cronkite, so to speak, a famous announcer, i remember when i showed this film to georgy arkadyevich arbatovtor of the institute of the united states of america and canada, he says that you... advertise, he says, walter cronkite, i say, got up and left, these are arbatov's words there were, i remember, well, well, this film, you know, jim, you know, watched it, and as al giddins already told me, he says, everyone had already left the theater, and we sat for 2.5 hours, he says, talked, so, in general, he says, jim asked many times, asked about me, wanted to meet with me, so the first meeting was in july...

film, so to speak, a famous announcer, i remember when i showed this film... to georgy arkadyevich arbatov, director of the institute of the united states of america and canada, he says that you are being advertised, says walter cronkie, i say got up and left, these were arbatov's words, i remember, well, well, this film, so, jim, so, watched it, and as al giddings already told me, he says, everyone had already left the hall, and we sat for 2.5 hours, he says, talked, so. in general, he says, gene asked a lot of questions, asked about me, wanted to meet with me, so the first meeting in july 1992, al giddings and jim cameron come, so in moscow, we immediately, that is, move from sheremetyevo to vnukovo and fly to kaliningrad, where kelzysh was stationed with two worlds, that was our first meeting, we, that is, like... jim really liked this film, so, well , that means, as a result, there was another meeting, i flew, that means, jim invited me to los angeles, but the thing is that so far nothing came of it, i wrote to jim, then, that means, well , a fax, there was no e-mail then, well, i wrot

he says that you... advertise, he says, walter cronkie, i, he says, got up and left, these were arbatov'sds, i remember, well, well , this film, you see, jim, you see, and as al giddins already told me, he says, everyone had already left the hall, and we sat for 2.5 hours, he says, talked, so in general, he says, gene asked many times, asked about me, wanted to meet with me, here is the first meeting in july... very interesting, of course, everyone really liked this thing, so to speak, jim was very puzzled that we, so to speak, like this, so this is what we did to him. it was 5 years before the release of titanic in 1997, if you count 1997, practically yes, 1997, well then 2 years were spent on different things, well he thought, well and as dzon bruno, his special effects assistant, told me later , says that it is very difficult, since it is a lot of money, it is one thing to shoot in a studio, here we know everything, so to speak, ourselves, so we guarantee success. and here he says, well, who knows, what could be, of course, you made a film there, jim, he really liked it, jim liked this

i, ukhov, and i , arbatov. that's it.aid seats are possible. listen, comrade mukhov, don't please, lift my head, there are no seats. oh, that's it, please, oh, i don't like it, i love iskimo, what a nightmare, comrade, there are no tickets, oh, it's a shame, when, and we wanted to see, and the main thing is that the director is not here, he certainly would not have refused me, well, let's go, let's go, wait, one minute, comrades, who has an extra ticket, i need four tickets, any money, please, here, please, what, no, really, does no one have extra tickets, comrade, do you have extra tickets, who has extra tickets, comrades, do you have extra tickets, forgive me, please, no be surprised, i see you have two tickets, you are husband and wife, it is visible to the naked eye, you understand, you have been happy for a long time, but what does it matter to you, you will always be happy, and i... lovely, i will have to go home. please, i do not use, and have you known olenka for a long time? yes, for a long time, and you? and me

, well, that's it, comrade arbatov, i beg you, arrange three seats for me at this session, paid ones possible, listen, comrade mukhov, yes, no freeze my head please, there are no seats, given, that's it, please, oh, i don't like it, i love iskimo, well, it's a nightmare, comrade, there are no tickets, oh, it's a shame, when, and we wanted to see it, and the head director is not there, he certainly wouldn't refuse me, well, let's go , let's go, wait, one minute, comrades, who has an extra ticket, i need four tickets, any money, please, here you go, that's it, no, well, really, does no one have extra tickets, comrade, there are extra tickets. who has extra tickets, comrades, do you have extra tickets, forgive me, please, no be surprised, i see you have two tickets, you are husband and wife, it is visible to the naked eye, you understand, you have been happy for a long time, but what does it matter to you, you will always be happy, and i, you understand, i am not happy, i fell in love with a man and we cannot go to the cinema, you give me your tickets, and leave me alone, remember your

the abyss, he... what is advertising you, says walter cronkie, i say, got up and left, these were arbatov'smber, well, well, this film, then, jim, then, watched, and how al giddins told me this already, he says, everyone had already left the hall, and we sat for 2.5 hours, he says, we talked, so, in general, he says, gene asked a lot of questions, asked about me, wanted to meet me, so the first meeting in... it was very interesting, of course, everyone really , so to speak, liked this thing, jim was very puzzled that we, so to speak, like this, like this, then, arranged a reception for him, this was 5 years before the release of titanic on the screens in ninety-seven, if you count ninety-seven, well, practically yes, ninety-seventh, well then 2 years were spent on - different things, well he thought, well and as john bruno later told me, his... special effects assistant, he says that it is very difficult, since there is a lot of money, it is one thing to shoot in a studio, here we all, so to speak, know ourselves, so we guarantee success, and here he says, well, who knows, maybe, of course,