you are seeing the very delicate appliquÉ, silk applique fabric that is covering in this case the shawl there is at least 10 different types of silk fabric in here. again, traded likely from europe. at this time, this is one british controlled regions, new france had fallen. technique is very much indicative of menominee cross-motion, women seamstresses that were working on this costume right around the turn of the 19th century. these are the leggings. these would have been lower knee and down. with this wonderful geometric pattern, as well as these seed beads that exist around the edge, indicative of early types of trade items. those were the primary commodities that came, along with bolts of fabric, before then turning it into costumes and different styles of a particular american indian tradition or in this case, the blending of a french american indian tradition. we are looking at a shadow of one of the most famous people in wisconsin history. this is a coat that is from the british indian agency, searching by thea 1770, worn father of wisconsin. he comes to wisconsin in about 1745,

you are seeing the very delicate applique, silk applique fabric that is covering in this case the shawl. that is not on exhibit downstairs, but there is at least 10 different types of silk fabric in here. again, traded likely from europe. at this time, this is one british controlled regions, new france had fallen. the style and technique is very much indicative of menominee craftsmanship. probably, women seamstresses that were working on this costume right around the turn of the 19th century. these are the leggings. these would have been lower knee and down. again with this wonderful geometric pattern, as well as these seed beads that exist all the way along the edge, indicative of early types of trade items. those were the primary commodities that came, along with bolts of fabric, before then turning it into costumes and different styles of a particular american indian tradition or in this case, the blending of a french american indian tradition. we are looking at a shadow of one of the most famous people in wisconsin history. this is a coat that is from the british indian agency, circ

you are seeing the very delicate applique, silk applique fabric that is covering in this case the shawl. that is not on exhibit downstairs, but there is at least 10 different types of silk fabric in here. again, traded likely from europe. at this time, this is one british controlled regions, new france had fallen. the style and technique is very much indicative of menominee craftsmanship. probably, women seamstresses that were working on this costume right around the turn of the 19th century. these are the leggings. these would have been lower knee and down. again with this wonderful geometric pattern, as well as these seed beads that exist all the way along the edge, indicative of early types of trade items. those were the primary commodities that came, along with bolts of fabric, before then turning it into costumes and different styles of a particular american indian tradition or in this case, the blending of a french american indian tradition. we are looking at a shadow of one of the most famous people in wisconsin history. this is a coat that is from the british indian agency, circ

appliquÉ,ate silk fabric that is covering this -- in this case a shawl.differentt least 10 types of silk fabric in here. again, traded likely from europe. this is one the british controlled the region, new france at fallen by then, of course, but the style and technique is very much indicative of menominee cressman ship. craftmenship.pms - they were indicative of the trade items, these beads. they were some of the primary commodities that came, as well as bolts of fabric. an americantyles of indian tradition, a blending of french-american tradition. ofare looking at a shadow one of the most famous people in wisconsin history. this is a coat that is from the circah indian agency, 1770, that was worn by the wisconsin.odern west tradether is in the fur business. he establishes as one of the first residential families and what is now modern wisconsin. it is very rare, one of the few, if not only, examples of a british era indian agency code. we have a duplicate on exhibit in the permanent gallery. that was installed in 1990. , these of its fragility museum be

i have to look for the appliquÉ to the application process to the screening, to the certification, tothe hiring and the actual higher and engaging. all of that is happening right now. that is my responsibility. i can't speak to what happened in the past, but i can speak to the future. my role. what is your role? two maria's point i'm a to be tacking about it ourselves yet those of you on federal government -- and federal government, you need to be talking about the role you play, how important it is an encouraging young people, people of all experience to join in. they are like the corporate communities, the jobs become fewer. the skills are becoming more targeted to extend skills are very, very important to the federal government as in the corporate community. those who think we have to deal with, we don't have to be stopped by. so as we take a look going forward about what we are changing, we are looking at everything that is implicated and how we higher better talent, stronger talent, more talent to the federal work force in making sure that latinos are part of that. >> let's go to

. ♪ put on your mom jeans >> get a free applique with every mom jean purchase at jcpenney. >> yeah, girl god. okay. >> come here. >> that was perfect. that was perfect. >> excellent. >> can we turn around for this shot? >> oh, no! >> excuse me. >> it reminds me, time for easter. somebody get the ham. >> al, we have something for you. >> right. >> we know you love the blues brothers and guess what, mr. roker, a special message from elwood himself. take a look. >> hey, al, happy halloween. definitely my favorite feast day of the year. and who makes a better blues brother than you, my friend? have a great time. be safe. stay on the sidewalk. >> all right! early this year. >> and there's more. natalie, we have something -- check this out for you, nat. >> hi, natalie. i'm molly shannon. so glad you dressed up as mary katherine gallagher. i have one tip for you. if anyone gives you a problem, go up to them and say, hello, i'm natalie and i'm a superstar! >> we have molly and dan and we've got the real julia sweeney. is this snl all over again for you? >> it is. it's so crazy. >> how did matt d