they're trying to mobilize apro-brazilian youth to push the then-government to recognize black historyl, to reform the curricula in order to teach about the uprising of 1835. this was a slave revolt that failed, launched largely by slaves. so i remember talking to them, hanging out, and he tells me, you know, here in brazil hip-hok has a moral advantage over all other musical genres. is it that way in america? hmm, what a question, right? so it got me thinking about the globalization of hip-hop, the globalization of black radicalism. and i set out to write a book on music, black internationalism and u.s. foreign policy, especially policy towards the islamic world, right? the war on terror and so on. i had a wonderful time doing the research. i think my favorite part was getting to meet and interview the jazz elders, randy west and yousef latif and others, and it's an honor to be in this building. for instance, in 2008 i went out to milwaukee to meet with rashid ahmed, the patriarch of the community. he passed away earlier this year, he was 86 years old back then, a jazz officionado, a