art, the body has been always thought of as a representation — usually of a hero or of a sexy woman. and i'm more interested in the idea of the body as the place we live, our primary habitation. so with something like this, i guess, i'm applying to the body, in a sense, the spaces that we usually encounter outside of us as our architectural context. and yet here it is, these open cubes used to both activate but also inhabit a human space in space. it's always so interesting, looking at your work, that it inhabits a space that is actually the sort of space you inhabit, i mean, it's

antony gormley, thank you so much for inviting us into your studio.a studio, but it actually feels like a studio, but it actually feels like a workshop, doesn't it?” a studio, but it actually feels like a workshop, doesn't it? ithink it isa a workshop, doesn't it? ithink it is a factory. as a place where we make things. and things are being made and tested all the time. very nice to have you had stop by throughout your career, you have focused on the human form, the body, but not so much representative are, more trying to say something else about the body, trying to explain that. for me, in history, certainly in western art, the body has been a lwa ys in western art, the body has been always thought of as a representation, usually of a hero or a sexy woman. and i'm more interested in the idea of the body as the place we live, our primary habitation. so with something like this, i guess, habitation. so with something like this, iguess, i'm habitation. so with something like this, i guess, i'm applying to the body, in a sense, the spaces that we usually