this is the group between music, their latest show is the first in a four part series called aquasonicman beings and it begins with our time in the womb. we are so often divided between you and me, them and us, different religions and different cultures, but this is something we all know something about. we have our first nine months covered by this water filter, so i think somehow the audience, i think they are on at least an unconscious level will have a flashback to hearing those sounds. so as performers, how does it feel when you are underwater performing to an audience? it gets really, somehow a sense of loneliness to it. there is not only a visual loneliness to see these humans in the tanks, but also the sound has a kind of loneliness to it, i think that is quite a nice idea. so, here goes. 0ne deep breath and well, actually this is quite nice. you are doing good! it is lovely and warm. yeah. this is great. so if you take this microphone that is hanging and then you hit this bell plate, you see the one? yes, this one here? yes. then you take the microphone and put it towards it.

i was approached by, i think it was one of the new production guys for aquasonic, when they needed someion. i tried a lot of things in a small tank of water here and was astonished by how many things just literallyjust go clunk and don't do anything else. you know, all of the high frequencies that shimmer like a cymbal alljust disappears. so with various experiments, trying this and that, we sort of narrowed down on those instruments need to be heavy and massive and could sustain and contain a certain amount of sonic energy and then they'll radiate out in time so the water doesn't kill it too quickly. well, it is always good to find something that is not working and figure out how to make it work. back in denmark, i am beginning to think i am a bit of a natural. and then maybe you should just pull the darbuka to the front window and then you can sort of, if you hit it with a hammer, you can close the sound with your hand. another thing, if you take — there is a small stick on the top of the — yeah, exactly. and you can use that for the ring over there, with the holes in it. 0h, 0k. ooh!

this is the group between music, their latest show is the first in a four part series called aquasonicrent religions and different cultures, but this is something we all know something about. we have our first nine months covered by this water filter, so i think somehow the audience, i think they are on at least an unconscious level will have a flashback to hearing those sounds. so as performers, how does it feel when you are underwater performing to an audience? it gets really, somehow a sense of loneliness to it. there is not only a visual loneliness to see these humans in the tanks, but also the sound has a kind of loneliness to it, i think that is quite a nice idea. so, here goes. one deep breath and well, actually this is quite nice. you are doing good! it is lovely and warm. yeah. this is great. so if you take this microphone that is hanging and then you hit this bell plate, you see the one? yes, this one here? yes. then you take the microphone and put it towards it. do you hear that effect? then you can sort of play with it. playing music in water has two sides. on one side it i