today, belarusian straw is presented in the form of decorative and applied art.e fact that i led these clubs in schools. i taught at the university of culture, here six people are prepared for higher education, they all studied for free, there are restorers, even in decorative and applied arts, i still give master classes, travel to villages, show straws, and here i’ve already been to schools, to all of them, to raitsevskaya, to oronchanskaya, so and schoolchildren come to see me, so the teacher in me has not yet died. for a long time, vera evgenievna dreamed of opening a museum. designer straws, and today in one of the main halls of the ancient estate a collection of amazing variety is presented. we still need to collect information about where the works were scattered, but insofar as i know that in museums there in california, london, moscow, in our national museums there are works in private collections, for example, hillary clinton, with nina yeltsena i i met in person, here. kocha’s weight hit my bison, so well, this is the way it turned out, well, in the en

i graduated from the college of applied arts in nizhny tagil and was assigned to kolyvan.ent for 2 years to study, but it turned out that i’ve been here for 40 years. alexander anatolyevich derbinev found different times at the plant. it was the hardest in the nineties, when they produced mainly ashtray souvenirs. then there were five of us left here, we only worked in this workshop, no orders, nothing, i got this impression then, we were driving to barnaul on a night in winter, starting from the chicken, nothing at all one living living soul these 500 km to barnaul, the country was extinct in general, it was generally scary, well, since 2000 somehow... 280 km south of barnaul, the village of kurya, the birthplace of the famous designer mikhail kalashnikov, here is a church of the sign of the blessed virgin mary, built in 1904, the main decoration of the recently restored temple was the unique works of the kalyvan stone carvers. five mosaic icons, three life-size, one above the gate, of our znamenskaya church. that is, every person should know where he is going, he is goin

there are really a lot of collections, and there is painting, and archeology, and decorative and applied artthete, what can i say , his house speaks about this, his park speaks about this, his whole life and his destiny generally speak about this, this is a man who lived according to the laws of aestheticism, beauty, well, in the absolute... in his, so to speak, horizon and cross-section, and this is the home of a truly man of impeccable taste, well one cannot help but say that he was also a great lover of music and even composed music, and musical evenings were a practice in the house, well, an esthete cannot live without music, of course, so of course, here is just one of the photographs, where at a family musical evening , here he plays music and listens like... yes, the most grandiose collection in the museum is the collection of paintings, of course, but what is also very interesting here is that almost all the works are donations, that is, few were purchased, these were friends, students, colleagues, brought exactly like going to a museum, but i want the opposite tell a story about a p

there really are a lot of collections, and there is painting, and archeology, and decorative and applied art

trains, in fact, as i understand myself, from these visits to some provincial cities, studying applied artt polenov museum. well, i want to say that, so to speak, opening this question, this is that already, when vasily dmikovich polenov was only 4 years old, his parents noticed his artistic talent, to tell about this, well, there is a small story about how being at during their summer vacation in tsarskoye selo, the family went to the zoo and there four-year-old vasya sketched an elephant in a very outstanding way, his parents immediately noticed. behind him, so to speak, is talent, artistic talent, therefore, parents greatly developed the creative, creative orientation of their children, and mother maria alekseevna, the daughter of alexei vasilyevich and vaeikova and vera nikolaevna vaeikova, the granddaughter of the architect lvov, succeeded here first of all, as you understand, in those days a woman did not work and could not , so to speak, to participate in public life, was involved in raising children, but... the husband knew karl brilov well, so in general they exchanged opinions in

and archeology, and decorative and applied art, all this is done with amazing taste, because polenov is a real esthete, what can i say, his house speaks about it, his park speaks about it, his whole life, his destiny speaks about it, this is a man who lived according to the laws of aestheticism, beauty, well , in his absolute, so to speak, horizon and profile, and this is really a house. lermontov, and even wrote an entire opera, the ghosts of ellada, which was staged on the stage of the torus people's house, in tarusa, it was performed, and so to speak, we have before we have received the score of the ghosts of ilada, so we also sometimes performed it at the tula drama theater, at the kaluga drama theater, and the most grandiose collection in the museum is the collection of paintings, of course, but here it is very... interesting is also the fact that almost all the works - these are donations, that is , few purchased, these are friends, students, colleagues, they brought them to exactly like a museum, but on the contrary, i want to tell a story about a purchased item, in the larges

alina bizhoeva chose her life path unusually easily, she entered the faculty of decorative and applied artste university in nalchik and once by mistake looked into... the classroom where they worked with metal, but it remained that way, i really regretted the first days, because i simply didn’t have enough strength for this craft, it was physically very difficult, just this it’s easy to hold a hammer, we started with forging, with forging metal with embossing, it’s very difficult, our hands hurt, our hearing disappeared from time to time and gradually i began to get really carried away, i felt it and over time i realized that i couldn’t live without jewelry . becoming certified jeweler, alina herself decided to share the secrets of her profession. she received a grant to train everyone and created her own workshop. this is how a youth team of like-minded people arose, passionate about creativity, not at all with the desire to exploit the demand for glamor. i have no passion for rhinestones, because since ancient times we have had a craving for metal, for various things. the shape of the met

in addition to her main job, galina teaches a course in decorative and applied arts and modeling.r own home, to live, so to speak, on land, in a village, and so we ended up in the glinsky district. the work is very interesting, responsible, i like working with documentation, but, of course, i like working with children more. moreover, the regions confirmed their readiness to leave their programs in force. then a young specialist who comes to a village in such regions will receive double support, so local authorities will have to decide not only about money, but it is also very important where he will come, what are the living conditions there, questions about providing housing, about creating conditions for comfortable living. nikolai burlyaev proposed eliminating the age limit and attracting not only young workers, but also people of the older generation. these people were extremely important for this zemstvo. cultural activities, so i would not limit the age of 50-55 to 60, if you have the strength, then you need to attract these people, this is a very useful program. vladimir p

i entered the faculty of decorative and applied arts at the state university in nalchik and once mistakenly looked into someone else’s classroom, where they were working with metal, and it remained that way. the first days i really regretted it, because i simply didn’t have enough strength for this craft, it was physically very difficult, just this hammer or. yes, that this is where i was born, because my jewelry is mainly in the national style, i am drawn there, i do not renounce other schools’ techniques, but still it’s mine dear, this is closer to me, i am a very happy person, alim kupshinov did not have the problem of choosing a path, he simply continued. having received higher education in another region of the country, he returned to his small homeland and headed a very difficult project to develop a robotic dairy farm, which his family created from scratch. today it is a fairly large, profitable enterprise, producing a thousand tons of cow's milk per year. i have been in this field since i was a baby, since my father has been involved in agriculture almost all his life. shoulder to s

alina bizhoeva chose her path in life unusually easily, she entered the faculty of decorative and applied artsto someone else’s classroom, where they were working with metal, but it remained that way, i really regretted the first days, because i i just didn’t have enough strength for this craft, it was just physically difficult, physically it was very difficult, it’s just so easy to hold this hammer, we started with... forging metal with chicanas, this is very difficult, our hands hurt, our hearing was lost periodically and gradually i began to get very involved, i felt it and over time i realized that i could no longer live without jewelry. having become a certified jeweler, alina herself decided to share the secrets of the profession, received a grant to train everyone, created her own workshop, and that’s how she came into being when she was young.

theme no one, no one works closely with our historical and cultural heritage, but a designer for... applied artlk art, this is embroidery, this is knitting, this is... embroidery, this is printing designs, this is weaving, so i try in every reflect exactly one such moment. recently, in the fashion world , such a trend has become established as conscious fashion, or a conscious attitude towards the production of clothing, i try not to deviate from this rule , and... in particular, my collection rabsodia of the fields, a clear example of this, i use here natural jute thread, this is a 100% natural thread, which can then be processed, knitted into rugs, used as fertilizer for trees, that is, an absolutely natural material, we also use natural dyes diluted in oil, all this was applied with hot planks, that’s why no no chemicals, no machines, nothing was used here. i also use natural fabrics, this is cambric, this is cotton, and eco-leather. the rhabsody of the fields collection, it is probably the most environmentally friendly, this collection will be shown in 1924, also my new collection called dr

pavilion of the republic of belarus presents the products of farms (products of decorative and applied arts get acquainted with the history of the region, appreciate its industrial, investment and tourism potential, as well as learn more about the prospects for further cooperation between russia and belarus. step by step, the depth and scale of the twenty-eight union programs signed on november 4 of the twenty-first year are confirmed. the decision of january 29 this year, made by vladimi. on the stage of the large stravinsky hall , musical performances called 3:4 began, each of which will culminate in a real wedding ceremony, so that hundreds of spectators and artists will witness the creation of a new families and will be the first to congratulate the newlyweds. this is a tradition this year, since we are in our thirty-fourth season under the slogan velikon opera - a place for happiness, so we decided that we should be this place for happiness. to share with those in whom this happiness is born in the heart, with those who should form the most responsible link in our world, this is the fa

in addition to her main job, galina. teaches a course in decorative and applied arts and modeling, we live, so to speak, on the land, in a village, and so we ended up in the glinsky district, the work is very interesting, responsible, i like working with documentation, but more, of course, i like working with children, and the regions have confirmed their readiness to leave their programs in place, then a young specialist who comes to a village in such regions will receive double support, it’s not just about money, but it is also very important where he will arrive, what are they like? billion rubles for educational, educational, historical and other projects over 6 years, we will additionally direct more than 100 popular creative projects in cinema, the internet, social networks, president proposed the formation of a long-term conservation program. this program is linked to changes in legislation that should attract business to this area. this is where the direct role of the state duma is, it is necessary that these changes be reasonable and do not lead to the fact that instead of pr

being a hooligan, he just got a job with the police, and out of stupidity i got into the museum of applied artme, as if i don’t know, he robbed the bank, and then what, what, you got away with a fine, i just don’t forgive this , i haven’t spoken for 5 years, you think he needs a plot of land, it’s going to be built, but to hell there, purely out of spite for me, but what’s good? is the area expensive? it’s not worth anything, it’s a forgotten factory on the corner of the queen factory, all its value is that we grew up there, that his grandmother? she pricked or lay with strawberries there from that crawl space until her legs gave out, she made such a will, it’s funny, you can’t sell the plot until you dig up the beds there together, she even marked the place, as if there was a treasure buried there, a treasure that your grandmother would reconcile i wanted you and your brother to work together, remember your childhood, well, we ’ll go, if this is the case, let’s go, suleko, yes let's go to work, get well, seryozha, i'll find out about your cat. well, you understand, right? yes, i understood th

collections of his, there really are a lot of meetings, and there painting, archeology, decorative and applied artshete, what can i say, his house speaks about this, his park speaks about this, his whole life and his fate, this is a man who lived according to the laws of aestheticism, beauty, well, in his absolute, so to speak, horizon and context, and this is the house of a truly man with impeccable taste, well, one cannot help but say that... he was also a great lover of music and even composed music, and musical evenings - were a practice in the house, well, an esthete cannot live without music, of course, so of course here it’s just in... ghost performances, so we also sometimes performed it at the tula drama theater, at the kaluga drama theater. but the most grandiose collection in the museum is the collection of paintings, of course, but what is also very interesting here is that almost all the works are donations, that is, few were purchased; these were friends, students, and colleagues who brought them to the museum. but on the contrary, i want to tell a story about a purchased item. work,

there will be an exhibition of decorative and applied arts with master classes on crafts., the signing of bilateral agreements and cooperation agreements will also take place. but right now. let's go to the confectionery factory together and see how marina ostopovich begins her working day. profession section for your attention. my name is marina ostapovich, my profession is vashchik. i work in a candy factory my morning starts at 5:00 am, wake up, shower, breakfast, get ready for work. the journey from home to work is 15-17 minutes at 6:15 i begin my duties, this is my workplace, before starting work i must check the serviceability of this vessel, when our column is ready for work, i press the pump and the recipe mixture flows into the cooking column for boiling, the finished mass with the addition of pataca protein goes into a mixer, where it is whipped to... a certain density and goes through pipes to the jigging machine, here the finished marshmallows are deposited, i came into the profession 37 years ago, my friend brought me to the enterprise, i have never regretted

the author of the design is alisa minkina, even in the museum of decorative and applied arts in moscowtable, very much like this, i don’t know, typing something, is quite comfortable, yes, we now have a table larger than our heroes had , although it stood in the same place, they have the same desktop here, but it has become much more functional now, we have drawers, and drawers where you can store... a magnetic wall, yes, i have already prepared some documents, the necessary things, ours to sculpt, oh, look, they are magnetized, oh, look, everything is according to feng shui, a couple, love will be in the house, so here you can, yes, we have some kind of note, i don’t know, a list of groceries for my husband , yes, a to-do list, basically anything you want, some postcards, children’s drawings, everything can be posted here, i really like it i love that we have lighting under each shelf. in fact, even if the lights are turned off everywhere and someone is sitting and working, it seems to me that this will not interfere much, for example, if someone is resting at this moment, yes, this i

we also wanted to open up public art opportunities for artist that don't normally apply to public artope it stays with them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind? pen. >> well to edge own little square we are a new culture "accelerating sf government performance - taking accountability and transparency to the next level." the artist and culture of chinatown. as an immigrant giveaway we tell the stories of chinatown the people that are here and the culture and history our presence and future through arts and culture. it is a 35 community. there is so many to see come come in and buy certify increases and ongoing exhibitions here ttelev >> (music). >> my name is vet at a original artist based in san francisco. >> i love it i love it i've never seen something else and we see how the

stop, devils, listen, yesterday the results of the all-union competition of decorative and applied artseater. what nonsense? how did this get into the competition? i sent sketches there. me: well, great, great, good idea color in different lighting conditions, there is the energy of the material, listen, you’re great, congratulations, well, who pushed you to do this, and you mish, you, you can’t even imagine how glad i am that you liked it. not everything, my dear, not everything, look, there the drawing could have been a little sharper, you know, here, uh-huh, you were scared for nothing, it could have been better, in general, it’s normal, normal, what are you saying, it’s just for me once already. “they said this word, it’s not the best word in the world, yes, okay, what are you talking about, i’m not a linguist, well, like a new order, it’s coming matter, no, there is not a single thought. “hello, yes, this is yakovsheva’s apartment, it’s impossible, unfortunately, she’s not at home, with her husband, from which editorial office, i’m listening to you, and she’s now working on sketche

we also wanted to open up public art opportunities for artist that don't normally apply to public art. >> i hope it stays with them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind? >> readiering in progress. >> welcome to the tuesday april 16, 2024. my name is it ben and i'm the commission president. we'll start with announcements. >> we would like to start the meeting with a land acknowledge. we the san francisco entertainment commission acknowledge that we're in the homeland of ramaytush ohlone.

sense of balance, your sense of muscle control researchers at the loser and university of applied sciences and arts are involved in a related project. they're investigating how music and dance might help parkinson's patients. that symptoms include tremors, muscle stiffness, and problems with walking, but also motivation issues. using psychologist don rose, heads up the research. so music has 2 important properties. one is organizational, so this is the rhythm or the beats in the music. so in the matching, this is very simple. can that at that the and then the walking steps can go in time with the rhythm. and then the other aspect is the motivational side of music. so it makes any exercise more fun. thoughts. vba agrees she's been living with parkinson's for 7 years. also make the most secrets me that i just get involved with it more when as music, i think of this that music is one of those things that makes every day life easy off in school society for, for the home to acquire data research team set up a motion capture lab edit subjects are fitted with sensors and their exact movements are recorded

we have so many unique, quirky, interesting things, and i think that also unique applies to this new arttallation that you guys just put along the lake's paths and rec area. the installation i'm talking about, we have video of it. it draws attention to the importance of investing in climate based solutions. very eye catchy. tell us about these signs. >> yeah. so this was a collaboration between us and also the nature conservancy. and the exploratorium. and, it's really kind of, something to draw attention to, basically the environment, it features 12 different california historical markers from the future, highlighting importance of nature based climate solutions. so it's really, educational, but also we want to inspire people to take care of the planet, basically. yeah. >> the side we're looking at is the inspiration. like, if we did the right things right, these good things would happen by this time. this time. but then the opposite side is interesting, has messages highlighting what could happen if we don't take action. so i encourage folks to go out there and check it out, but i want

we also wanted to open up public art opportunities for artist that don't normally apply to public art. >> i hope it stays with them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind? [music] so, can you tell us what it was like for you during your first encounter with the san francisco fire department? >> yep. it was super cool! i got to learn about the dry standing pipe correction. it is actually called, dry sand piper just stand pipe. tomato. you know. yea. >> so, what is coming up next for what is that for? >> oh , firefighter backsterinvited mow to a fire station to see the cool stuff firefighters use to put out fires. you have seen the had doors open like a space ship from out of nowhere. i close my eye its is like i'm there right now! wow! whoa. watch out, man. what is that for? >> wha

among exhibits - icons, sketches of temple paintings, engravings, books, objects of decorative and applied artoist ekaterina mechetina, conductor vladimir spevakov. for the bicentenary of the birth of anton bruckner, the theater has a new opera, a concert with the participation of soloists, the choir and orchestra of the theater, conducted by fyodor lednev. premiere on the small stage of the chekhov moscow art theater the play hunger, staged by elizaveta bondar based on the novel by knut hamsun. starring sergei volkov, evgeniy perevalov, nikolai romanov, maria sokola. premiere at the bronnaya theater. sergei kolvarsky staged the play pig. dmitry skorikov, conductor eduard diadyura. the boris eifman ballet theater begins a tour of the tatar opera ballet theater named after musadzhali with the performance the pygmoleon effect to the music of johann strauss. the national theater presents the premiere of the original version of romeo and juliet based on shakespeare's tragedy karelia. the director of the play, maxim sokolov , moved the action from verona to the far north, and the characters in the

stop, devils, listen, yesterday the results of the all-union competition of decorative and applied artse highest prize was awarded to the stained glass sketches of leningradka. anna yakusheva under the code name sails, it was decided to implement anna yakusheva’s sketches for the construction of a new theater. what nonsense? how did this get into the competition? i sent sketches there, i and egorova, but... i’m painting, i have every right, the premiere, you’ve become old, yes, but you’re like a little agurg with us, you know, i’d marry you, well, you’re with us, hello, hello, what’s next, mikhail andreevich, buyer of flowers, angels of the area from monday on rtr. hello, dear friends, your favorite program is on air for 60 minutes. 60 minutes, tomorrow on rtl. my name is leonid viktorovich, what is your name? elsa genrikhovna. well, you have an unusual name. come visit me, but it’s inconvenient, i’m a widow. “i’m not calling you on a date, irina pechernikova, i want something like that on a heel, i’m completely out of my mind, veniam smekhov, who are we hiding from, mom, what have you

exhibits are icons, sketches of temple paintings, engravings, books, objects of decorative and applied art ballet defile russian river time on the stage of the variety theater , directed and choreographed by yegor druzhinin with the participation of kristina kretova, anna tikhomirova, hermann barsay, elena solomyanko. premier the play impostors is shown at the theater on pokrovka, staged by mikhail milkis based on the works of pushkin and shili. williams, conducted by antonio popana. barbara hannigan begins a series of concerts with the santa cicilia academy orchestra. the music for theater program included works by gaidan, ofenbach and copland. in petit paul, paris , the exhibition “voice of the forest” is taking place, the theme of which is the work of theodore rousseau, the founder of the barbezon school, which united the first artists who painted on pliner. ruso made nature not only the theme of his creativity, but also their refuge in life. according to wadler, he was a naturalist striving for the ideal and created a new school of french landscape painting in the mid-19th century. tv

art schools, talks about the diversified development of creativity. we are observing such a trend, what today comes to study, to study for in order to then apply oneselfnnect one’s destiny with this, not only with the classical form of art that we are accustomed to, there is conventionally the piano, certain types of instruments, but also others. do you have something like that, do you feel like this - let's say , a moment in time and are you ready to correspond to it? indeed, today's children's art schools, schools of the 21st century, can be said to destroy some stereotypes. but what stereotypes are we talking about? perhaps the main stereotype or misconception is that in moscow schools there are limits and boundaries, to which what you can learn to play on. so what is it? balalaika or ukulele? what do we have in our hands? a mandalin instrument, a stringed, plucked italian instrument, in russia it was popular until the mid-fifties of the 20th century, and then it was supplanted by the stage of the revival of the russian domra, this can be classified as closer to a guitar or closer to a violin, closer to a lute, i’ll build a mandalin similar to a vi

and alexander himself had a hard time. seven times he unsuccessfully applied for painting at the minsk theater and artout that the guy was a believer and was not a member of the komsomol, he was, as they say, cut down in the exam. alexander went to what was then leningrad and, as a free listener, attended lectures at the famous repin academy of arts. he still became an artist. his paintings are now successfully sold, including abroad. this is his bread, his way of... immersing and dissolving, he helps me, he saves me. many of alexander’s paintings depict not only biblical scenes, but also children. this is a tribute to memories, the very beginning of his story as a philanthropist. ninety-five years old, returning home, sasha sees two street children at his entrance. then there was a moment of such poverty when we found many children stealing and washing cars. rich people, they sniffed glue, begged, that is, i live in the center of the city, i constantly watched them when i went to the store, bought food for myself, and it hurt me, of course, to see these hungry children, i sometimes felt like a crimin

arts. he does not apply in those categories yet they have to abide by ego rules and these sciences. and that in itself is of course not freedom of speech and talk across and in his interview he says that for example, this is exactly the same as facebook ends wherever. what we saw that washington is very actively involved behind the scenes that end with twitter, for example, even controlling the feeds that people see what they read to me. and the pressure that he came on the, was it solely from governmental entities is this is what's interesting because he says that actually the pressure of the most pressure here to receive bowls and actually from the government. but it was from apple and google. and why does not matter to him as a telegram, because you need apple and google to download telegram and a of course, sometimes he a bide by those guidelines. he does say we are do our case sometimes. and with this, i will, hey, this is actually, you know, you need to be, they need to be able to say, well, what they believe it's, this is not terrorism, this isn't child pornography. it's just

we also wanted to open up public art opportunities for artist that don't normally apply to public art >> i hope it stays with them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind? >> >> welcome to the city and county of san francisco abatement appeals board meeting this morning at 9:30 am., wednesday, april 17, 2024. this is regular meeting of aiding and abetting please mute yourself if not speaking. >> roll call. >> vice president chavez here. >> thank you. >> president neumann here. >> commissioner sommer here and commissioner williams here we

let's compare our animals and the, those who are attacking you, putting as principally art, i understand, and that we apply them with the kind of one of the largest. so they're buying the road. and of course, uh, of the police stablish it acted to use here in your menu, for example, or in the west, the, to watch, the russia also playing a better role here. and of course, the, to the, to it factor is that we have in elections and the united states domestic policy is not the plan in craver for ukraine. but still it's a huge task for our cultural expert at the end of shell diploma. so not to, let's say she gave off and the just to try to can we saw a product notice uh that the, the word is still going on and that is not to, we're not losing that much as sometimes the rest of the right to portray to to the west and the some commitments us to enforce and the a needed to you're quoting and a citizen sent to ukraine engineer to be fulfilled both come what kind of air defense systems would it be best suited to the ukrainian case here and, and what is the best case scenario in which we could see those actually deli

the main symbol in christianity, it is also a work of art, because icons are created like paintings. onto canvas using paints and brushes are appliedou know what stages the process of painting an icon consists of? regardless of the type of these sacred images, masters and painters must follow certain rules and maintain the accepted sequence when working. the traditional technique of painting an icon has evolved over two millennia; the manufacturing process itself is labor-intensive and lengthy; it all begins with preparing the board, the base, and then applying it. primer, paints are prepared, gilding is performed, after which the process of icon painting and coating takes place alifa icons, the so-called protective layer. what about icons made of natural italian stone? oleg vitalievich popelsky has been manufacturing unique and one-of-a-kind stone products for more than 30 years. a true work of art is born in its own factory. how icons appeared in the master’s life and why he chose stone out of all natural materials, we’ll find out right now. oleg vitalievich, good afternoon. hello. in the living room of vladislav golubok your exh

art schools , talks about the diversified development of creativity. we observe such a trend, then, that today one comes to practice, to study in order to later apply oneselfnd to connect one’s destiny with this, not only with the classical form of art that we are used to, conventionally, the piano, certain types of instruments, but also others. if you have something like that, feel it or you feel it, let’s say , for a moment. but what stereotypes are we talking about? perhaps the main stereotype or misconception is that in moscow schools there are boundaries and limits on what you can learn to play. so what is it? balalaika or ukulele? what do we have in our hands? tool, mandalin, a stringed, plucked italian instrument, it was popular in russia until the mid-fifties. 20th century, and then it was supplanted by the stage of the revival of the russian domra, this can be attributed to what, closer to the guitar , closer to the violin, closer to the lute, the mandalin is similar in structure to the violin, and its strings are g of the small octave, re a of the first octave and e of the second octave, for example, we know that the guitar has a different pitch,

we also wanted to open up public art opportunities for artist that don't normally apply to public artwith them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind? >> good morning. and welcome. it is a glorious day here in san francisco. my name is mia, meeting place manager san francisco. i am thrilled to be here today as we welcome part of our meeting place here at san francisco. this is a really special moment for all of us. i coulden be more excited to be here together with all of you. at inca centers we are committed to transform this beautiful beautiful building into a meeting place, a place tobring people together to meet and eat, to shop and have fun. our journey began last august, and many of you were actually here that day, when the ikea city store opened for the public. and then in

we also wanted to open up public art opportunities for artist that don't normally apply to public arts and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind >> for us, we wish we had our queue and we created spaces that are active. >> food and drinks. there is a lot for a lot of folks and community. for us, it started back in 1966 and it was a diner and where our ancestors gathered to connect. i think coffee and food is the very fabric of our community as well as we take care of each other. to have a pop-up in the tenderloin gives it so much meaning. >> we are always creating impactful meaning of the lives of the people, and once we create a space and focus on the most marginalized, you really include a space for everyone. coffee is so cultural for many communities and we have coffee of maria inspired by my

on one job my kit, i have seven kids, aaron and not believe that that promise will be applies to them. and why an art there are sick today i was a kid juvenile diabetes, a pediatrician typically would see one case ms entire lifetime. >> did >> a one out of every three kids walked into his office is prediabetic are diabetic. why isn't the political establish where we're spending more on diabetes and we are a defense budget why isn't a political abbott's been talking about this? we ought to be solving this problem so why are health agencies never even asking this question >> you just mentioned seven children and i'm and i'm wondering is we sit here and you're doing this interview. you're doing interviews, you're doing rallies, and you're running the candidacy that you're running has cost you a lot personally. it is cost you sibling's family members have spoken out against what you're doing they are angry, they're upset, they're hurt. your >> sister. worry was on our show recently and she spoke about at jfk's grandson also posted on social media overnight something i don't know if you saw it. i wanted t

not only the main symbol in christianity, it is also a work of art, because icons are created like paintings. the faces of saints are appliedthy. it all starts with preparing the board, the base, then the primer is applied, the paints are prepared, gilding is done, after which the process itself takes place. icon painting and covering the icon with alifa, the so-called protective layer. what about icons made of natural italian stone? oleg vitalievich popelsky has been manufacturing unique and one-of-a-kind stone products for more than 30 years. real works of art are born in his own factory, just like icons appeared in the life of a master, he will find out why he chose stone out of all natural materials. right now. oleg vitalievich, good afternoon. hello.

i was the critic at the arts paper, the art critic sorry, art critic at the school's paper. and i wound up on a whim applying to the emerging critics fellowship for the national book critics circle. and i learned a lot from my mentors out there and, you know, a few years later down the line, i found myself on the board, which is still feels crazy, but it's been over a long way around. i wasn't a straight path at all. what is the national book critics circle? we are a critic, run or organization that seeks to promote literature and literacy in the u.s. although we have recently launched the translation in private believe is in its third year. we are not funded by any publishers. we're purely independent. so we like to believe that that allows us like latitude in terms of judgment, but also. independence as far as uniqueness, as far as titles, we like to think our lists are a little more onerous than other lists just because of 24 people in a room arguing about books all year and every year. the book critics circle gives out awards as well. right. we do. we give out awards and criticism. nonfiction fiction, po

i was the critic at the arts paper, the art critic sorry, art critic at the school's paper. and i wound up on a whim applying to the emerging critics fellowship for the national book critics circle. and i learned a lot from my mentors out there and, you know, a few years later down the line, i found myself on the board, which is still feels crazy, but it's been over a long way around. i wasn't a straight path at all. what is the national book critics circle? we are a critic, run or organization that seeks to promote literature and literacy in the u.s. although we have recently launched the translation in private believe is in its third year. we are not funded by any publishers. we're purely independent. so we like to believe that that allows us like latitude in terms of judgment, but also. independence as far as uniqueness, as far as titles, we like to think our lists are a little more onerous than other lists just because of 24 people in a room arguing about books all year and every year. the book critics circle gives out awards as well. right. we do. we give out awards and criticism. nonfiction fiction, po