re-enactor. are three different generations, this is victor vosnetsov, this is his younger brother, apolinarius vosnetsovo is already more associated with artists of the late 19th and early 20th centuries, and it is andrei vasnetsov, the grandson of viktor vosnetsov, who declared himself very clearly in the sixties of the 20th century. the vosnetsov brothers were completely different from each other. one painted monumental canvases, inspired by belin's fairy tales. the other was landscapes, one was a monarchist, and the other accepted the revolution, but they were united by one thing - love for their native land, for its nature and culture. in 1914, apolinarius vasnetsov specially went to feodosia, to see a total solar eclipse. for a better view, we climbed the slope of the tepe oba ridge. the mystical panorama of the bay appears before the viewer from a bird's eye view. not only did he want to see it all as a painter, but he also wanted it from a scientific point of view. point of view, because their father instilled in his children a love of science, of astronomy, there is a completely different color

represent three different generations, this is viktor vosnetsov, this is his younger brother, apolinarius vosnetsovlate 19th, early 20th centuries, and this is andrei vasnetsov, the grandson of viktor vosnetsov, who announced itself very brightly in the sixties of the century. are not similar to each other, one painted monumental canvases, inspired by belin's fairy tales, the other - landscapes, one was a monarchist, and the other accepted the revolution, but they were united by one thing - love for their native land, for its nature and culture. in 1914, apolinarius vasnetsov specially went to feodosia to see a total solar eclipse. for a better view, i climbed the slope of the tepe oba ridge; the mystical panorama of the gulf appears before the viewer from a bird's eye view. to him not only as a painter. he wanted to see it all and record it, he also wanted it from a scientific point of view, because their father instilled in his children a love of science, of astronomy, here there is a completely different color palette, brighter, more unusual, purple, because right during this eclipse natural col

fairy-tale and religious subjects of viktor vosnetsov, landscapes and paintings of old moscow, his younger brother apolinarius and paintings of the founder of the soviet harsh. more than 200 works of painting and graphics from 15 museums and private collections. in the year of the family , the state tretyakov gallery for the first time combined the works of three vosnetsovs, victor, opolinarius and andrey. we tried to reveal the individuality of each of the three vosnets in this exhibition on the one hand, on the other hand, can be seen. the common thing that unites them, russian history, russian art, is the fundamental principle for them, on the other hand, these artists, artists, innovators, they are not alike , each of them followed their own path. having received recognition as a master of the everyday genre, viktor mikhailovich turned to the world of folk poetry and the kingdom of russian fairy tales. the wanderers not only did not accept his first epic stories, but regarded them as... alyonushka, written after a meeting with a peasant girl, in whose eyes he saw russian sadness. visitors to the exhibitio

fairy-tale and religious stories by viktor vosnetsov, landscapes and paintings of old moscow, his younger brother apolinariusd paintings by the founder of the soviet harsh style, his grandson. each of them went their own way. having received recognition as a master of the everyday genre, viktor mikhailovich turned to the world of folk poetry and the kingdom of russian fairy tales. the wanderers not only did not accept his first epic stories, but was regarded as a betrayal and a departure from ideals, because the truth was emblazoned on the banners of art at that time. how can i just leave? it turns out that vitsya is not entirely at his mercy. alyonushka, written after a meeting with a peasant girl, in whose eyes he saw russian sadness. visitors to the exhibition are introduced to the work of the masters of this outstanding dynasty in different ways; for example, here you can open the door to a fairy tale by scanning a painting on your phone. oops, princess the frog comes to life before our eyes. victor often argued with his brother apolinarius; he was a convinced monarchist and religious conservative; he di

as you know, his younger brother, apolinarius, was in the shadow of viktor vosnetsov all his life, soisitor to the exhibition can get acquainted with it. what is noteworthy is that apolinarius did not have an artistic education; his older brother taught him the skill. and thanks to his passion for history in his paintings, he recreated with incredible accuracy the images of the old city, everything drawn in such detail that the canvas can be looked at for hours, especially for those who are just planning to get acquainted with the work of the apalinarian. well, i’m not at all familiar with the work of apalinari vosnitso. of course, i heard, yes, that this is such a dynasty, but i haven’t seen their work, much less seen them live. we give each of the artists the opportunity to express themselves individually. features of these artists, but naturally, a lot cannot fit in, even in our huge exhibition on three floors, one of which is rightfully occupied by works the third artist of the famous dynasty , viktor vasnetsov’s grandson andrey, although the painters were not familiar during thei

vosnetsov had experience. of the six sons of a village priest from podvyatka, now kirov. when his parents died, victor, as an older brother, took custody of his younger brother apolinarius,with the encouragement of his older brother, the younger apalinarius became an artist, despite the fact that he initially aimed to be a rural teacher. victor apolinaria took care of him, and until a venerable age, here is one of the letters from the elder, the younger, they saw with tretyakov your twilight in the dirt with your face is a failure. this character of his was amazing, he was very into it, but the frequency was noticed by all the people who knew him well, in general, of course, it is surprising that what is now considered a classic, was once received with hostility, when at the age of 30 viktor vosnetsov turned from a realist . the wanderers, the singer ivanushki and the heroes, westerners and slavophiles began to revile him. the main hater was lev tolstoy. he considered vosnetsov tasteless and stupid, and not only he, but the donetsk railway ordered this painting for itself, but in the end did not buy it. they refused it, i bought it because they, they all mocked this pict