just aogance. just arrogance, thinking anything i do is fine. just arrogance.ctually, behind that red figure, towards the right, you can see a little yellow. you see it? and that could be the head and the arm. much better than the figure in front. and there are even legs there, you know, underneath the arm. that figure could be much better than the red one. and with that idea, which i'll try to remember when i come to it, the whole painting castart. that's a start. and you can see i changed things. maybe i can reach it. i can't reach it. yeah, i can reach it. it sounds ridiculous to start a large painting with no plan, no sketch, no diagram, no composition. ah! nothing -- you're looking at a blank canvas, and you say, "what will i do?" so you make a brush mark. you have to find the beginning. now, i never intended to do anything like this. that's it. yellow, red, black, white -- they're useful tools, right? paint is a useful thing. so you need those different colors in order to kind of chop away at each other. the influence of the french school of painting -- v